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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • “You came to twirling in a pool in a prom dress on ecstasy on saturday morning. We were past college. We were adults.”

     

    The Red Book, or Men I’ve Fucked.

     

     

  • This next section is called: finale.

  • There’s no space or time,
    only intensity,
    and tame things,
    have no immensity

    —Mina lay

  • the theme this year is handmade
    and hidden.

    eat your chocolate-covered raspberries
    and please,
    try not to cry:
    not in public,
    and not in that dress.
    not on this day.
    wipe your sticky handprint
    on a towel and throw it in the
    hamper.
    blot your glistening lipstick
    on a tissue and make sure it
    makes it to the wastebasket.
    wipe the counters with lemon-scented
    dish soap.
    light a candle.
    set the table.

    embrace him when he enters.
    he made those carob-coated kisses
    from scratch.
    you deserve this and
    he deserves that.
    you earned that swelling thing.
    he earned that red ring around his finger and
    his base
    and that homemade batch of quick mix cupcakes;
    the cardboard  leaks into the batter
    but you mostly taste the crushing waste of
    conversation, of
    years together, of your
    creativity misplaced.

    today is priceless and
    boy, you sure worked  hard at hiding those
    resentments.
    you should be rewarded.
    wet your whistle with some low class
    cognac.
    show some teeth,
    bat an eyelash.
    give those big burgundy lips a big, juicy
    smack.
    make him yearn for those polished tips
    climbing down his back;
    sculpted to scoop frosting,
    you let him taste the vanilla from your
    index.
    make him work the dishwasher for it.

    but first make sure he swallows each
    homemade mouthful;
    gulps each morsel,
    glazes his throat and everything that touches it
    sticks.
    he’s satisfied his girl can do this;
    his girl can prove it.
    wait til you hear his lips smack back.
    boy, you sure look good in that apron
    hovering over him, a domestic
    giant and he looks so good
    choking at  your ankles
    tasting all your sprinkled
    thumbtacks.

    “valentine’s day”

  • you’re precarious, and I write a final
    warning in the sky:
    get out of this town.

    but you want to show something off:
    gather your pack,
    skin some hides,
    cross into this side of the hills.
    yea, I’d risk swapping infections with you:
    scarf down the whole town in an effort to escape
    yourself, myself,
    we both fuck and run
    for fun,
    but it seems I’ve been absconded
    from my all male zoo, and
    you salt my face with spit
    when you tell me
    you’re mine
    and you’re snacking on my cheeks,
    really laughing this time.
    I’m yours for the slaughter,
    wild elk for the taking.
    besides, I’m the only one left
    who doesn’t scream
    when you chase me.

    you’re a wolf.
    I’m a swaddled baby
    trapped in a cave,
    I’ll prove it,
    come taste me.
    abandon your cloak,
    the cover of trees
    camouflaged in the leaves,
    fur like bark
    so I mark you on accident
    with my sordid tongue pen.
    I leave my initials everywhere I’ve
    ever been.

    come find me and
    feed.
    treat me like you need me
    to survive this coming season.
    step on my neck.
    pull the skin from my teeth.
    suck the moisture from my breath,
    whisper:
    home
    as I bleat,
    as I lay at your feet
    and empty my guts on your
    claws.

     

    “from your secret admirer #19”

  •   (What if no one’s the killer & no ones the martyr?)

    he always talked to me
    like I was a word problem:
    he furrowed his brow and
    looked 100 years older than me
    but didn’t leave any more
    of an impression than that.
    he was an egoist with a small penis
    and he licked my face sometimes
    when he finished.
    that’s when I left

    I thought about screwing the entire community
    to get them off my fucking back
    but the way you touch me
    feels less tenuous,
    spacious like breath,
    like lungs rising from their skin cocoon,
    a lot like late June
    before the heat hangs us
    with her relentless swarm
    so I keep my gaze towards you.

    we used to talk about my feelings a lot
    but I could tell it bothered him
    when I brought up the fear of pedophilia:
    but you can’t tell some of them are 17:
    not the way they move when they run,
    shirts off, they could be
    20
    21.
    I’m a creep too.
    like a sale on day old bread:
    fifty cents is not a lot
    and  I just want it all.

