Posts

  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • it keeps no record of wrongs.
    i’m saying it out loud
    and I’m noticing my drawl
    drawn out that’s how I know
    he’s come round.
    placed toffee on the other
    mantle the way he likes
    try not to ask about
    whatever wayward lover
    that’s been side eyeing
    me or just puckering
    their lips and I’m
    hor d’oeuvres.
    disentangled.
    waste.
    of time.
    but here we are
    marking everything
    xxx with my fire finger
    so I decide to
    begin again:

    love is patient.

    I am trying not to get lost
    in the mirror
    which is a tall fucking
    order (but drawing it
    out so it goes
    t aaaaallll fucking
    ordddderrrrrrr)
    when the little girl
    enters the room.

    the audience is lost,
    I know. ok, so
    there’s me plus
    my reflection
    plus it’s
    what year and
    there’s
    how many
    folks
    in the room?

    “Formula #2: Descriptive”

  •  I know I’ll always be ok.
    by purpose, my name
    will be forgotten. my real name.
    I am thinking back.
    if you can’t keep up,
    this is winter 2014. but it is also
    winter 2017.
    it is also spring and
    summer 2020.

    the day I arrived in the hotel
    in the financial district of New York
    to meet a Russian photographer
    who promised me a night in an expensive
    suite and a binding contract
    that has been violated over time
    without my awareness,
    my nails were painted
    blue to match my
    bruised knees.
    spread more, all the
    way.
    I thought that was
    cute. 

    he gave me a fishnet
    black onesie I ripped a hole
    in but wear on dates
    to remember us by.
    and even though
    he took advantage of me
    and you felt betrayed
    by some unshaved labial
    part of me,
    I made my half of rent
    for once.
    in the car from the bus
    stop on my smile
    spread and the bickering
    couldn’t dissuade
    the new confidence.
    the way cash feels
    sizeable in an envelope.
    ok, chill.
    fuck, 

    I got rent, right?

    “doors (#7)”

     I know I’ll always be ok.by purpose, my namewill be forgotten. my real name.I am thinking back.if you can’t keep up,this is winter 2014. but it is alsowinter 2017.it is also spring andsummer 2020.the day I arrived in the hotelin the financial district of New Yorkto meet a Russian photographerwho promised me a night in an expensivesuite and a binding contractthat has been violated over timewithout my awareness,my nails were paintedblue to match mybruised knees.spread more, all the way.I thought that wascute. 

  • before I ran upstairs, I went to my kitchen to grab my water bottle and my straw. I wouldn’t want either but they would be seen as a source of comfort to my eyes in some cases. it is already so harsh; the shifting walls and brightening of any room when you’re on it. I need these comforts. the stairs are steep and they were steep climbing them especially with the bend to my back. I wasn’t scared of the stairs, although truly, one could die if they fell the wrong way down them. I didn’t think about this too much honestly. my room felt safe. no one is ever in there but me and the cats. I considered closing the door to lock them out briefly only because their obsession with being close to me can feel  smothering, which is why I keep announcing to them that I am on drugs. to remind them. such a volatile state but I also wanted them around, and on guard. they had a knack for reading me and knew when I was too far out. years of practice. I knew they’d follow me immediately and better for it. they were familiar and moving, a constant distraction if I needed one. watching cats is a pleasure in itself. I wanted my journal that I had been reading the night before about astrological placements. I brought that upstairs.. I wanted the decks too.  deferentially, I asked if I was able to remove the placement of the cards  on my altar to use them. it felt reverent. I feel more comfortable in devotion. I am a fanatic.

    I placed them on the bed and sat down. I also had a mini composition book and a pen. the composition book only had a couple notes in it to begin with. it was an emergency notebook. in an emergency, or a flush of energy, if I feel the need to write something I can reach over and grab it. the pages were all falling out but I kept it in some order. I liked things neat even in deshevelment. I focused on keeping the pages together as I swirled in place. what am I looking for? began to read about the sun and its meaning for a person: the ego, the way, and the second house of possessions.  and how they conjunct in natal and synastry. possessive. sometimes I see things I’ve written in different places, breezing by become a saint. so much pressure. so much pressure in my head. flipping the pages but my handwriting is scrawl and perfectly coded so only I can read it in my most lucid state and requiring patience. to read my letters requires patience. things would lose meaning and be regained later. that’s synthesis and letting go of what you read. I used to have a photographic memory.I found the pages and flipped back and forth between two of them not certain what I was looking at or if I was truly looking at anything of substance. this  was the house of self esteem. there is a theme here of scarcity. my room I mean. it’s full of things and outfits and art. its also a square altar. it’s also full of money, these walls. I keep thinking. I want less of what I own. I’m not really reading but scanning my lines to see what pops. my handwriting is slanted and shorthand, like a doctors. my signature is merely a lowercase and cursive s but drawn big sometimes.

