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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • January 5, 2014 and we
    have arrived in
    North Philadelphia.
    the first thing I notice
    isn’t the black plastic bags
    lining the blocks or the
    Auspicious Coin Laundry Service
    sign boxed in blue lights
    but the way you don’t
    seem to look at
    me and the way I seem
    to blend in with the
    tan upholstery of the
    passenger seat
    even though I am
    wearing a bright red
    turtleneck,
    coughing, asking
    if this is where we are
    going to live and practicing
    pronouncing
    K e n s i n g t o n.

    mired in the habit
    of saying everything I think
    aloud without
    expectation.
    of tapping a finger on
    my thigh. of checking
    time, twisting a plastic
    straw in my hand and
    fading.

    something building
    in my chest;
    emergent waves
    pounding at the
    sternum like
    irate knocks
    when they want to
    be sobs then
    fading.

    “hypothymia”

  • “what do you do when something loves
    you? do you love it back?

    I’m volatile.”

  • when i was a child, I felt happiest when I was

    daydreaming alone.

  • it was a lush late morning.

    the trees were budding. sparse still, but their leaves bright verdant where they were. no flowers yet but the idea of them drove me outside daily. the smell of jasmine and honeysuckle lured me, taunted me. who is who? they always smell the same. 

    I am here and in my childhood backyard with my best friend licking the nectar from the vine that grew along my fence. turned to her, red-cheeked and ebullient, expectant, tiny hands pressed to the metal and tongue free. the way only seven years of age can be before the tongue is tucked bashful in body grown diffident with time.  today I am close to all of it but tempered from euphoria, resting in here; the sniffing of the white flowers, the squish of mud patches. I am here and a few other places. let my fingers trace the petals and sniff knowing her crown: jasmine.we walked  along long beds of clovers a short distance before stopping. to the side of us, skunk cabbage grew big and juicy glistening with last night’s rain. 

     I wanted to be an insect when I was younger. be in the smallest world. feel mud engulf me and writhe in its soft center, sink and hide underneath. feel steps above me. not shy but unseen.  wanting to be lost in a sea of green blades. to see these monsters the way they were meant to be seen. I always thought like that. what is the world from their angle? what do I look like stepping over, on, picking up with soft hand? like I wasn’t pint sized and shrinking already. like I wasn’t more criminal than that: predacious and intent on acting on it; squeezing first, then picking up the butter knife to saw the worms in half. 

    we didn’t go far just far enough to stretch and get some use of ourselves. get out of the house.  take down our masks.  breathe freely in public.

    “do you want to stop here?” 

     I squatted down in the center of a patch of dirt with roots protruding from a near tree. we were in front of a tiny creek with a log across. I could feel my knees crack. remember throwing the jasper in the stream.  things I can’t name are always lingering. they are felt like chords rippling from my center and always felt strongest when being cut.  a sudden electric vibration emits as they fall away and I am left holding one end, or rather, letting one end stay suckled to me. my making, I lament, the hook in mouth I fell for.  I picked up a stick and drew the R big.  I made a deal to write it.

    R.
    it was neat and cursive.
    it could get rained on or walked
    over, but there was my indent.
    and  I stated louder.

    “I call Lilith first.”

    I looked up at my companion.  it is not austerity, it is commitment. loyalty is love’s true manifestation. I still have every recitation I’ve ever honored. somewhere, these things stay suckled to me like little violent chords I strum when people disappear. when I’m watching ceilings at night, I take my finger and I press. it is not austerity for honor but rather commitment to an end. the pious aren’t lonely, just waiting. 

    we both laughed. we both laughed and I put the twig in my pocket. I still have some of my oldest recitations. shells from my first home. dirt from the catacombs somewhere (in a yellow bowl). got pieces of pieces grown quite lush like well drunk ferns. an oasis in my house I sip at night when the little violent chords get plucked one by one by one. I watch  the ceiling shade itself and touch the other end.  I call them one by one.

    “the pious”

  • they say I talk too much
    and I’m inclined to agree.
    perhaps I’ll
    sew my chapped lips shut,
    show them the scorpion etched
    on my shoulder
    first and no one
    has ever seen my childhood home.

    but I’m compromised
    by the simple fact I think
    I might be a ghost so I’m
    always checking mirrors
    and calling 911, waiting for
    the fireman to touch my arm.
    they say
    “your leg is not numb, ma’am.”

    but I can’t be sure so I make
    him touch it again.

    one trick is never tell them
    anything. I like my men
    to think I wait in lonely
    cave: ache
    and pray for them.
    palms clasped and reverent,
    sort of rocking like that.
    real southern too.
    just sort of worshiping
    the idolatry of shadow.
    please.
    they make me repeat it:
    please. and thanks
    for everything.


    my men remember me
    incessantly and always
    cut out of starry dough:
    soft, head half-cocked
    looking up at them
    with servitude but
    sideways like I’m
    about to laugh,
    then me in my day skirt,
    hair covered and
    muttering.
    candle lit or twenty seven
    if I’m out of time.
    devout.
    pocket full of them.

    what a violent question.

    you’re sunburned,
    gone for weeks without
    inquiry and now
    a wash of here:
    forehead fervid,
    a humid wind clasping
    the back of the choker
    while your left hand lifts
    my skirt.
    thighs are soft,
    reminiscent,
    it’s the skin that brought
    you back, isn’t it?
    what’s that?
    you say,
    looking at the blue and
    black ring of shadow mouth
    above my  birthmark.

    it’s the way your jaw
    bulges as you bite your
    ocean tongue
    that was just kept safe
    and wet under me
    before you begin to
    pull the clasp rope
    til the emerald center
    pushes hard against  the
    front of my throat
    almost as if you are going to
    bring the stone inside me
    that proves it.
    and please,

    what a violent question,
    love. 


