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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • “They don’t mean to cause offense, but it doesn’t occur to them that clarity of facts can ever be offensive.”

    -Mercury in Virgo

  • I got a nine millimeter, I say,
    casually, waving my hand over the wooden
    board. hidden in this house.
    I got this house lined with weapons
    since the first warning.

    I place the orange butcher knife
    on the linoleum counter,
    scraps of tomato still clinging so
    I can
    scoop the slug up from beneath the
    dishwasher and put him
    back in the shade.
    he follows me out.
    we are both easily distracted.

    we were having vegan charcuterie
    and he is drinking chardonnay.
    with me it’s always
    something, plentiful,
    homemade.
    he’s seen half my knife collection
    now and every inked guard;
    the other half tucked in various places.
    I gestured to the antique table,
    to the pepper spray,
    the hammer by the door.
    I point out the ants
    lining the sink.

    swathed with charms,
    I can’t kill a thing
    and half the town has figured it out.
    I wear my arms in
    muscle, others’ biceps.
    keep them around cuz
    I can’t kill a thing
    and half the town has figured
    it out. point to the baseball bat.
    show him my pearly growl.
    this is where the poem begins

    we both eye the slug moving
    through the garden
    til he disappears.
    I begin pointing out
    webs.
    it’s 7:42 pm,
    88 degrees and
    the sun is out,
    my shoulders dark.
    we are both tan,
    hurt, a possible onslaught
    if we were not otherwise
    stuffed and I am practicing

    silence,
    sitting on my bench.
    we are two inches from each
    other and I can’t help but
    melt when the cool breath
    hits my left cheek.
    I’m plucking at the hem.
    he grabs my hand
    to stop my ticking.
    what’s that?
    he says.

    this is where the poem begins.

    “doors #9”

  • it keeps no record of wrongs.
    i’m saying it out loud
    and I’m noticing my drawl
    drawn out that’s how I know
    he’s come round.
    placed toffee on the other
    mantle the way he likes
    try not to ask about
    whatever wayward lover
    that’s been side eyeing
    me or just puckering
    their lips and I’m
    hor d’oeuvres.
    disentangled.
    waste.
    of time.
    but here we are
    marking everything
    xxx with my fire finger
    so I decide to
    begin again:

    love is patient.

    I am trying not to get lost
    in the mirror
    which is a tall fucking
    order (but drawing it
    out so it goes
    t aaaaallll fucking
    ordddderrrrrrr)
    when the little girl
    enters the room.

    the audience is lost,
    I know. ok, so
    there’s me plus
    my reflection
    plus it’s
    what year and
    there’s
    how many
    folks
    in the room?

    “Formula #2: Descriptive”

  • there are two giant
    bruises on each thigh.
    I am careful not to hit them
    with my fingers except
    I already have
    and I shriek.
    you don’t even ask.


    I spent most of my time
    that late winter
    searching.
    what you would say, ugh,
    combing through options,
    in flux and in search of
    weight.
    and some guy,

    a stranger
    in my house, said to me
    after I had given him reiki
    for money, for rent,
    for phone bill,
    smirking on my apartment floor:
    “Smile.” and added.
    “What do you look like naked?”
    and added
    “How much to find out?”

    and I stood tall and robust
    like a weed in Kensington’s
    concrete garden:
    stepped on but
    won’t go away
    and  then
    suddenly growing
    into a gun.
    not only that,
    but suddenly
    making rent.
    fuck.
    ok.

    you don’t even ask. 

    “doors #8”

  •  I know I’ll always be ok.
    by purpose, my name
    will be forgotten. my real name.
    I am thinking back.
    if you can’t keep up,
    this is winter 2014. but it is also
    winter 2017.
    it is also spring and
    summer 2020.

    the day I arrived in the hotel
    in the financial district of New York
    to meet a Russian photographer
    who promised me a night in an expensive
    suite and a binding contract
    that has been violated over time
    without my awareness,
    my nails were painted
    blue to match my
    bruised knees.
    spread more, all the
    way.
    I thought that was
    cute. 

    he gave me a fishnet
    black onesie I ripped a hole
    in but wear on dates
    to remember us by.
    and even though
    he took advantage of me
    and you felt betrayed
    by some unshaved labial
    part of me,
    I made my half of rent
    for once.
    in the car from the bus
    stop on my smile
    spread and the bickering
    couldn’t dissuade
    the new confidence.
    the way cash feels
    sizeable in an envelope.
    ok, chill.
    fuck, 

    I got rent, right?

    “doors (#7)”

  • carried little pieces of God
    everywhere;
    got a pint sized celestite
    I broke off and now
    twirled in my fingers.

    I am surrounded by men
    who are wolfish in detonation
    but repenting for a lifetime
    of substance abuse
    so we nod when they say
    things that are aptly
    reflected instances in which
    they felt a guilt greater
    than themselves.
    they usually begin with things
    like
    I took advantage of her
    and I cross my legs.

