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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • i’m draped in
    fluorescent lighting,
    mollifying.
    I come to myself

    collapse on top
    of the thing playing
    footstool
    before he stretches out his back,
    bored  house cat.

    licks the cream from an inner thigh.
    my unpolished toes curl
    in revulsion.
    chairs squeak;
    someone coughs and
    adjusts the lights,
    I blot my mouth and cheeks
    with an embroidered handkerchief
    whose initials aren’t mine.

    find my heels.

    pull my blouse over my tender chest,
    try not to look in any mirrors
    on the way out
    and notice the exit sign
    shimmering,
    more red
    than usual.

    “how we meet”

  • I lacked honesty.
    I portrayed a happy buoyancy,
    a lightness to my character
    that implied some solid
    stable
    support and my life
    and when they were lucky enough to get
    to know me, to see this
    very lonely,

    very pointed woman.
    barbs
    all
    down
    the
    stomach
    and a persistent moodiness
    managed often by drugs.

    they didn’t question when
    i licked the powder off the table.
    or gulped the last of wine from bottle.
    when i became substance personified,
    relieved I’d found a way to hush,
    smile, walk again
    for miles. to leave
    them.

  • for some of us,
    freedom was a legend;
    a cage of smudged windows
    a foiled pine for everything.
    crippled twirl,
    pace around the apartment
    with a wand in hand,
    repetitive crescendo in head,
    tennis elbow from the instinctual
    bend.

    or the sudden broken glass
    on the porch, the
    knot of fervent caterpillars
    sliding through my guts and
    prematurely spilling
    out onto the floor,
    dissolving into pools of blood
    like little girls ripped in pieces
    in the midst of a tornado’s whirl
    when they should have hid in the cellar,
    waited patiently.

    incubated until  the day is finally warm
    and facing them,
    tear through the tether
    unbridled in exodus, unimpeded
    and ready to transform into grand ideas,
    take off without interruption
    like the little girl’s
    nascent scorn; 

    now grown,
    an envoy of acrimony
    and the blue-black tones of
    home, I pause here to ask myself
    before I commit to the
    flight,: what does metamorphosis
    really feel like? 
    there is a visceral reply:
      my skin
    tearing at the thread of
    each inside, each wound
    and stretching wide
    for me to see,    wide
    enough to case the sky
    and black inside turned
    outside;  now
    black each wing of
    bone and vine,
    black my eyes and
    black the sea I shoot
    from; everything I touch is black
    like me,

    and I can see for miles.

    “transition (pt. 2)”

  • my hands are currently stinging,
    ungloved and pallid and I do
    this daily, these walks with my hands out.
    I never wear gloves and I never put them in my pockets.

    often times I blink,
    realizing I’m not somewhere I thought I was.
    sometimes feeling I’m back on a street
    in Virginia.
    kids always watch me. 


    they’re the only ones that see me muttering
    under my breath,
    fingers curved then moving
    like I’m counting
    my thoughts as they digest
    they smile.
    they don’t think the same as adults
    and can see secrets. I’m crazy. I change my route mid route passing them,
    deciding suddenly to get coffee from a different place.
    I  had been to the other place three times this week
    and I don’t want anyone to know me.

  • to seek me meant
    pleasure in ineffability,
    a loss for words perhaps
    out of fear of my retaliation
    and to remain hidden
    from some parts of the depth
    of me and from the world with
    me. I prefer the furtive
    curl against another.
    the unutterable and silent
    worship
    drives this depth
    and the others and
    you and me
    like rifts adrift
    like that, the moment
    I turn my head.
    I like to live,
    eat, sleep alone
    and move the country
    this way; solo,
    home
    a solitary war
    between
    picking up impulse
    and
    deep, deep reflection
    upon impulse
    control.

    I’m so sensitive
    though
    that if I settle into
    think and spread
    the cards like a fan,
    I’d feel it out
    in five seconds
    eyes closed.
    show me,
    she said.
    show me one year
    show me two years
    show me three years.
    flip it and
    it’s the King of Cups,
    again.

    plus I’d pick the right
    song to match.
    get the numbers to flash 3:13,
    my lucky bet. “duplicity”

  • “And you will know the difference between the two?”
    “The difference between a truth and a lie?” he asked to clarify. 

    “No,” she said. “The difference between how I got here and the weirdest thing about me.”

