Posts

  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • “so much better to travel than to arrive.”

    –Margaret Atwood, The Blind Assassin

  • you?

    you will know me by my
    fang-toothed smile.

     

    “April”

  • “she goes to him for amnesia, for oblivion.”

    –margaret atwood, the blind assassin

  • when it came to me
    you said I was all
     muscled positivity
    as if I didn’t hang myself once before;
    as if I didn’t try to tell you

    how cavernous a grin is,
    or anything at all.
    even though you are never sure I won’t
    find that perfect bedsheet knot
    or not or a razor
    or a kitchen knife
    or a drunk night on the freeway and I’m
    headfirst in the cement mixer
    but I made it out of that
    in jail but alive and I am
    always palms clasped and grateful.
    you say   you pray
    with FERVOR  as I finger the locket,
    my brother’s ashes clasped
    around my throat
    and I hold onto
    that same little lie
    about choice.

    I let go of the wild lavender
    sprouting from your toes through
    the hints of splattered paint.
    there’s a meadow in your abdomen
    coaxing foxes from their
    holes    your knees knock mine,
    sudden sting         close and sharp
      the way memory sits on your skull
    then pulled back
    how you held me
    far away sometimes;
    making wind happen
    blowing kisses from the pines.
    the bath is on, I’m cold.
    you always say
    I’m cold.
    I beckon to the side:
    you and I are from the same
    arctic sky.
    help me in so I feel
    the frost of your fingertips
    trace me;

    my broken back to you now.
    my nails are brown tipped and filthy
    from digging myself out of my ancestral
    grave and I’m spattered in the ,
    sweat from a hard night’s day,
    walking alleys, stalking shadows
    and you’re truly unremarkable
    these days save
    the mosaic of carpenter’s paint,
    some gray cement
    garden: no flora, no fauna,
    and even God told me to pause  
    and rest on my previous laurels
    before I get carried away.
    but i’m a martyr for this,
    God,
    I crave repercussion

    I become a
    yawning, clanking watering can
    spritzing your open lips,
    dolling up your stolid ground
    to birth your stories:
    pollen murals out of micro gestures,
    extinguished longing that suddenly reignites and
    I’m grabbing cattails from the gales to
    comb out the tangles of your childhood
       tell me about your father
    fistfuls of mud    planting seeds in the
    tiny cracks around your chest that my own
    sharp-toothed grief left when you
    muttered the first
    no  and I stepped a few
    years back.
    freedom will teach you how
    to stay in all new ways.

    there is no difference
    between love and liberation
    and some were born saints,
    you say as you help me
    in the mugwort bath,
    the smell of rose and geranium
    circling the tile.
    I plucked the petals and dropped them
    one by one for aesthetic.
    not free of indulgence, but
    patient   your fingers make
    stems in the water
    and I guess I am waiting
    for something.

    “the swell”

  • She walked slowly towards the house. A transfer of guilt must be achieved, she recited in her head. She was moving her fingers, clutching at the bottom of the jacket. The straw lost somewhere, she kept moving her fingers to mimic cradling it. A transfer of guilt must be achieved. What was the rest?

    It was the second polar vortex in four years to hit the city this hard. Pounds of air stood packed around her so she felt boxed every step.  She couldn’t see. Snow fell all around her and because the wind whipped her face with each violent gale, she was also forced to look down. Forced to crawl upright, she could only feel her way through: the knife-life breezes, the sting right below her eyes with every movement, every touch of sleet against her skin a slow-drawn slap. Every snowflake bruised her; it’s touch burrowed hard beneath her cheekbones and lingered.  She was red faced and trudging.  Her eyes were brimming with tears that wouldn’t leave the bottom of her lids. It is freezing. They were frozen there. A transfer of guilt must be achieved.

