the first thing you notice about me is
the way I saunter.
even to grab a ginger ale
from the cooler
              “it’s my favorite.”


brush you, smile at your friends
and kind of swarm them
like an imposition.
starting conversations
that are really my to do lists;
assuage shame, assuage
guilt, anxiety publicly and
always alluding with  gesture
and wink
to my prescience without
saying anything.

if you ever said a word,
which I highly doubt at
this point, you’ll say
its the smirk
I mastered,
not the crowd.

“the warehouse”

“sometimes we are blessed with being able to choose the time and the arena and the manner of our revolution, but more usually we must do battle wherever we are standing.”

–audre lorde

i feel the miracle.
the edge without crossing.

take me right to the edge.

don’t jump,
walk the line.

give it to me, God
can be a risky request.
immured in soft crystal, I felt
on the verge of crossing
borders and mostly unhinged
all winter.
my hair was combed,
my lips were never chapped,
I wore blush every day and
stockings with no
runs.   my tongue  was tied
completely
so no one asked
what I may have needed.

chased an impartial sun
half of December
and spent the other half
shrouded,
soaked in flower essences.      I preferred
helenite draped in tiger’s eye so I’m more
sudden hot eruption
than slow boil
but tonight I try more
benevolent blooms and pausing
and
watch my flimsy, cherry-dipped
ylang-ylang scented fingertips
shake unsteadily
and without any observable provocation,
suddenly stop untying my velvet collar,
suddenly shy away from the mirror,
suddenly lunge and land
on my ball of green obsidian
delicately scraped from the bottom of some
dormant volcano;
still mired in sudden climax,

rinsed and smoothed for my
handling pleasure. 
it was
heart  activating
and protective
and my heart;

poor, twisted carnivore
always unsure
can shift her way into a
permanent snarl
with protection.


I stomp into the other room and
shatter the rosy bowl
he let me borrow.
leave it broken, shiny
pink on the kitchen’s peeling
linoleum.
strip my skin of clothes and scent in
a hot steam bath
  i’m idling
and let the pieces
rest.
watch my step.


my place is
cracked and
full of ghosts
all bled:
a carnelian web
that sits atop a post.
you see my long legs
dangling before you see
the rest of me.

“Arachne”

learning to relax
via looking at Bulgarian maps,
tracing the Maritsa river to
a point of death, ice,
collapse.

the breath of a little girl
laughing, her fingers
on my sleeve, grabbing
then shoving me.

“the little girl”

the skulk,
scent, need for slow chase.
salivation with a .
wide open stance,
arms spread,
lips like decanter,
trickling:
it is with love that I do this.

oh, you always say that.

*snaps* to wake
up.   tips a holy red.
I begin to grow inches and
let my long nails
trail the arms of strange
wool peacoats on my way to
the El,
or nowhere.
just circling Girard for fun.

It’s the middle of December
and I made rent.
I sort of grimace as
I sway the town, head to
toe in unbought clothes,
heeled boots,
hips flexed and
recently fucked.
let my hand hit the elbow
of an unsuspecting man,
unfucked, soon to
be turning around and
catching a flash of my
back, purple mock wool
and  hear the clack
of my shoes walk
away.
it is with love
they say.

“the honey trap”

Part 5: The act of maiming things (iteration)

“Everything has happened.”–Sylvia Plath

I start by slaughtering your brothers
in front of you to see
if you can stand it.

“13.” or “sekhmet” or “rage”

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