    “the sun is active not reactive.” I put my pen back down. was I writing? i’m incapable of holding any thoughts which forces me to breathe deeply. it feels nice to do it and my spine is pulsing and I can sense more pressure coming. don’t look at anything. I lay on my back for a second. it is impossible not to be stimulated in this world. I feel a buzz in my apartment all the time and noise. what always sticks out about the second house is the possession of friends. the love of buying gifts. the generosity that comes with owning someone and with a will to succeed in some way that forces you to lie down on your orange comforter and plot the burning of your house. I began to imagine setting my house on fire. I was staring at my dresser, at the framed picture of the fox and a little ways past that to a mirror that felt warmer. my brother’s ashes which didn’t cause any alarm or overwhelming grief so much as the polaroid of my dad next to a backdrop of a dark woods so the two blended. I looked back up and sat back up. opening the notebook again. it’s hard to focus on anything. it’s best to comfort yourself too. “tail wraps inward for Virgo, outward for Scorpio.” I’m on my south node journey. . I’m simply observing the process of what I noted and what I’m noting now as I’m reifying my old words into the alchemy. I am looking around my room a lot. not in alarm, it is safe here. no one has been in this room but a couple people and no one has ever slept in this bed with me, or fucked me. not in this room on this mattress.that thought is soothing.

  • I used to cut my hair and hide it behind the dollhouse. I used to hate when it got past my shoulders. I don’t quite remember what I did with the hair but I assume that I let it collect back there in globs. The way I find dust bunnies under my dresser now. When there was an opening, tuck it in my shirt, run to trash can. I was a surreptitious child. I am sure I mostly tried to sweep it under the dollhouse as if it would disappear into the carpet. Hoped my mother wouldn’t dust. That’s how I hid everything back then. With a wink. And scissors. A smile. A wish. Staring at lights on my closet door.  I don’t remember my mother ever finding out so I wasn’t terrible at it either.

    “I have never let my hair grow past my shoulders,” I say out loud. “Some say that’s the weirdest thing about me.” 

    He looks at his hands.

    “Remember only one sentence has to be a lie to discount the whole thing.”

    I smile.
      You sneer.
    And try not to laugh
    and try not to give
    a single thing
    away.

    “doors #5”

  •  at three pm,
    I show up to the church
    just my tourmaline in
    hand, hair wrapped
    and I begin.
        God, I renounce all
            evil in me.
    my hands twisted
    like roots, the white string
    of my cuff ties
    between my knuckles,
    nervous
    and he says
    daughter,
    take your time.

    beads of sweat
    ride my back, pull my
    camisole tight to skin and
    I can feel the pleather
    stuck to the bottom of
    my thighs so that if I moved,
    the flesh would have to be
    ripped from bench.
        I’m obsessed with time,
        and that’s not the issue
          but how I count it
        in riddles.
    he cannot see the way
    I move my leg;
    the natural tremble
    it’s developed.
            it’s what I say in
        blackouts, or even now,
          the way it has to be correct.
        the way it spills out of me.
    I’ve twisted the tie til the circulation
    is cut, tightly around my
    ring finger.
    and that I need to be subsequently
    scourged, promptly.
    begin unraveling it when I feel the
    pins start up my knuckles.

    I’m nodding
    my head in some sort
    of agreement with something
    internal, with the
    rush I feel from purge,
    the glow of sun
    through pink stained glass
    across my cheek,
    the bend of legs
    on pews,
    the comfort of
    the ailing,  the
    rhymes,
    to ailment.
    the comfort of beads
    in hands, or
    anything, the
    alms.

    I am here and
    practicing throwing
    my  arms
    open
    when  people
    first
    walk into the room
    but also
    remembering what
    I
    scream
    at doors
    in panic.

    “the recitations”

  • I have a recurring vision
    of me on the ground
    twisting string in my fingers,
    delirious and
    I swear I can’t breathe.