    Her eyelashes were coated in snow and she could hardly make out the building in front of her. Being drawn to the light in the window, she floated like a black moth to the driveway. As the girl stepped closer, she could see there were candles, maybe a soft lamp, burning in the upstairs window. Everything else was dusky and had the stale feel of abandonment. The house was coated an ashen gray color by owner or night, tall, protruding but with no bright awning or curtains or mailbox or car. No song wafting through the howl of the storm. There was no sense of welcome but it was her only option. Let it be a party. Let it be jovial and light inside. You can deceive yourself into believing anything just so you’ll participate.
    About thirty feet from the door, her body was suddenly struck with sensation: panic. This is respite. Stillness creates panic. She stood still and let a shiver take her; let something pass through her. The future was here and it was portentous. She grabbed the sapphire amulet around her neck. God, give me strength. Pausing at the top of the yard, she allowed her breath to come out slowly, deliberately and with planning. What do I look like? She was draped in all black but blue in her flesh; pallid and chattering. She was a ghost in a cloak. Blue like ice. Blue like river. Blue like the ash-filled locket. Give me warmth. Her breath was slow and deliberate and planned. The girl was pacing herself in stillness instead of step.

    Before continuing, she allowed her body to stay there, frozen from foresight and weather, in a posture of complete surrender. She was upright and floating allowing the wind to carry her up the short driveway to the door. There was no effort to shovel. The driveway was packed with snow too. It had taken her several steps to get from car to driveway and several more to get from driveway to knob. The door itself was plain beige without number or knocker.  There was nothing spectacular here. Looking around once more to confirm there was no one else on the block, she held the locket with her bare fingers and set her teeth together to quiet them. She was a shadow in the doorway. .My breath is slow and deliberate. Her hand balled in a fist, she began to raise her other arm as she fingered the silver chain.  I am breath. I am breath.  She tightened her fist. B r e a t h e. She was muttering. I am safe and protected in white light. She exhaled. God, give me grace. She began knocking loudly, feeling her jaw clench and her respiration stop, the last of her crystallizing in air.

  • “And you will know the difference between the two?”

     

    “The difference between a truth and a lie?” he asked to clarify.

     

    “No,” she held his gaze. “The difference between how I got here and the weirdest thing about me.”

  • Datura moon: aries

     

    “Not every witch is from Salem.”DSC_0502.JPG

  • AAC1E19F-A391-4781-B71E-F0181AB01141.png

  •  

    I’m done spitting on your face
    and on my way
    to pick up a bag of cutlery and dishes
    for our house from the front porch
    of a stranger’s
    when I stop to admire the cracks
    in the side of the building.
    the wall is coral, faded but still
    garish, stands out.
    it’s brick and

    this building has no doors and
    one broken window.
    these defects in the painted halls
    lining my new city catch my
    eye each time I run an errand
    and I pay my respects in
    photographs      stopping at each one,
    trying to remember how the boulders
    haunted too      how the ocean felt
    on my wasted ankles at gloaming when I guzzled
    vodka Big Gulps and watched the
    ghost crabs roam the bay.
    watched myself dissolve into
    the bits of me and can I remember
    how the sunset looked draped over both
    tide and flatirons,
    hold two things at once
    without favor?
    how it feels to lose several
    small countries you claimed.
    all I see are metaphors
    and I’m intruded.

    these overcoats that rot
    without dismay hold space;
    there is natural beauty
    here but it shines brightest
    in demise.
    these bricks are painted to distract from
    it’s true inability
    to keep a home  safe like
    the way men have held me;
    hugged with their claws,
    I cracked at the touch     put my rosy shades on
    I only see them
    in their handsome sway.
    I snap a picture of the edge of the broken
    glass pane and the beginning of
    the paint peeling into
    white–the fissure.
    I trace my finger
    over a chip and watch
    it flake.

    how they left me.

    “doors #1”

    “doors #1”

  • “I think everything is curse.”

    “You think everything is curse.”

    “No, I think everything is love.”

Blog at WordPress.com.

Up ↑