    he always said “interesting”
    after everything I said.
    I was a loony tune caught in the moon
    pretending to love his censorious stature,
    but really when we fucked
    I just thought of those young men
    arms wrapped around me,
    tongues on my neck,
    18 and over.

    the more I remember
    the more the whole thing seemed like a poorly written rough draft
    and I just kept waiting for the twist,
    the prize behind Door Number Three
    that turned out to be a supernatural force that drove me
    to contrived madness
    and I just ended up feeling bad about everything I ever said
    to them.

    silence is astounding
    and I filled it with talking spaces,
    unfinished business.
    he called my sadness “savage”
    when I ate my own heart during the famine
    but it was better than doing a rain dance
    with our shriveled. cowering tongues out
    and no gray in sight.

    in my defense, judge,
    I didn’t know the bitch was coming back
    to dig up her brother.
    those little siamese cats
    what a bloody, noisy mess.
    had I known that;
    how loud it would be,
    the squeal, the cry at the first
    touch

    I would have started by ripping
    out the larynx.

    “the hush”

  • i surrender.


    deliver them back their most
    prized possession:

    the game wrapped in
    flowers and stars and adjectives
    to describe the way unresolve
    fits into holes
    and I step out of the arena.

    what do you dream about?

     

    8.

  • you’re something else.

    something that can’t hang around
    but also can’t spell
    retreat without a
    book being forced
    in your face.

    I’m a thesaurus, and I’m
    suddenly panting
    like an exiled Arabian
    falling in love with every mirage
    that promises water,
    mouth as cup,
    swift recompense for the previous harms
    done by your
    fathers.

    we’re meeting in the middle
    of a wide abyss that I picked,
    and the first thing you want to
    know is:
    how did you get here,
    and where do you really live?
    and I want to know if you
    brought any food and
    why you ever let someone you don’t
    know in.
    you are unphased by the red veins
    in the clouds, and the way they clap
    black as my mood shifts,
    the exes in my eyes,
    the way the night moves out of my
    way every time I step outside
    to greet the twilight,
    the portending moon,
    and I am hoping we can
    finally talk about the way it
    felt when we left it up to
    God.

    just so you know,
    I begin,
    the greatest trick the devil ever played
    was herself, and she’s the only one
    listening to your
    impetuous cries
    tonight.

    “the emergence”

  • I drove through ghosts and all of middle Earth
    to get here;
    to lean into the sharp points
    of middle hurts.
    the difference between you and I
    are only a couple stealth instruments
    but we both murder with force;
    with words that creep down the esophagus
    in the middle of the night,
    rupture guts and my stomach turns in half
    like a huge, hungry mouth just
    folding from the pressure,
    investigating old sutures with
    her incisors and voraciously
    eating itself.

    i’m trying self-immolation since the recovery
    stopped working.
    stalking your shadow,
    waiting for high noon,
    marauding around the Conoco station with
    two kinds of Plan B in my pocket:
    one for the inevitable fetus to follow and
    one for you and I to cut in half and swallow
    when you make your decision
    and I’m the one that gets to record the way
    it felt to watch you dragged to the altar
    that foreboding day.

    I wish had more words for
    everything hurts.
    i’m the paper bell you inspected,
    glued glitter hearts all over,
    licked like an envelope being set somewhere else
    and ultimately flung from the shelf
    before she had time to prosper.
    in true poet’s parlance
    i’m nothing but death: soot palms, a trash can full of
    worst thoughts,
    one pen, colossal regret,
    charcoal-colored romance with the
    murdered children to accentuate my
    growing malaise.
    kamikazes are lazy, cowardly fighters.

                                               (give him the truth)
    you have to stand in your wreckage,
    own your slaughter.
    makes more sense to avoid the fumes and
    blood-orange sting that the flashy
    hara-kiri brings.
                  (give him the teeth)
    i’m your match.
                     (give him that spark)

    there’s nothing left of me
    to burn so I become
    the portending light
    and you become
    the ashes.

    “urns”

  • She turned to him, “I only feel heard through writing. I feel like they listen to me when I write.”

    “So you are writing to feel heard?”

    “I just feel like I captivate better in written word. One day, I realized I had the attention of the whole world when I write so I just started writing more.”

    “And now?

    “And now I become the masochist and you become the looming hit.”

     

     

    “wordplay” or “I’m hit”

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