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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • all that glitters is usually filtered
    unless God is involved.

    this day, two weeks
    ago, or so,
    i’m lost driving into the
    sun-soaked skyline;
    her late afternoon sunset like an
    ochreous fog drifting from underneath
    God’s skirt as she lifts
    I’m trying not to stare)
    and shows me
    what I could have had:
    a heart exploding from arterial
    confinement, daily hues of red cascading
    into orange clouds,
    or if it’s rain that day,
    gray with yellow halos.
    the setting is always obscured by
    the passing climate.

    I was hearing you say
    “fuck”
    softly and playfully near my ear
    again. I know where you
    stay now, and I know
    I just  want everything
    too fast.
    the sky is telling a story
    of a very
    slow and deliberate
    inflorescence
       fuck
    and I am trying
    to be more present.

    but I just missed my exit
    trying not to feel
    the one am fingers
    unzipping the jeans I fell
    asleep in
    and I probably
    missed the point
    long ago, but I am dreaming of
    a reunion,
    of delayed gratification,
    a ball dropping,
    a heart exploding in
    your bed like a sunset;
    perennial, without
    finality or resistance
    to its daily revolution
    around the giant.

    the way I am longing to
    be in your ear whispering,
    revolving around the giant in the
    room between us;
    yes,
    keep going.

    4.

  • I’m haunted in several kinds of
    cadence and burdened
    with unmanageable lust.
    I’m replaying the way
    you never said my
    name, the way I keep my nails
    short in case I turn on myself
    when I’m turning myself
    on.
    Someone has to touch me
    at this point.

    The way I begged
    for you to send me a magpie
    some mornings,
    the way I long for it still,
    it hurts.
    The way in which I elongated
    the word u s
    so it looked bigger on paper.
    I let it last
    a whole year;
    grow leaves, grow fingers
    dotted emerald green with pink flowers
    and then sorrel and bare,
    baring its brown
    bones to the birds
    who perch in earnest search
    of shelter so they can call on
    one another in fight,
    famine, or flood.
    I watched us
    drift to the floor
    in detritus,
    becoming
    a new organism that grew roots,
    that craved sun,
    that lapped water and pollen and
    seasons.
    Letting it fall
    in frost.
    Letting it crown
    despite the real
    us.

    Kiss me in the light of
    these new found
    bedevilments,
    I lick the mirror
    with feeling.
    It is December and I am
    already freezing.
    I am relying on roots
    for nourishment.
    I am hibernating
    and emptying.
    All year, I am sturdy and foreboding
    like a honey locust
    dripping thorns down her spine,
    dropping leaves all down your walk
    so you will always be reminded of the
    pine that encircled you when you first heard
    my forest chorus:
    the long form I wrote of
    u s.
    Look at me again and
    again and
    again: now
    I am leaving.

    I am chopped into several pieces.
    I am becoming paper.
    I am becoming waste.
    I am becoming the spines of books,
    archaic adjectives
    that you chase to replace your
    chilled silence with a word
    that offers anything but
    a returned question mark.
    You thought that all devils
    wore black and sauntered
    and spoke coolly with promise,
    but I am the devil
    who wears anything
    the world will offer,
    including white,
    and offers some
    warm reprieve
    like a velvet-lined casket
    floating over the open
    sea.
    I am listening.
    I am wide open
    and encasing.
    It was never us
    I came here
    chasing, I finally admit to
    what I am
    drawn to.

    It is waiting.

    “death”

  • im a stifled violence
    unleashing the knife of my spine
    inch by bloody inch
    and im walking towards you.

    my name is Circe.

    I am God-drawn
    and celibate
    and obsessively
    testing myself.
    I look good
    all smothered in your blood,
    you look better
    hanging from my bookshelf.

    I am
    scratching at your chest
    and other places to let
    the mice know
    what I own
    in case they forget
    what I did,
    who I am to you,
    and come back
    hungry for a hole
    in that
    home.

    they cut across the black cat
    lying surreptitiously
    under porch rail
    licking the flecks of skin
    from her paw,
    mistaking her for shadow.
    they don’t cut
    far.

    they are mice
    lying down
    that are ripped
    like the line of your
    spine,
    neck to base
    in shreds.

    you too are mine.

    “the welcome mat”

  • the edges of your skin
    snap at your acerbic joints
    as your bones break the flesh
    and you take a few steps back
    to collect yourself;
    picture days with your family
    in green and laughter and now,
    the interminable quiet
    that spans highways,
    urns like
    ashtrays,
    everyone’s in.

    you see my lips in the
    rearview:
    red as fresh hell,
    soft like fresh pain,
    your new lover is plain
    and you are scared of
    the ice in my veins,
    the way I change shape
    from arctic to comet
    and rock splits your
    face and the bone breaks
    the flesh and you
    are taking a few steps back
    and

    I am scared that
    you once said
    my name.