    “Five of Wands”

  • which helps me to
    instruct myself.
    better not staid;
    better fitted to be flitting
    from corner to corner while
    bossing them around but
    what I tell you is truly
    inconsequential.

    merely I am pressure
    of depth and that I believe it
    so
    having told you first
    with conviction, I begin again
    to frame it.
    legs crossed on the carpet,
    hands out in imposition.
    the wood mantle lit
    and rearranged, objects
    of sentimentality removed
    so any backhand can’t
    sweep it.

    it’s important that my personal items
    are kept away from the circle,
    and maybe once I didn’t believe
    but falling victim to your
    own enchantment and
    in such a way that you’re
    riveted for entire minutes
    by wax on the carpet
    making meaning of the
    sickle F shape; tracing it
    with black, toasted fingers,
    room wafting in the smoke
    of rosemary,
    you begin to care about
    which stones are set and
    things like that.
    hands out:

    first, you will be looking
    up to notice
    the sky dark but glittering
    with stars
    so the whole place
    around you is lit up
    and there are friends nearby.
    I say this directly to the
    picture jasper draped in the
    thread of my necklace;
    the glyph of Lilith.
    and add a promising
    hopefully,
    as in with a little
    upward inflection.

    I got a pocket full of
    them and I’m banking on
    that so I say it twice
    with anticipation:


    ojala.

    1.

  • consult the oracle again.wear what you want,
    let these animals
    control themselves
    my tiny ball of citrine says
    so
    I put on my cat suit
    and go for a walk
    to catch tan
    in the new big sun.

      it was a long winter
    of regression, needs unmet
    and anchored in self by
    repression, lamps and
    the length of
    my ire stretched, permanent,
    coming undone on your pillow
    where you wept in peace
    until I charged back in
    costumed in tank.

    I’ve blown the tea lights out;
    my presence is altar.
    sit naked in the eyeline of the fan and
    spools of smoke from bamboo incense
    crown my head.
    I am showered,
    manicured, my skirt is barely an inch of
    fabric containing my
    pubic bone or buttox
    so they’re stuck to me
    like sweat hot salt sticks
    dripping down my skin.
    I dab some tiger’s eye oil and
    jasmine on my wrists,

    brush their arms with
    my nails, cut through centers,
    stop absentmindedly to change song
    and let their thighs press my thighs,
    their forearms hit mine.
    it’s the invitation I am waiting
    for.  

    there are
    ambulances wailing
    carrying victims of stroke
    with blood rushing upward
    forming an arrow,
    fletching to the throat.
    they feel the beat of wings
    before they feel
    my hands wrap their larynx
    and the first thing they tell me

    you’re full of secrets.

    “catcalls”

  • you? you will know me by
    the devil etched squarely on
    my thigh and my ascetic
    right arm twitching
    for something to hold,
    my left nail picking
    at the scripture
    In God We Trust,
    circling a web on
    my inner elbow,
    now red
    from the plucking.
    my nails are unpainted,
    filth-tipped and broken.

    my clavicle is jutting,
    as are my eyelids,
    sharp  and
    neck perched, gazing upwards
    and down at you,
    the long legs beaded with sweat,
    tongue lolling,
    panting,
    you found me exhausted
    and

    watching it drip
    from my lips
    like little fits of rave
    and fury; my concern
    not being water,
    or the saliva
    leaking down my nail
    as I try to hide the trail on chin,
    but posterity:
    warning.

    I clear my throat again.
    to let that portending
    excuse me.
    squeak.
    I’m crouched, less than five
    feet from this angle and
    you invite me in.

    “the women”

  • My entire life has been informed by the space between us. 

    There is the distance of my language and there is the distance of my touch.  Across the room but glowing. The warmest I’ll get is further away. 

    They’ve memorized the muscles of my back

    my pout and the echo of my cry-filling cavern
    carved by the sound of my heels tapping;
    retreating. Longing, and the way I succumb to holding, or allowing touch; recrudescent and poxed by them after a period of silence. Tarred by them after a period of respite. Not long enough. A period of cavern. Them, memorizing the color of my shoulder blades in the sun: tall and olive and taut from tension. Desperate for the light of distance. Spoked.  Tall, and wrought with tension.

     I am strolling. I am even sauntering.  Til I see them, I am strolling, then nothing, then tunnel vision. Emptied, but not quite that: automatic. Spurred by instinct. The pervading eyes and I am (smiling) seeing the space close in around me again. Lifeless, watching the move of my hip go from enriched by dance to torpid.  Dragged by shell. 

    I am a shell.

    Clench your jaw. Tighten your shoulders.Hip goes from bouncing to dead frozen in nervous. (That means it might shake).  The way there was once twenty feet between us. Suck in and walk straight. Swaying til I saw them.  Don’t trip. Ticking from nerves, looked gaily upwards til I saw them. Don’t look.  A pleasant thought crossed me right before I saw them.  My most pleasant thoughts are false memories.
    Reverie.
    That means I imagined the most pleasant experience of my life. 

    Suddenly there was ten feet (I am smiling), then five feet (in reverie), then one foot. Suddenly the hand on my shoulder, on my middle back, the ubiquitous trail
    towards my coccyx.  He towers,

    “you’re too pretty.”

      I am smiling. They are a huddled mass.. So many of them with their fingers out
    filling the space between us. I am smiling. Smile. They are reaching for me–
    trailing their scummy fingernails down my tucked in blouse
    and there is nothing underneath or inside of me.
    I am vacant but I can hear the chorus, from
    my safe distance.

    “You are too pretty to frown.”

    “the men”

  •  My most pleasant thoughts
    are false memories.
    Reverie.
    That means I imagined
    the most pleasant experience of my life.

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