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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • I guess some things you
    can’t forget and
    I couldn’t stand the sight of me
    so I watched the willows
    perfect their melancholy
    some days

    when I walked to the edge
    of the city and back.
    they carried it naturally
    and I tried passing windows
    without looking at my face.
    it’s dark at four and
    forget about the moonlight,
    or a headlight
    or my sun lamp.
    my body sees no glare or
    person and
    my head is drawn
    in hoods.
    I am their winter rival.

    my pores were lined with bentonite,
    steam and suffered
    prayer; a nihilist effort’s
    worth    my skin was
    exfoliated but my heart
    was still blood-thirsty
    in knots.  Nana’s rosary
    draped across my wrists
    and most of my fingers stayed crossed
    becoming a space containing little breaths
    of God.

    I scrubbed the dirt from every inch
    of my scalp,
    the bridge of my nose,
    under my elbows,
    my kneecaps.
    any crack that light could fit
    I tried to rinse it first.
    sometimes I took the long way to the store.
    29 degrees and someone drew a giant sun
    blanketing a tulip garden
    on the side of a wall in an effort to,
    I only assume,
    preserve summer and cure their own
    raging seasonal affective disorder.
    I focused on the colors.


    tried to pay attention to the subtle shift in greens
    as the stems got closer to photosynthesis:
    the yellow stamen, orange petals,
    tint of turquoise in the grove of trees
    hovering in the distance,
    the way everything tilted towards the right
    on instinct
    with no speaking masters
    and no shadows beneath them.

    I leaned left towards your block
    focused on feeling the weather change
    in my tights and mock
    wool mini skirt
    in hopes it would
    cure my malingering,
    would halt my bloodlust,
    my persistent inner child
    pleading with her hands out
    looking for touch and I am
    suddenly spades out in your dead garden and
    running forward,
    something pinned between
    my teeth:

    lines, the way that
    pauses form a book,
    my thirteenth draft
    to you.

    “Saturn returns”

  • I go to meet you
    with my hand
    smudged with ink,
    a bad habit of mine.

    this is winter 2014 and
    I had things to remember:
    about seven or eight phone calls to
    make, the weaving of
    committees plus incidents to report,
    plus how much I stepped or made
    or consumed and the beep of friends
    in need
    like the outer rim of a leech,
    stuck to hip and
    wasting me.
    when I saw the melting
    phrase, a faded scrawled “pw”
    near my thumb
    which meant paperwork.

    I had to submit five more
    things tomorrow but I was here to
    get my scarf back actually.
    focus on just reporting
    earnestly my feelings.
    I walk boldly
    up the walk and
    then upon seeing
    you, tall,
    I just scatter
    every thought into the air.

    grab the scarf
    and go.
    we are at
    love is patient.
    I am in my car and
    gone.

    “richochet”

  • a moving, a dizziness, a solemn regard for grief  and heaviness. stuff is not a replacement for love.  i suddenly had too much stuff. i wanted everything gone. sublimation is moving quickly from feeling the comfort of a baby blanket years ago enter the room then waft into tears you are dying to choke out but instead just transpire into thoughts. respire. perspire. they vanish or they become the tendril wrapping you. nothing has ever comforted me. I would not describe myself as a “comforted” person.  i wanted the plain white room. I had a recurring vision of dying at 34 and I’m convinced more and more I don’t have to. I’m convinced it was suicide.  I wanted to move slower, slower than time and just watch things drift away. i felt certain on fleeing, the heaviness of leaving my stuff behind, knowing I might have to. these would be flashes of a minute. I reminded myself how much time I had left. about six more hours of this. it had only been the first hour, the coming up.  what have I been thinking? but the deep voice that is both mine and not mine came in: it’s not what you’ve been thinking, but what you’ve felt instead.

  • express the value of life
    in lines and
    charcoal.

    Add the girl’s lids and
    tinted lashes,
    fixed eyebrows,
    nose.
    her lace collar under
    overblown cloak.
    Hair tucked beneath hood,
    chin tucked to neck,
    subtract her gloom
    with an upturned lip..
    Highlight her cheekbones in rouge.
    Add breath to an otherwise
    achromatic lover.

