under my therapist’s guidance,
I switch chairs to talk
to my inner predator.
now  listen to the guilt,
  it’s talking,
I want to find out more about
her; what to call her,
where she hides sometimes
before I feel her seep into
each step.

I decided to have some boundaries
with the universe;
lined the edges of my bed with
geranium and lilac threads,
lined the sills with limonium,
wove my weave with daisy.   
my tub dripped nightly:
an altar of salt and
lavender sage.
watched my toes glide to the surface
by a dozen votives.
tease the cat
with little splashes at her nose.
forget everything.
my entire winter
was littered with
shards of celestite
and low violin.
I could see the sky when I wanted
from my dining room table
or on a brisk walk
to pick up oranges and Earl Gray
for the morning.
rediscovered medicine in prayer
and herb and
open mourning for my karmic retribution,
suddenly rectified,
suddenly deserved.
       
amethyst in my sock drawer and jasper
near the lamp, I held
one shout in my throat
in an effort to continue to
subjugate myself.
protect myself from myself.
protect myself from herself.
but it’s so tiring;
that anorexic
bloodlust,
insatiable mouth,
the doe eyes and
planned outfits,
the scent so close
you begin to change shape
without notice.

you begin to grow a
mandible heart.

you begin to drool.
you begin to chomp
a little at their
wrists as they hand you
something.
  I return to the chair,
calmly tell her
the following week.


I plan to spend the year
fat; replete in web
and feast.

“gestalt”

made me walk to her house
and collect stones along the way.
said she was building something.
my pockets and fingers were dirty
and when I arrived,
she was sitting, arms crossed
and
“throw that conch shell away”
is how she greeted me.
I feigned my deference
and regret it now.
she never wanted me to kneel
but to toil for her favor.

she didn’t greet me with any body part
but squared me.
when I asked about the stones,
she looked perplexed.
said to throw those away too.

“sisyphus” or “how guys save me in their phone 10”

before I lived in the pink room,
I made you lug every piece
of oak antique two-piece
furniture up my winding third story
walk up and set it exactly where
I wanted it before you
were done.
I only like things with value
I gestured to someone else
and everything I owned was wooden.

when we got to the room with
the stained glass windows,
the room cut in half,
cut with four windows and
we both eyed the pale yellow
stilted glass cabinet
that looked like it came from a carnival;
one of those old machines where you put
a coin in and a fortune comes out.
double mirrors, two legs and all that
was missing was the teller inside.
you looked at me as if you knew
I would ask but
it stays.

it came with the place and
years later, I made another man
rip it to pieces,
plank by plank,
and carry it back down the stairs.
I want the mirror
I said without looking at him,
looking only at my reflection
as it glinted at me from the living
room and I carried it back to
its place while also
ignoring his pleas for warmth,
his servitude to only benefit himself,
his displays of courtship
on his knees where I never
asked him to fall.
just clean this up.

I was focused on my legs.
I was focused on my thighs.
I was focused on my torso,
my serpentine twist of a spine.
I have yet to see either of you again.
and here’s a free scroll:
like the algid vortex that
blows from the north
and coats the town in
freeze and forces those to skate
across,
I break men.

I live in a pink room
with a rectangular mirror
propped against the wall on
the floor surrounded by
cards and flowers
and at night,
she comes to me
like the riding crop
that sharpens as they gallop,
I break men,
she makes me say it.