  • of course i would never kill
    a child.
    I continued with her,
    but the question was
    how do we make something like
    the death penalty less of
    a moral argument?
    and the only way to take morality
    out of law is to write clauses that
    outline exactly what will happen
    and under what circumstances and
    then without reneging, go and
    enforce it every single time.

    these are authoritarian things.

    but I didn’t agree with any of it
    so I felt like battling me
    was moot but I enjoyed the spectacle
    and had, for no reason, invited
    a male friend to join me in
    class that day.
    I too was interested in
    motive but we cannot prove
    intent truly without
    absolute confession.
    and even then, we may
    doubt what we hear
    if it doesn’t align with
    what we want.


    “events #2”

    she was pandering to my 
    emotion, calling this episode
    a real child.

    she said you said kill everyone.
    I never said kill everyone, I said
    if the law is  x=x then it’s x.
    I could see her reaching for
    the feminine in me
    whichas far as I could see
    was straddled and leaning back.
    confident enough to be the first one
    to volunteer for the exercise,
    which I remind her, is not
    examining the morality of the law
    itself but to remove debate around it
    so that it may be better enforced,
    without outcry and fairly.


    when I finished nine hands
    went up. we were a class of eighteen.
    unsure of why
    I volunteered for the exercise
    first, and given the freedom to begin
    with any declaration, why I chose to
    examine how mass assassinations

    could really kick things off to accept
    blindly that some people are
    executed. and some people ought
    to be.

    the argument was not over
    until all counter points had been examined,
    the professor said.
    she was tall and smiling when
    I spoke and I felt thankful for her
    defense of me any time she reiterated,
    I was correct in re-summarizing the
    exercise for each of the
    nine hands that went up,
    consuming the bell with a
    theoretical society that arbited
    punishment blindly as the statue
    alluded to also,
    the society we have tried to
    have now is composed of
    criterion like that. 


    I was eighteen and glowing
    and enjoying the attention
    with zero conviction about
    the death penalty.
    and when it came back to
    her, and she presented it again
    after many others had spoke,
    I am sure I said,
    to be perfectly frank,
    we would HAVE to
    kill the child in order
    to make the law work.

    and then I just kind of laughed
    because the exercise itself asked you to
    first pick a side and fight for it;
    not to defend the death penalty
    but to remove morality from law
    having the freedom to remove all
    structures of law around murder,
    I could have created a punishless state
    in which murderers walked free
    or a Hammurabi and it is with the
    same amount of callousness that I
    have begun to plant
    nightshade around your house.

    probability being like

    you probably like to touch

    things like me

    and thinking it

    to be Queen Anne’s Lace

    giving it to your girl

    for Valentine’s Day.

    “Valentine’s Day part #1”

  • my interest was
    social experimentation.
    it’s why I went to college.
    to be educated on the ways
    to manipulate small crowds
    and because of my naivete,
    I did not realize at first
    that my interest in sociopaths
    was reflection.
    but I find serial killers
    to be undeniably weak
    in their compulsion.

    they are artless megalomaniacs.
    you could just as easily garden
    with the same amount of torrid wonder.
    learn to grow nightshade and then
    plant it all over town
    in places where people smell
    flowers and pick weeds for each
    other.
    but these are men. and
    they have to be known.
    I’ve always had to cross my
    legs.


    Mrs. Shepherd said you
    cannot bet on things that talk,
    Ava,
    when I interjected to
    share my observation that
    the same formulas can be applied to people
    when presenting with the same patterns over time.
    they would be seen as a fixed event
    because they have not wavered in
    reliability yet.

    another time I stated calmly to
    my ethics class that the best way to enforce
    a law to ensure it gets a message across
    is to enforce it blindly.
    if you believe in the death penalty
    make a black and a white clause;
    no matter what the circumstances,
    calculated homicide will put you
    in the electric chair and then they
    wouldn’t quibble with the details.

    the first girl to shoot her hand up
    was the most riled by my
    eyebrow lift and when
    she presented to me a Law and Order episode
    where the murderer was a child,
    I dropped the brow and lifted
    the mouth and I said
    then kill the child,
    bitch.

    “events #1” or “effect of varying events”

  • It all started when I was five and he bent me over and said

    here’s what it’s like

    to fuck a man

    I set the example of

    safety in malice.

    what do I deserve?

    what is fair?

  • it feels like
    government fingers
    and pricked skin,
    unbled,
    veins everywhere.
    sleep.
    an interrupted sleep
    and a train coming by,
    every fifteen minutes or so.
    and cold.
    I hate gloves
    so my bare fingers trace
    the pole,
    sleet.

    I named the feeling
    of living in Philly
    gray but this particular
    day is 

    “allegheny station”

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