    Add her troubled partner in the backdrop:
    blue-gray with a hint of black at the corners,
    small silhouette of a rainstorm
    receding over the edge of the horizon.
    Add some balance to a ruminating giant.
    Subtract her moans.
    Erase her nose.
    Sharpen the clavicle.
    Thin the waist.
    Add some plum to the lips.
    Add some gaunt to her face.
    Add a remark.
    “This will not do.”

    Grab the Hi-Polymer.
    Try to capture the gleam
    of mistakes everywhere;
    birthmarks, pencil marks, oil sheen,
    eraser flakes,
    lines that are furrows or scars or
    wrinkles, ruddy blotches
    on the thighs,
    dry skin on the feet,
    swan’s neck,
    bucked teeth,
    knife marks and a
    revised smile.
    Never trust a man.

    She is flawless.
    Precise.
    Analogized you.
    Contrast to your optimism;
    your bubble of assurance
    that is dominating,
    that denies a compact or an inventory
    and drawn in shady undertones
    to hide complicated desires.

    Proof of hidden bruise
    shoved deep inside the confines
    of gusto and canvas
    come to life in the luster of pencil dust
    and uncomplicated process,
    stretched wide
    for the world to admire.
    A deflated mirror.

    She still has all her freckles
    and you are noticing
    a few things
    about yourself.

    “doors #10”

  • before this started, I had pulled tarot downstairs. the cards themselves meditative in their presentation even without digesting meaning  I was remembering the four of swords though I had pulled the eight. the queen of cups. wheel of fortune. ace of swords. to become the witch, become the sword. I was really trying to focus on one thing. wondering what media would help. remembering the time I tripped with all my guy friends at nineteen in their dirty apartment as some of them did coke on the table.  I grappled with cheating on my boyfriend with one of them. as I began to trip, I saw nothing but scary faces and ran to the shower. then back in my friend’s bed. one of them came in to grab me and said it’s just a trip, it will end. he coaxed me into the living room telling me of the time he spent half a trip in a closet and put on a surfing video for me to watch.  the way they were gliding across the water set to music; syncopated, sunny, and far away. unreal. surreal to me, their grace. I used to swim. a lot. I think about that as my eye falls on my favorite painting. I think should I be watching something. 

    the painting says “Instruction” on one side and then the artist has taken wide strokes of her brush and painted a stream of red all down a letter, a letter to a love, so you cannot see what the original sender said.  then on the other side painted in black letters, “alter your behavior quickly.” an enlarged phrase  the artist picked out, magnified, this piece of advice. later I read the whole phrase again. I read the whole letter for once. then I let it swarm me. watching nothing. flittering. almost devastated by being forced in this bed, my parents a short distance I can’t touch–ripped from them, having grown so accustomed to being with them once every other month.

    the letter says: “once more I advise you, if you have any regard for your quiet, to alter your behavior quickly. for I assure you I have too much spine than to sit contented with this treatment.” 

    where am I? on an orange quilt, and in my summer backyard and hugging my father, oxygen tube in his nose. pawing at myself and obsessively; clandestine with my needs then suddenly running. contented with my lip growing fat from the pointy ends of others. the pointy end of me.

  • When I was a kid, I spent a lot of time alone. Physically, in my room, closed off. I spent a lot of time screaming to get attention then hours of escape. M walls were dark purple and had glow in the dark stars on them. The carpet was pink. Furniture wooden and white. Except for my dog Pepper, sometimes my cats, no one was allowed inside during my games.

    I was twiggy, small, fidgety, neurotic. My clothes were rumpled. My room would go from extremely disorganized to housekeeper neat. I rearranged the furniture constantly. There was nothing static here. I used to lay on my bed when I was done twirling around the room, or jumping up and down, and begin to color my face.  I would pick one corner of my mouth and focus on that. Start by pinching my lips- hard- with my fingernail. For as long as I could leave it there; the pinching and until it turned black.  The goal was fat, purple-black, visible and if I took a safety pin to it; the sting would be overwhelming.

