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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • dearest St. Thecla,

    it’s the third hour
    again.

  • the skulk,
    scent, need for slow chase.
    salivation with a .
    wide open stance,
    arms spread,
    lips like decanter,
    trickling:
    it is with love that I do this.

    oh, you always say that.

    *snaps* to wake
    up.   tips a holy red.
    I begin to grow inches and
    let my long nails
    trail the arms of strange
    wool peacoats on my way to
    the El,
    or nowhere.
    just circling Girard for fun.

    It’s the middle of December
    and I made rent.
    I sort of grimace as
    I sway the town, head to
    toe in unbought clothes,
    heeled boots,
    hips flexed and
    recently fucked.
    let my hand hit the elbow
    of an unsuspecting man,
    unfucked, soon to
    be turning around and
    catching a flash of my
    back, purple mock wool
    and  hear the clack
    of my shoes walk
    away.
    it is with love
    they say.

    “the honey trap”

  • Part 5: The act of maiming things (iteration)

    “Everything has happened.”–Sylvia Plath

  • I start by slaughtering your brothers
    in front of you to see
    if you can stand it.

    “13.” or “sekhmet” or “rage”

  • you and I are from
    the same place.
    I start to pace
    the block once more.
    my fingers
    on the handle
    but in my own yard.

    my steps are ever
    silent and my
    dry lips pursed
    lightly, pucker,
    press the back of your neck
    as you stand face forward
    to my closed
    front door.
    lick the last drop
    of cedar cologne
    as I wrap my
    pointy candy-apple
    colored nails
    around your
    throat.

    and I  start humming.

    “rage”

  • when do you decide to kill and what
    stops you?
    God.
    pause.
    uncertain
    of myself.

    and what do you want to learn from all
    of this? she waves her hands over
    the fire.
    pause.
    uncertain of
    myself.
    but there are the men
    and they are giant
    but it is not just men
    the things that I’m bound
    by, namely vitriol,
    a weakness, how they
    pervaded throughout my
    gelid days when I could
    have been comfortable in gray
    cocoon save these little birds
    and having no
    right to be there, I can’t decide
    if it is better for me
    to keep my hands pressed
    firmly together or

     will you teach me how to kill
    my God?

    or if it is better palms
    open in subservience
    to her.

    “Hecate”

  • you know I’m dense.
    ice cold, flush with
    forked tongue ready to
    puncture someone.

      i’m lush;
    maintaining a sense of
    dam and containment
    even in my most berating
    fits of temper or panic,
    I manage to remain
    frozen these days
    like a cracking lake.
    you say I am
    sharp and
    bitter.

    but underneath my skin,
    that blue-lace casing,
    a carnise river:
    little tributaries to
    the turning of the world
    in linear order.
    delivery is bitter.
    and you say
    casually, so
    full of rage. 

    “the doe”

  • precocious and blazing
    hot, I become
    a long bending desert to
    warm you up:

    fields of sand to cover,
    infinite high noon run,
    no moon to come,
    hollowing the others with
    deprivation,
    promising mirages,
    a wide and weaving
    ever-longing
    desiccation,
    sudden sidewinders and a
    slow and draining
    drip that never hits and
    dehydration,
    never an inch of rain

    and you
    find every trap
    I laid.

    “the desert”

  • what does all of this
    mean to you?
    wave to no one, fixed
    on the corner of
    an antlered profile
    in the corner of a
    smudged mirror.

    you say it’s important,
    ask me to tell it in
    “linear order”
    but how can I get away with
    things telling stories
    with honesty?
    I have survived time
    and cage and aged
    in linear order.
    my proof:
              I flex a ripped tricep
    endless strength and

     brimming veins
    that have learned how to
    whistle when your girl
    walks by me.

    ‘the doe”

  • I went from being a frozen tundra:
    algid, wide and growing fields of
    ground to cover with
    no visible tracks to follow
    unless the wind was kind
    and left the prints
    which it wasn’t often.

    taciturn but for some
    icy speech and bleak;
    caustic prose in
    squalling breezes that freeze
    and stick to your cheeks,
    harden               bite your tongue
    in frostbit chomps so it takes a while
    before we  cut those
    meek coughs off.
    before they form into spit,
    white noise, handwritten
    cards,

    I sprout into a raging sun

    “the desert”

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