we are sharing visions.

during our forced intermission,
I became a lantern and
my own crucifixion was
paused to grow my
sparkling spine sharp like
sudden beams of light
shining
on your morning sex and
I walked forward slaughtering
everything hidden with a
wave of my hand, focused
eyes    incantation, scribe
and text      I having been reborn with bone
like wand, am luring rooks
for guns and ;
turning mice to men
with a flash of tongue
and then turning men to wolves
to find him.

the queen is fat now
gorging herself with army;
the war you begged for
and are bound to get
is here on time.
I gather every friend I know
and share my plans
for combat
enticing each one
with a different reward.
this is the queen you
|asked for:
acerbic communist,
generous with her
violence, but you?
you will know me
by my sharp interjection,
sport–you?

you are
Persephone’s
final futile hours
picking berries in the
garden,
sniffing tulips absentmindedly,
        nevermind the bees or sunset
plucking lilies from the water,
watching the ripples form circles
around your fingertips
and then you’re
screaming at your flowers
being swallowed by the ground
  switch places
an earthworm bit her and said
as Pallas emerged with reminders,
a sello from the water,

floral crown and
speaking in her native tongue:
ways to blow direction,
ways to conjure storms.
oh, here it is again,
that little lie about choice
she goes with her knees
falling through the earth,

but she goes and keeps
her head above that dirt,
what’s a curse to those who
know the power
of reverse?
you.

 

“the magician (reversed)”

“stay here.”

—responses from God during meditation, April 13, 2014 3:01 pm

“Look, you can’t go back out there. It’s curfew and even if you tell them you are just walking home they may not believe you.”
“I thought curfew was at eleven.”
He waved his hands, “I don’t know but I just heard the sirens and the storm is getting bad. Probably precaution. Anyone out now won’t make it if they are far from home.”
And the thing that breaks you is the synthesis of all of it.
“Let’s move into the living room,” he began to stand up.
And the thing that stuns you is the words. The pragmatic formation of sentences meant to protect. Facts.
“I have a fireplace,” he extends his hand towards me.
And the hiss that you repress to remain cordial as your chest cracks in half. I take his hand. I grew up in a shack on the outskirts of Norfolk, Virginia that has been slowly weathered by hurricanes over time. My dad sits on the edge of my childhood bed and watches football and eats Hostess cupcakes. The floor is ruined from his cigarette smoke and uncleanliness. It resembles nothing now. Once, it was a shade of dark purple and the ceiling had glow in the dark stars all over that kept me safe in the dark. Any note I had hidden to myself has been found and discarded. My dad keeps mementos of me near, things I have written him or bought him.  He calls me once a week and attends a methadone clinic daily. The whirr of the oxygen tank fills the house when he sleeps. Our house is full of crickets and cockroaches, spiders and sometimes snakes. My dad lives there alone and I know that sometimes he walks into my dead brother’s room to cry. I place my palm firmly in this stranger’s hand. I let him lead me to his fireplace. The first thread has been pulled. The spool has begun to unravel. Theater tonight is a longing and resentment.
But at least we are warm.
I let out a short laugh, like a cough.
“Hmm?” he asks in the doorway of the fancy living room.
“Oh, it will be good to be warm,” I say.
The second siren goes off and he’s right. It’s seven pm, twenty nine degrees and eight days without electricity in this town. Somewhere in Norfolk, an oxygen tank stops and someone pulls their breath from a deep resolve and I too march.

