I have three cuts through
the devil on my leg
and a small bruise
to the right of it,
a large bruise on
my left thigh and
when we met,
you had a large mark on your
right arm that looked
like someone had grabbed you
and I don’t know where
I got it.

you are careful.
I am unsure what to say.
I don’t either.
I gesture to myself,
I mean to mine.

I begin to tell her a dream.
he begins to tell me a dream.
I am in the middle of a forest
and she is in front a fire
and all she says is
wait, be careful
what you say
and holds her hands up.
she kind of walks towards me.
she is young but
but like also like her child.
like she is her daughter.
she is walking up,
she is wearing a long white
pj gown and has long hair,
hands out saying
be careful what you say.
and then I just wake up.

and then wake him up.

but then there’s someone else
on a brown horse
looking up at a tree;
it’s night and the branches
enclose like he is in a web or a
dome and asks a squirrel
in a tree
what time is it?
turns around.

I say: It’s time.

and then wake him up.

“datura moon” or “the story of us”

once, after a meeting
a woman went up to another
woman and told her it was
inappropriate to share about
her rape.
I was sitting on the gray couch
debating having an eighth
cup of coffee when they
both turned to me
for support.
I used to think there were
rules. rule #1

KEEP YOUR MOUTH SHUT.

“raped”

paralyzed by fantasy, ask
what’s the weirdest thing about
me? it’s in my head.

I’ve strained everything I’ve ever
owned in my life
including my eyes
so I can’t see
your car is gone,
the way life unfolds
without interference,
or the ant hill I just stepped on.
your sad smile when I
didn’t notice the grinning
contingency roses;
contingent on whether or not
you decided to start shit.

the boxes in the corner,
cat’s nascent urinary problems,
the missing incense holder,
empty toilet paper roll,
your mordant note, or
the last piece of vegan toffee.
the ants plotting their revenge
in the corner,
the forgotten ice cube on the floor,
your wilting gray shoulders
as you slump into the green plush
armchair you detested
that I brought home,
cat vomit somewhere in the cushion.
your face down in study materials
as if I am brick
or limpid fume, a
backdrop to this impulse
and you can’t hear my muffled feelings
about where our
stuff should go.
        (back to Boulder)
I can’t see

the sunset in the distance,
self-will run riot,
God’s sweeping fingers,
or further than my
remarkably dry nose turned back at
you; yesterday wet with
the tears from your verbal incision,
now clear, i’m numb.
my scrawny legs hanging off the
coffee table quoting McCarthy
to turn you on:
“nobody wants to be here
and nobody wants to leave.”

“the canopy”

don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.
don’t tell anyone what i did to you.

you are hiding your scoliosis
in poses, grown
restive inside.
you have high heels on
and are menstruating
plainly
despite him.
stop trying to 

make love to the camera,
just act normal
but also like you
just discovered aging
and you are a prison
of adjustable skin. 
look surprised by time.
and could you do it akimbo,
but
only with your hip bend
and your eyes?

I am a red flour beetle
but less menacing
and standing
in a half pirouette
remembering to also
tuck my waist inside my
breath.
and do it just with my hip
bend and my
eyes
yesss
but

I need to see just the nipple,
so pull your shirt that way.
don’t look at it,
look at me.
chin up,
legs crossed,
bow-legged,
let’s imply something here;
don’t give the milk away.
(laughter from one side).
and don’t grin, it makes you look
desperate.
can you think of the most traumatic thing
that ever happened between you and
your best friend’s father?
sometimes a flash goes off
near my left eyelid.
try to cry,
or at least make the motions of crying,
but then right before it hits–
stop.
call it a female orgasm.
sometimes both go off.

I am doing it with microscopic
eyebrow gestures and
no pants remembering
to arch my back.
MUCH better,
he speaks to me
this way, emphasizing
my tiny victories.
but now do it with just your
breasts
but also,
don’t smile.

your teeth are off-white
and unmatched.
and uncross those legs.
can you turn to one side?
I need a shadow that traces
your buttox to tits
and then  to vagina
but I don’t want
anything else in the shot.
great.
he speaks loudly
with emphasis on
certain words like
put your PUSSY out.
hips swiveled.
head down.
lips shut.
I am in akimbo
with just my hips and
eyes putting my

PUSSY out.
and that’s tiiiime.
I am hopping off the carton
and shivering
from the fan and
the sensation of throb
propels me to take the
envelope from his hand
as my ankles are
cut from the straps
of the boots and
truthfully,
everything hurts
yessss 

cool.
i’ll call this one
hunger,
(laughter from one side).
he is staring at a screen
and I am expressionless,
or not here.
they feel so close.
i’ll pay you a little more
next time.
you can walk, right?
I can’t drive you after all,
my wife just texted me.
be careful.
he tosses that.
and you really should see a dentist
about that front tooth.

I am nodding,
dispossessed but
not evicted yet.

“Happy International Women’s Day 3/8/2014”

“They don’t mean to cause offense, but it doesn’t occur to them that clarity of facts can ever be offensive.”

-Mercury in Virgo

it keeps no record of wrongs.
i’m saying it out loud
and I’m noticing my drawl
drawn out that’s how I know
he’s come round.
placed toffee on the other
mantle the way he likes
try not to ask about
whatever wayward lover
that’s been side eyeing
me or just puckering
their lips and I’m
hor d’oeuvres.
disentangled.
waste.
of time.
but here we are
marking everything
xxx with my fire finger
so I decide to
begin again:

love is patient.

I am trying not to get lost
in the mirror
which is a tall fucking
order (but drawing it
out so it goes
t aaaaallll fucking
ordddderrrrrrr)
when the little girl
enters the room.

the audience is lost,
I know. ok, so
there’s me plus
my reflection
plus it’s
what year and
there’s
how many
folks
in the room?

“Formula #2: Descriptive”

there are two giant
bruises on each thigh.
I am careful not to hit them
with my fingers except
I already have
and I shriek.
you don’t even ask.


I spent most of my time
that late winter
searching.
what you would say, ugh,
combing through options,
in flux and in search of
weight.
and some guy,

a stranger
in my house, said to me
after I had given him reiki
for money, for rent,
for phone bill,
smirking on my apartment floor:
“Smile.” and added.
“What do you look like naked?”
and added
“How much to find out?”

and I stood tall and robust
like a weed in Kensington’s
concrete garden:
stepped on but
won’t go away
and  then
suddenly growing
into a gun.
not only that,
but suddenly
making rent.
fuck.
ok.

you don’t even ask. 

“doors #8”

 I know I’ll always be ok.
by purpose, my name
will be forgotten. my real name.
I am thinking back.
if you can’t keep up,
this is winter 2014. but it is also
winter 2017.
it is also spring and
summer 2020.

the day I arrived in the hotel
in the financial district of New York
to meet a Russian photographer
who promised me a night in an expensive
suite and a binding contract
that has been violated over time
without my awareness,
my nails were painted
blue to match my
bruised knees.
spread more, all the
way.
I thought that was
cute. 

he gave me a fishnet
black onesie I ripped a hole
in but wear on dates
to remember us by.
and even though
he took advantage of me
and you felt betrayed
by some unshaved labial
part of me,
I made my half of rent
for once.
in the car from the bus
stop on my smile
spread and the bickering
couldn’t dissuade
the new confidence.
the way cash feels
sizeable in an envelope.
ok, chill.
fuck, 

I got rent, right?

“doors (#7)”

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