    I swear I’m not forsaken,
    I say out loud to them,
    I swear I renounce all evil in me.
    tell him this is urgent,
    my legs are jelly and I
    cannot walk
              sir, I cannot walk anymore,
    I repeat to the EMT that refuses to
    give me oxygen and
    you materialize, suddenly
    screaming
    I am praying for you.
    you are not making it happen,
    you are seeing it first. 

    wait, back up,
    that’s too complex
    .a fire engine blares its horn
    and I’m still wavering
    in front of the park.
    the little girl is doing
    cartwheels for a small
    blond child but when she sees
    me looking again,  she skips in
    a circle and smiles.
    I know never to bet on
    anything that talks
    so I push the whole thing
    aside, keep walking.

    feel a bone
    in my knees
    bend.

    “nine of wands”

  • When he turned the corner, I turned the corner. When he stopped at the orange hand,  I stopped at the orange hand. When he jaywalked, I jaywalked, although sometimes that’s when I lost them. I moved with him.  Watched his gait, uncertain shuffle, the way he was always running his hand through his hair with some timed tension-breaking. He held inconceivable space for his own self-assurance; feigned and toxic and unable to yield. He would play with his keys sometimes, or a pen and his forearms brushed people constantly. He would always have his head way up or way down and in his phone but never on anyone unless it was me and it was intimidating and it was meant to invoke subordinate laughter. A subordinate curtsy.   He was heavy on the sidewalk, heavy in the air.  He stomped his way through people, indifferent to the chasms he cut into couples walking.  He passed right through them like a ghost. Like they were ghosts. They were forced to make their point abruptly or cut the thought short or turn around in disgust and the mood would be inevitably lost no matter how they chose to approach it. They came back together aware of the split, aware they can be split, aware they are not one. They came back together and then I did the same thing.

      I mimicked his carnal prowl, the way he ruined things, the way his arms hung at his side like a big, hungry primate. No purpose, I saw, but to smash rocks, strangle things, dangle things above me. I made my movements wider.  I flexed the whole walk to make my arms stronger, larger, strong and large enough to smash rocks, strangle things, dangle my sex above them.  I channeled the Earth’s orbit and became giant space behind him. I wanted to loom. I wanted someone to feel something looming behind them. I wanted them to be the victims of a person constantly walking in and out of their relaxing silence.  They demanded interruption. I became stifled violence.

     I became indiscriminate in my hunt. Sometimes whole groups I would follow. I would be in front of them to start, choosing all my movements slowly, carefully, deliberately, aware I was being watched. I was being followed. I would tense and untense my hand so they had something to focus on; so they could see my nails ripping at the inside of my palms and then releasing. So they could see my nails were sharp and sharpening. My biceps flexing so they could see my arms were strong and strengthening. So they could see my palm was pre-callused. Sometimes I sauntered.  Sometimes I turned around without warning and walked the other way and caught all eyes now locked straight on my pussy. It was my ass they were just hungry for. Sometimes I laughed loudly to no one right in front of them and at them. Sometimes I relaxed; stopped dead in my tracks in front of them to check the weather forecast for the evening.  I responded to texts and let giant groups break in two just before hitting me, move around me, a wave crashing right before my feet and parting their own sea. I lingered there, responding, taking my time with my choice in vocabulary, choice in emoji sequence. They assumed frivolity. I assumed a wider stance and let another group scramble to pass me gracefully and then I suddenly changed direction.    

    Sometimes I’d make eye contact for five hundred feet, or if I felt confident, I’d make eye contact for a mile. I walked right towards them, my lips set in a straight line. My eyes unblinking. My intent muddy. I waited until we were close enough to get a sense of each other. I stared until we were close enough to catch a whiff of each other.  I could smell their begging cologne from the first five steps of this mile. They anticipated a contact, maybe a word spoken, an observation about the mild winter we were having, a rehearsed joke, or unrehearsed nervous choke last minute, one chance, fuck it up.  Deep swallow. They hoped for something unbridled. Something untamed and extricated from another.  At least, a once-over we both would perform a smile. I held a bit of a smirk but never anything wider, and then I looked up at the sun suddenly, looked directly at it. As they passed, I stared up at the sun the entire time. My head was completely back and I gawked.  Or if I was passing a window, checked my reflection. I ran my hand through my air with a feigned apprehension.  I watched my dogs perform and repeated it in front of them.  Whole groups I saw in my peripheral looking at me, waiting for me, watching me, wanting me to interrupt, but kindly. But please do it kindly. And I always checked my reflection, my lips set in a straight line just waiting for it.

    “Hey girl,” they started.

    I would suddenly change direction,
    start running.