When I recount things, sometimes they are blurred by my filter; my emotion at the time of recall. I understand that the way to get an extra brownie is to walk in the room the grinning ingenue. I watch them breathe as we continue to talk. I watch their shoulders slag. I watch their faces change into suns and smiles and laughter.  But I’m of bitten tongue recalcitrance. This is called “walking the tightrope.” When I recall things, I must remember if temper came into play, if anxiety was near, or if I was a gymnast doing cartwheels for the crowd. The confluence of each part of me is what creates the story. I must remember which part I played. What I will remember about this man is that when he poured the hot water, he smiled at me in a fatherly way, and that I was not the coquettish mouse trapping cats in the basement, but the helpless girl in the dark gripping horror films to stop her wailing.
“Yeah, we had a lot of fun.”
He put the kettle on the table and sat back down. I was visibly nervous, fidgety. I kept placing my palms face down on the table and pressing them into the wood. Then, I would retract them and place my palms together and then place them on the top of my thighs. It’s hard to do this without being noticed.
“You left your straw by the door.”
“Yeah.”
“Do you need it?”
I looked down at my hands on my thighs getting ready to start the cycle again.
“No.”
I did.
“Tell me more about yourself. Your name?”
“Ava.”
“Ava.”
“My cat is Genevieve. We live a few blocks from here, alone.”
“And you walked here?’
“Yes, I tried to go to the stores and they were already raided or locked. I started walking and then I got kind of turned around, lost, then scared.”
“And you came here?”
I dug my nails into my pants wishing my tips were longer or my layers were less.
“I panicked. Looked for light. The knob was unlocked. I was going to knock if it wasn’t. I may have been imagining the people. It’s cold and dark out there.”
“You don’t have any friends, you said?”
“I just moved here a couple months ago. I have one friend but we don’t know each other well and my dad is sick in Virginia.”
He nodded and stroked his beard. The habit seemed old. He probably didn’t realize he was doing it.
“My phone died.”
“Did you bring it with you?’
“No,” I shook my head, forlorn. “I wasn’t thinking. Is your phone working?”
“A little. I have been keeping in touch with my wife and kids. It’s a mess out there.”
I nodded.
“My dad is dead.”
“How do you know?”
He leaned forward.
“He’s on oxygen, lost power right away, no one to help him really. It’s a long shot. I would have driven but I don’t have  a car.”
Let yourself sob. A tear formed in my eye and I studied his table. Red wood like mahogany, old, antique. His wife’s. Too big to take west.
“Where is your wife again?”
He didn’t answer and instead stared at me. I deserve consolation, true, but here comes the fit of rage. I was a spool of tumult and if you pull me right, you get what you get. Let yourself cry.
“Texas.’
“Texas?’
I looked up surprised. I wasn’t expecting that.
“Got a better job. Can’t complain now,” he shrugged. “My kids are safe. If the airports weren’t closed, I’d fly out.”
“You don’t drive?”
Don’t react to anything he says. I was done crying if that’s what that was. The rage had passed. The storm. I heard sirens.
“Curfew,” he plainly stated.
Don’t react to anything he says.

release all hexes
they said,
release all hexes but will I
be protected?

 

yes, you will be protected

and loved,
beloved.

follow the story through.

2.

 

I have two constant insatiable needs:
clarity and validation and I
usually get neither.

my only true constant is my suffering;
that is how I relate to others.
my suffering is a secret comfort
because it allows connection.
we only know feelings by comparison;
yours, mine, ours.
this defines humanity–
our perpetual hunger,
our perpetual processing
about the matter,
our reaching hands,
and the inevitable suffering
that follows.

 

Express the value of life
in lines and
daubed charcoal.
Add the girl’s lids and tinted lashes,
fixed eyebrows,
nose,
lace collar under
overblown cloak.
Hair tucked beneath hood,
chin tucked to neck,
subtract her gloom;
then what would she do?
Harder to draw,
harder to draw something
in.
Highlight her cheekbones in rouge.
Add breath to an otherwise
achromatic lover.

Add her troubled partner in the backdrop:
blue-gray with a hint of black at the corners,
small silhouette of a rainstorm
receding over the edge of the horizon.
Add some balance to a ruminating giant.
Find and add
her absent brother.
Subtract her moans.
Erase her nose.
It’s too bull flare.
No one will take her like that.
Thin the clavicle.
Thin the waist.
Add some plum to the lips.
Add a remark.
“This will not do.”

Grab the Hi-Polymer.
Try to capture the gleam
of mistakes on her face:
birthmarks, pencil marks, oil sheen,
eraser flakes,
lines that are furrows or scars or
warrior wrinkles,
ruddy blotches on the thighs,
dry skin on the feet,
swan’s neck,
bucked teeth,
knife marks and a
revised smile.
Never trust a man with an
airbrush and a promise
the clouds whisper. 

She is flawless.
Precise.
Analogized you.
Contrast to your optimism;
your bubble of assurance
that is dominating,
that denies a compact or an inventory
and drawn in shady undertones
to hide complicated desires.
Proof of hidden bruise
shoved deep inside the confines
of gusto and canvass
come to life in the luster of pencil dust
and uncomplicated process,
 stretched wide
for the world to admire.
A deflated mirror.

She still has all her freckles
and you are noticing
a few things
about yourself.

 

“the artist”

 

 

I’m obsessed with transition;
the form it takes
in movement and
thrown against a wall,
trapped in a slow crawl to
a fast show, slow choke,
sudden landing without intent.

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