    “Circe”

  • Will you ever speak again?
    Did a mouse steal your tongue?
    Am I the cat dragging it back with an allusion to love
    for the one who keeps her?
    You never entertain me with your stories.
    I never leave your crystal balls alone:
    knock them about and keep them
    hidden from you.

    But I slaughtered that mouse.
    Didn’t I kill for you?
    Isn’t trial love?
    A more violent truth serum
    I offer than most; I rip answers
    with my sudden eruption of flames
    directed your way
    but I leave some blue vervain
    on the dresser to soothe you,
    mention it’s good for clarity and
    joint pain.
    No burn salve, something
    slightly bitter.
    A final act of cruelty
    and I bow in my miniskirt.

    You chose solution in someone else,
    and the lie.
    I chose to withhold an antidote to your
    meek eternity.
    Had I said “I love you despite what you’ve done to me “
    I know you would have stayed.

    But vengeance tastes sweeter
    than pride as you’ll soon
    see. The way I devour,
    the way I spit you back up.
    The  way I make you
    taste yourself.
    It’s titled
    “Lilian”
    and
    “the way I make you
    face yourself”
    or

    “How I write you in the story”

  • I am on my floor
    in a sweeping bow,
    in an off-white gown
    I am wet with my insides,
    out
    there is red everywhere,
    little notes to myself,
    some written in charcoal
    black on my left hand,
    my old eyeliner pen:

    rehydrate often:
    we are at war here,
    darling.
    and
    don’t grin,
    it makes you look
    desperate
    and
    I am doing all of this for book.
    and one more
    (you always repeat the same story)

    do not repeat the story.

    “eyeliner” or “(notes to self)”

  •  

    fables of how we met and
    false expressions.
    i keep replaying “no” over
    and over in my head.
    my heart is a jungle:
    vitriolic and slaughtering herself.
    I’m a cage and my grief
    always turns to rage
    like acid turns to rain and
    rushes through my spinal fluid
    so I stand up straight.

    I walk proud and tall and
    wear your veneers like a mask.

    I sneer at the creeks of
    red beneath me.
    all my men in pieces at my feet,
    bowing.

    “Hecate”

  • you are both raging moon
    and blazing sun,
    and the child:
    the wounded outcome.

    3.

  • Because we all go back and forth between the things we want,
    the things we need,
    the things we are right to own,
    things we renege or
    can’t ever have;
    the now,
    our future,
    the garbled past
    re-written to include more details;
    each other’s intemperate tics,
    each other’s suns and angry Saturns,
    each other’s wasted fortunes and
    last dead pets.
    Each other’s turn ons,
    buried talent.
    Each other’s conversation starters.
    Each other’s boredom and
    perpetual hard ons
    for longing.

    Conversations with yourself
    where your self aggrandizement is honored
    in your head;
    where your victories take lovers,
    where you are the empire fist with the
    tight grip on slipping sand
    and I’m still an apparition
    stroking your cheek,
    reading the lines on your hands.

    I chose a fruit tree over you because
    I was starving.
    I had an intention.
    I believe in nourishment,
    self preservation,
    monastic devotion.
    I sit with my bellyache.
    You believe in pulp cages
    taking the shape of
    flesh and you can just
    eat yourself out.
    You sit with my face
    in your lap.
    The sun is shining.

    I keep thinking we can meet somewhere
    else.

    “the orchard”

  •  

    you can find me in complete silence
    in the corner.
    medicinal fingers curved into myself,
    into claws so no one gets the love.
    I’m triggered by the music and pacing
    in 9.9 cubic square feet
    of psychosis.
    I’m feeling my nails dig into
    my palm.
    you say hello.

    you can find me frozen
    one week later,
    woven in an opalite tapestry
    spread across your floor.
    I understand confession.
    I’m Catholic.
    I ask for judgment,
    not counsel.
    some retribution.
    let’s make this clear.
    let’s make this public.
    I’m stuck in a projection
    so you barely have a face
    that isn’t my reflection.
    at least I give you transparency,
    moping opacity.
    my veins are bursting with crisis,
    with clarity.
    you walk across my pubic bone
    uncarefully.

    you recognize me months later by the wallow,
    by the
    chewed straw in my hand,
    the callus in my palm,
    the bad polish job.
    I tell you what love feels like
    based on the time I first noticed
    an open space between two
    wants.
    it was five seconds long
    since then and now,
    I’ve grown so much
    I can fill your whole pocket.
    what a fertile experience you are having    
    I see the grin of a horizon
    upon us.
    Look,
    I’m reassuring,
    I kept God,
    as you rise above the clouds

    this time, I made you
    the sun.

    “the light” or “the men who look like mirrors”

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