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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • Part 5: The act of maiming things (iteration)

     

    “Everything has happened.”–Sylvia Plath

    you are here

  • kitten ears and painted whiskers
    tumble down my block   in rows
    rehearsed
    in leotards and black lace gloves.
    yowls float through
    open window
    TV taught them how to meow
    for Kit Kats   Snickers Almond Joys
    male applause.
    one bends over to tie her shoe
    and seduce the nearest father;
    he eyes the crevice peeking through her
    black tights. 

    I’m dressed like Glinda the Good
    Witch but sluttier: crop sequin top
    and matching sequin mini skirt,
    star wand and hair in pink curls
    and crown and bubble gum lip gloss.
    hovering in a sing song
    way, I’m on my front steps
    throwing out Peanut Chews and
    I burned a sigil for this
    I whisper to the small girl.
    she wants attention from her own father:
    a photograph or upward twirl,
    burning torch,
    purr in his lap while he strokes her hair
    without fetish
    or just acknowledgment that she is the prettiest
    girl dressed up as space cat,
    those others are unoriginal, just regular
    cats, he says I love yours best
    and pats her on her head
    and there is no offense taken.
    she will grow up  to be even smaller
    than  she supposed:

    silent    enduring still,
    not awake in her own power,
    her own body
    like a stillborn tiger:
    expelled with a tear,
    coated in the blood of her mother’s
    screams as no one prepared her for the
    slow cooked torture;
    ecstasy following expelling
    something
    parasitic and omniscient;
    a future rival.
    she lands on the floor
    fetal,
    the thing no one wanted
    without even a congratulations!
    bouquet or a single lotus
    to symbolize completion.

    we aren’t worthy of those feline
    endowments thrust upon us
    when we are playing
    mole     carcass on the doormat
    aborted from our burrowed holes
    for something more vociferous
    to grab onto and finish,
    our kinship;  the lions.
    we are nothing like our ancestors.
    our virile mothers
    who know nothing of preening
    or tail feathers.
    take what they want.
    they don’t grovel at their fathers’ feet.
    they honor the slaughter,
    the one they started
    before the harvest and pay homage
    to the sky for the water provided
    before they stuff themselves
    with vision.

    we lack vision.
    we just paint our nails black
    and dress like witches,
    talk shit;
    start shit for derision.
    and we keep turning to our men
    for forgiveness when we are wayward
    or won’t marry them
    or stand up when they
    crush our necks and they
    say the rope is coming next.
    we should be
    stuffing our faces with the meat they provided,
    learning fillet knives,
    smiling like shovels and
    burying them.

    she’s got a silver tulle gown.
    matching silver flats, black tights and
    a silver and black crown.
    eyes with those white orbs
    and reserved.
    I lean down to meet her.
    Happy Halloween, princess,
    I toss an extra piece in her
    pumpkin: may the odds
    be forever in your
    favor. 


    “Halloween”

     

    FINISHED

  •  

    My name is Lilian,
    I begin.
    Short for Liliana.
    Liliana isn’t that long
    but it’s not a puritan name.
    he nods.
    I am choosing to document what
    happened from beginning to end.

    For clarity,
    he interjects.
    Can you explain what you mean
    by what happened?

    I don’t mention that he interrupted
    me, that I was explaining it.
    instead I smile sweetly and
    say of course,
    I am going to tell you the story
    of how I secretly murdered three men
    and got away with it.

    this was years ago of course,
    I wave my hands over the table.

     

    he nods.

    he has already told me that if I want him
    to stop recording I just hold my hand up.
    I smile.
    I smile.
    I smile, and a sweet voice
    coos
    stay.
    I take a deep breath and begin
    to tell it all in linear order.
    my first instinct is to freeze,
    then fight then flee.

    then confess everything.

    “Lilian”

  • I first named myself
    Sada Black.
    this was years ago,
    January 2017.
    actually I first named myself
    Sarah Recusant, sometime
    spring of 2012.
    I used to meet strange men
    in strange places or in my studio
    apartment, linoleum flooring
    covered in dust and let them
    photograph me naked,
    legs closed and grit
    when they asked for more.
    I have never been nice.
    I have always been a nihilist.
    I’ve always been ethnically
    and age ambiguous.
    I’ve always had

    a propensity for lies,
    or as my family
    cutely named them,
    jokes.
    secrets.

    I do better solo.
    shoplift solo.
    grift solo.
    wander solo.
    walk.
    when I began to walk the night
    in heels, I began to emit
    a low growl to evoke
    the corner walls to talk.
    when I began to tell the jokes,
    I began to show them
    my letter opener first.
    when I began to crack a smile,
    they felt the first pinch of skin
    opening.
    I give an inch, you
    take a mile?
    when they cried out,
    I began to review the rules:

    1. Do not make a single sound.

     

    and I lifted my skirt to
    show them the right leg
    with the right one to cut.

     

    “Sada Black”

  • sarah,
    we are begging you
    to run away from this.
    throughout my life,
    I’ve heard this little voice:
    run.
    that’s all it would say
    run
    and I used to think it was asking me to run
    specifically
    from a feeling or person
    or there was a danger in my mind,
    as it always happened when I daydreamed.
    entombed in that kind of fanciful wave.
    the intrusive thought happened
    so frequently and  didn’t align
    with my natural healing
    which was to stare at a mirror
    that’s also a lie.
    my natural inclination is
    to freeze, fight
    then flee.

    I was told that when it started
    a voice that sounded like
    mine would start to repeat things to
    me but not to be alarmed
    and
    try not to repeat them out loud
    as she says them.
    that was the trick.
    keep walking calmly and wait until you
    hear run.
    run.
    always sounding like mine
    but less scratchy from the daily
    inhalation
    so I can’t discern between
    thoughts, preternatural omens
    or the fantastic bubble I keep
    my life immured inside like
    quiet coffin, or

    orchestra.
    don’t touch that.