    “the dogs”

  • all day long
    I vacillate between intention;
    maybe a couple steps forward
    or skirting one craving
    and then the immediate withdrawal,
    the later three walks and
    four coffees, twelve cookies
    and picking a fight;
    my habits,

    my beloved
    hermeticism and the double meaning of
    everything and I’m
    ambivalent about every choice
    I’ve given myself over to;
    even in completion,
    I shrug.
    let the wind take me.

    now I am
    in Philadelphia,
    and I have an Access card to
    buy toilet paper.
    I am also  writing letters
    to Colorado llying
    saying I got into Temple’s
    education program and I’m
    raising my hand in meetings
    to volunteer for service
    earnestly.
    getting invited to social things
    and showing up early.
    crying endlessly and in public,
    which refreshes me.

    I am dog sitting; house sitting for
    money in Queen Village,
    and I spend the days
    drinking their coffee,
    sneaking their chocolates.
    using their washer for my own
    heavy blankets,
    and walking the pit bull
    without the choke chain
    she gave me.
    not trying to make a fuss
    about it even though I do want
    to put it around the woman
    walk her on her fours and
    then tug a little bit.
    that’s a part of
    innate ferocity,
    an ardent step, a
    boil.

    I observe the doors of people
    in Society Hill:
    clean black or
    mahogany
    with the numbers painted on
    them or in brass next to their
    outdoor lanterns, their empty
    flower boxes soon to be leaking
    zinnias, petunias, geraniums.
    soon to be fingered,
    picked by me.
    I am obsessed with the material
    possessions of others
    and knowing I’m no good
    marked this place for
    later:

    we should rob them.

    begin to circle the area
    with the pit bull
    understanding clemency only
    gifted to the few who
    have smiles like
    little sunshines
    and white skin,
    tanned but porcelain
    otherwise.

    “doors #4”

  • when you came home
    with the giant brass
    industrial art piece to hang
    on the wall at the top
    of the stairs, first I noticed
    it had no smooth
    edges like a pinwheel
    fringed with daggers.
    in fact, I was afraid
    it might cut me in the middle
    of the night and the second thing
    I noticed was
    you were a libertarian
    but I had the grace to not even
    ask how much it cost.
    I had bought us an entire chocolate
    cake using food stamps
    so I cannot judge and I
    have learned
    life is meaningless.

    the third is ennui.
    you become overcome
    with a sudden fatigue.
    you can’t even argue.
    you can’t aggress or retract.
    almost as if you are floating
    through it all.
    but not as happy or light
    as that. like you’re being
    controlled by a beam.
    it’s more terrifying the
    grip this new surrender has.
    your arched back,
    your upward gaze,
    some kind of nothing
    and the laughter is braying:

    so deep and directed
    at you.

    “ennui”

  • it’s midnight.
    i’m with you
    in a ball
    on a quarter of my side.


    you’re taking up a quarter of
    my half of the bed with your engulfing
    speculation and a partially harbored
    rage marking pages you skimmed
    to later find your place where you felt,
    at the time,
    some things are better left theorized
    than openly enslaved.

    I’m investigating an inner stillness
    that dissolves when exposed
      and counting
                                   to ten, my sponsor said
    contusions around my throat.
    you’re learning about economics
    this week:
    hyperbole & statistics;
    which way my freckles move
    depending on my
    frown,
    the likelihood of a temper tantrum over soap scum
    on anything I scrubbed,
    unloved refrigerator pictures circa 1991,
    premature forgiveness when I’ve still got to
    fuck the bitter out but
    someone gave me two weeks of yoga passes
    so I’m suppressing it in down dog and polite nods
    on a borrowed mat
    on the other side
    of town.
    I’m crooked but
    I’m hiding my scoliosis 
    in poses.

    the amount of times my palms moved from open to
    across your cheek and at what velocity,
    how much of my useless back will face you tonight,
    how long before one half of the bookshelf is strewn about
    the floor,
    how long before it’s all cleared out.
                        you’re a poor investment, Sarah
    simply put,
    how not to trust
    anything that has to do with
    us.
    (count the marks on my throat)

    you already know
    about sharpness.
    my Christmas tree is in a dumpster
    in another state and most other things
    shouldn’t be brought here or
    shouldn’t be touched.
    I’m in child’s pose
    hiding in the closet
    and tonight
    you are learning

    to never bet on
    anything
    that talks.

    “the economist”

Create a free website or blog at WordPress.com.

Up ↑