    Over and over, sometimes letting that ssst out because it caught me off guard. The tingle. Then the relief. The sharpness. Then the satiated sigh, replete. Balmed. The sitting for one minute til I touched it again. After a half hour of this, I would run to the bathroom to see how grotesque it looked. Then I would proceed to watch myself pinch it in the mirror with the pointiest part of each nail. Poking it more. Pinch. Release. Wait. Pinch. Release. Wait. Check mirror. Sometimes I would hold it for a whole thirty seconds until I wanted to scream. If you could get past thirty, you can get anywhere.

    Then I ran to get the safety pin.

    “the lip game”

  • “and while we wait in silence for that final luxury of fearlessness, the weight of that silence will choke us.”

  • my hand is smudged
    with ink;
    marker actually,
    I lick my finger tip
    and check again,
    try to rub it, realize I had
    written it in Sharpie
    before I stick the tab under my tongue.
    this is
    a bad habit of
    mine:

    writing to do lists on
    my hand
    with whatever pen I was holding
    so I wouldn’t forget.
    I saw the melting
    phrase, a faded scrawled “pw”
    near my thumb
    which meant paperwork.
    it was already Saturday.
    (this is 2018 to keep up.)


    there is one heart on my left hand
    to count the hours between when I took the
    dose to now.
    everything is obscured by
    the fractions
    of stories,  I am looking for
    something that can
    only be found by my favorite
    scope of talent:
    my eidetic memory,
    my propensity to travel
    from one section of
    the ground to another,
    my ability to walk backwards.

    the first hour is the hardest.
    my stomach sort of lurches
    realizing the first wave has already hit
    this is acid so it’s harder.
    I take half a tab so
    my doors won’t melt
    but still I need to get out of a place
    that is wall to wall carpet and
    packed with scribble,
    pillows, cat hair, journals,
    the air of segregation as
    I chain myself to my five mirrors
    not to be heard from for a whole year.
    I grab eight stones and empty
    everything else out of my bookbag.
    I bring one water bottle.
    I begin to walk with no
    sound, letting minutes
    weave themselves around my body as
    I patiently walk down the
    three flights  trying not
    to be appalled by how crooked
    the building was
    or my sore knees or
    the temperature of my men;
    a reaching tepid.
    I ignored the chipping bathtub
    just to make it out the door.
    I am remembering when I had bed bugs.
    there are things I will miss
    I think as my skin leaps.

    other  things I’m naming:
    ways to feel unsettled in transition.
    states, or
    how to move between things and
    home also;  the way the birds landed
    on the trees outside my stained-
    glass window,
    the way the pink light cut through
    the room and all the green on my block
    in summer which meant
    blackbirds, blue jays, cardinals,
    plus skateboarders.
    my short dresses catching
    on the points of fences.
    I am opening the door to warmth
    and it shreds me.

    I spend forty five minutes
    sauntering in presence,
    pinching the skin of my purlicue.
    tedium, ennui
    or indifference.
    how much space
    reverie takes in my brain vs.
    results. What do I want?
    a soft nothing
    like my jaw opening on
    a pillow, feeling the satin
    on my thighs and just
    gawking at the glitter on my ceiling,


    another thing I will miss.

    my leisure:
    the growth between getting
    and having.
    people never change.
    I am stuck
    somewhere on a trail
    walking and wanting not endless
    provision, but the
    allegory made more
    palatable.
    by the time
    I walk into the graveyard
    hoping to see deer,
    I am mired deep in belief
    that it is a dead sister
    I am seeking,
    ignoring my real
    brother’s name.

    I take the sharpie
    out to mark the second hour
    at the gate.

    “the first wave (grief)”

  • why must you be obtuse?
    can’t draw parallel lines
    to crossroads. listen,
    who has come to me:
    a child.

    demanding i throw change on the
    floor, guess their name. visions
    of me on an island
    and this man laughing in
    my face.

    The fifth one i call is

  • who i pay homage to in the
    corners of the night
    is really no one’s
    fucking business.

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