     

    I stand up in six inch platforms
    my name is Catarina Kacyrek.
    jaw shut, stern, no feeling behind
    his eyes. me? I’m chilling,
    fresh stamped cattle on
    cattle ranch.
    you polish? he says in
    a thick Russian accent.
    third generation,
    I say without tremble
    may I come in?
    I have to be invited.
    but not only that,
    I’m surrounded by two
    large men  with two fillets
    in mind so I am a bit
    stalling.  understanding
    suddenly when I hear the
    meek
    run and also
    most men roll in packs,
    and a gift:
    he who stands at the place,
    goes back.

    but my first inclination is to
    freeze,
    then fight.

     

    “the aliases” or “the woman who saw her own death”

  • “your end game is establishing psychic stability
    with extreme ordeals as part of your
    metamorphosis.”

    my need for superfluous
    fluctuations in behavior,
    lifestyle and mood.
    I am  God-drawn,
    celibate,
    obsessively
    testing myself and
    binding myself to
    new conviction,

    I am wrapping myself
    in my insistent
    unhinging,
    and my lovers’ brides
    for the way they scream your
    name into the pillow.
    but I am distant.
    I am giant.
    I am waving my hands
    in the air and calling it
    time.

    the solution to all things
    is to wait. oh, I am far,
    far away and
    quiet in my cave,
    becoming whatever I say
    am..
    becoming whatever I say.

    be careful what you say.


    “the magician”

  • sarah,
    we are begging you
    to run away from this.
    I was told that when it started
    a voice that sounded like
    mine would start to repeat things to
    me but not to be alarmed and
    try not to repeat them out loud.
    keep walking calmly and wait until you
    hear run. 

     

    I stand up,
    my name is Catarina Kacyrek.
    you polish?
    third generation.
    I say this proudly.
    may I come in?
    I have to be invited. 

     

    “the aliases”

  • what does the word emotionally available mean to you?
    my therapist asks me. 

     

    it’s nonsense, I think,
    no one is ready.
    I know my problems.
    have taken inventory.
    taken a fourth step.
    haven’t taken a drink in years.
    seen this woman every two weeks
    for four of them.
    t’s amazing how mired in
    a cloud you can be while constantly
    checking yourself.
    this is the cloud I live in:
    of close but never ready.

    “I have that effect on people,”
    I accidentally say out loud.
    what effect?
    she asks scrupulously.

     

    sometimes I just stop in the middle of things,
    realize I am murmuring or gesturing
    or five miles past where I need to be.
    it’s happened.
    my knees are weak.
    i’m outside in front of a brick townhouse
    with a white bunny on the window and in
    light yellow letters it says
    “Happy Easter!”
    I have no idea what day it is and
    I want to take the mask off.
    no keep the mask on.
    it’s dirty outside.
    I used to stick my hands
    squarely in mud and
    pull up clumps to catch worms.
    nothing is ever coming back.
    I have that effect on people.
    “I can’t believe im gonna fucking live
    through this,”I say out loud and a woman
    with a chihuahua
    walks the other way.
    of what?
    I hear her say.
    what effect?

     

    I  really shouldn’t lie this much
    I think to myself but I keep going,
    keeping appointments,
    keeping arrangements.
    my thighs burn.
    I don’t drink enough water.
    I meet him at the corner of 12th and locust.
    I keep my mask on.
    I don’t extend my hand
    but I turn on: a bright
    bulb of sanguine excitement.

     

    Hi!
    I’m Ava Allinger,
    the one who emailed you.
    I am a nurse at Jefferson
    looking for some extra disposable
    scalpels.

     

    I feel like I should tell my therapist
    about the aliases,
    and the lies but instead
    I just say,

     

    I dont know what I mean
    and shrug.

     


    “the aliases”

  •  

     but to you there’s no difference between
    decimation and solution,
    so you’re palms out
    begging for it
    full of resolve
    and here comes the reaper
    wearing your blood.

    “Saturn in Scorpio”

  • this was years ago.
    the first time I told them about it.

    sitting on the edge of the bay
    on a borrowed blanket,
    I was vomiting up
    an Everclear Slurpee
    and peeling back the bottom
    of your parent’s quilt realizing
    I had covered the entrance of the
    ghost crab’s home.
    I was embroiled in my own
    deafening philosophy
    about the closing of the day;
    the way it moved–
    death,
    like an itinerant wave
    that followed me
    and only me,
    everywhere.
    I coughed that up second,
    and finally to tell you
    the rituals were there to
    keep me safe.

    the tide crept back
    and I heard you light a cigarette,
    felt myself starting to drown again
    and then your hand on my thigh
    and then nothing at all.
    pain subsides in very
    miniscule amounts
    of time
    if  you don’t
    repeat the
    story. 

    (do not repeat the story)

    but I’m
    witnessing plane crashes
    and matching the numbers to the proper
    order, reorganizing mantles
    and bleaching my teeth and
    every inch of my house.
    first, you have to feel safe.
    I begin to build the glass
    around me
    and turning to you again, I
    implore you to pick a title and
    stick with it.   for me, I say:
    do you like warnings or do you
    like to drown?

    I think at some point
    you have earned the right to say
    I know already because you lived it
    without acquiescing to
    authority so I asked
    to see it first:
    the river’s mouth,
    even though they said
    I’d never make it.
    I never said I didn’t
    deserve it
    just that I could outrun it
    if they gave it.

    “warnings”

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