    I am wearing brown tights, brown
    heeled boots and a cream turtleneck
    sweater dress.  my hair is
    short, uncombed and strange
    and I am mostly plain.
    I wear light blush, mascara and
    chapstick but I don’t spend all
    day about it.
    it is important as a woman
    to catalogue what you were wearing
    and how you generally look
    in any moment.
    also I had gained some weight
    first, before I  discovered that
    counting beans will gain you
    phone bill money.
    when you tell the audience the story
    they can gauge reaction better.
    were you homely, girl?

    I was neither homely nor
    exceptional,
    merely watching the blue chips
    of nail polish flake onto
    the floor as he spoke
    about his trespasses
    against women,
    finding my hands to be urgent
    suddenly.

     “doors #6”

  • before I ran upstairs, I went to the kitchen to grab my water bottle and straw.. it is already so harsh; the shifting walls and brightening of any room when you’re on it. I need these comforts. the stairs are steep and they were steep climbing them especially with the bend to my back. I wasn’t scared of the stairs, although truly, one could die if they fell the wrong way down them. I didn’t think about this too much honestly. given all I learned about myself, you’d think it be barricaded but I taunt those stairs in thigh high stilettos. no, it’s the water that gets me.  

    my room felt safe. no one is ever in there but myself and the cats. I considered closing the door to lock them out because their obsession with being close to me can feel smothering. instead  I keep announcing to them that I am on drugs. to remind them. such a volatile state but I also wanted them around, and on guard. they had a knack for reading me and knew when I was too far out. years of practice. I knew they’d follow me immediately and better for it. they were familiar and moving, a constant distraction if I needed one. watching cats is a pleasure in itself. I wanted my journal that I had been reading the night before  about astrological placements. I brought that upstairs.. I wanted the decks too.  deferentially, I asked if I was able to remove the placement of the cards  on my altar to use them. it felt reverent to ask first. I feel more comfortable in devotion. when I am honest with myself, I can see clearly I am a fanatic.

    I placed them on the bed and sat down. I also had a mini composition book and a pen. the composition book only had a couple notes in it to begin with. it was an emergency notebook that lived in my nightstand. in an emergency, or a flush of energy, if I feel the need to write something I can reach over and grab it. the pages were all falling out but I kept it in some order. I liked things neat even in dishevelment. I focused on keeping the pages together as I swirled in place. what am I looking for? began to read about the sun and its meaning for a person: the ego, the way, and the second house of possessions.  and how they conjunct in natal and synastry. possessive. sometimes I see things I’ve written in different places, breezing by become a saint. so much pressure. so much pressure in my head. flipping the pages but my handwriting is scrawl and perfectly coded so only I can read it in my most lucid state and requiring patience. to read my letters requires patience. things would lose meaning and be regained later. that’s synthesis and letting go of what you read. I used to have a photographic memory. eidetic.I found the pages and flipped back and forth between two of them not certain what I was looking at or if I was truly looking at anything of substance. this  was the house of self esteem. there is a theme here of scarcity. my room I mean. it’s full of things and outfits and art. its also a square altar. it’s also full of money, these walls. I keep thinking. I want less of what I own. I’m not really reading but scanning my lines to see what pops. my handwriting is slanted and shorthand, like a doctors. my signature is merely a lowercase and cursive s but drawn big sometimes.

    “the sun is active not reactive.” I put my pen back down. was I writing? i’m incapable of holding any thoughts which forces me to breathe deeply. it feels nice to do it and my spine is pulsing and I can sense more pressure coming. don’t look at anything. I lay on my back for a second. it is impossible not to be stimulated in this world. I feel a buzz in my apartment all the time and noise. what always sticks out about the second house is the possession of friends. the love of buying gifts. the generosity that comes with owning someone and with a will to succeed in some way that forces you to lie down on your orange comforter and plot the burning of your house. I began to imagine setting my house on fire. this comforts me: elegies, violence towards self, the extrication from others.

  •  deferentially, I asked if I was able to remove the placement of the cards  on my altar to use them. it felt reverent. to ask first. I feel more comfortable in devotion. when I am honest with myself, I can see clearly I am a fanatic.

  • this next section is called
    ARITHMETIC

  • My hair gathered behind the dollhouse. 

    I used to hate when it got past my shoulders. It collected back there in globs. The way I find dust bunnies under my dresser now; that was my hair.  When there was an opening, I would tuck it in my shirt, run to the trash can to dispose of it. Little auburn chunks.  I was a surreptitious child. Mostly, I tried to sweep it under the dollhouse as if it would disappear into the carpet. Hoped my mother wouldn’t dust. That’s how I hid everything back then. With a wink. And scissors. A smile. A wish. Staring at lights on my closet door.  I don’t remember my mother ever finding out so I wasn’t terrible at it either.

    “I have never let my hair grow past my shoulders,” I say. “Some say that’s the weirdest thing about me.” 

    He looks at his hands.“Remember only one sentence has to be a lie to discount the whole thing.”

    I smile.
    You sneer.
    And try not to laugh
    and try not to give
    a single thing
    away.

    “doors #5”

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