“the mirror”

you’re shrouded
in caricature of self
under pressure:
embosked in

crouching vines,
twigs and berries, my clothing
and your permanent frost that
molds you into something
statuesque–a snowman frozen
in my front
yard but I’m suddenly feeling
myself so sun,
so warm,
arms wide open,

cherry lipstick,
leper with no island and a
strong want for community.
need to touch your fingers with
my tongue,
audacity,
some ire,
some unresolved bleak black,
and I’m mad at God for every season
that brings the buried back.
I’m not over it,
I’m batshit and
I’m terribly bereft.
I’m hot
they say.

you’re melting a
little and I keep talking about
myself to fill the space.
I used to be
a vacant room
but now I’m full of
places,
suspect,
other people’s things,
vindication, some trust,
other people’s prayers;
the hurt of how they wear me once,
or at night or in their head
and then hang me like
an amulet above their door
to gawk at, clap at,
ask for favor like I’m God’s
only walking angel and really
i’m full of enmity and
you and I are both full of
me.      pinch your carrot nose
and wait for the high noon
rays to hit your coal smile
so you become the puddle
at my feet the thirsty
dog I leashed laps
quietly and you asked me.
what do I long for?

the cloying puffs of air
near my ear saying
come here and
the weather changing.
i’m adding a hat to your costume when
a man taps me on the shoulder.
he wants to ask what’s become of the
others that came before you
and I want to get to the
bottom of it.

 

“the sun”

 

she’s leaving reminders.

I like watching her.
tall and in bright
top and shorts,
tan and her mouth slightly
poised in some introspection,
one dangling finger pointing
to her skin to remind you
how she feels
at night;
smooth
like soft-shelled
murder.

 

“the photograph”

she licked his dick slowly
like she liked it.
I thought she liked it.
she was wearing a pink wig,
pink glitter lined her eyebrows and
two white roses in each corner.

and when she pressed her lips
to his tip he moaned
and I felt it like she was
there with me.
like she was doing it for me.
like she knew I was watching
or would be watching eventually.

 

and when I came,
I said her name
aloud but
s l o w l y like she
talks.”

 

“how guys save me in their phone #9’ or “synchronicity’

“Strength does not have to be belligerent
and loud.”

I derive so much from one word.
pull from it.
it’s the synchronicity that
binds me and
the license plate that careened into the pole
instead of me that night read
“ prisons” and
I knew instinctively how
he felt.

tonight I’ll do:
a spring equinox meditation.
brush my teeth.
cut grapefruit for the morning
and ride the waiting out.
pay homage to my Pluto
and my Pisces in the
eighth inning.
my Venus nestled in her
vindication, her frequent
illicit engagements kept dark
in that dusty
twelfth house,
but she found a clean mirror and
she is undoing her bed.

i’m becoming a panacea of my own:
memory, tincture, flowers everywhere,
the fuss of first love never leading anywhere but
here in another meditation
on the river walk.
draw my poems out of the older sutures:
undo, redress, pamper the wounds .
think about it.
send you a letter.
remember the way grief sits,
unsettled, right after dusk,
right under your chest,
right under your breath:
a blue river from your fingers.
send you that letter
with my wounds
pasted
in the margins.
reminding you to
think about it.

 

pay homage to your Venus.
she is out
casting cars into ditches
while you cautiously wait
for lights to
change.
you are holding selenite
in your pocket
but your fingers still
curve and you are still
smirking,
standing where they
are now
sitting and
wilting
in screams,
it was the way you asked
in a bit of a curtsy:
one more chance
but you snap.

and they lose their
breath just like that.

 

“prisons” or “Venus in the 12th House” or “how guys save me in their phone #8th house”

the boys I rescued
and turned to saints;
their features outlined in
filthy thoughts    I

let them touch me with
rinsed fingertips,
watch them take great pleasure
in stroking the arches of my bare feet;
my callouses holding proof
of the miles I have walked
to hug the west.
better than my own docile traces
of lust pressed against them;
my own famished touch
as I dip into my cleft and whimper
because I can’t come big enough.
that sweaty heart of male violence,
male wants,
eroticized guns,
learn the art of being
enthroned in your
sex.
those biceped tongues,
those blue black nights where I fuck to get the
battle out so they don’t
accidentally drown a garden
they were supposed to love.

 

other nights I do it hard,
grip the keys and shout sometimes;
let the room fill with copper, lick myself
from the chain,
taste my own
domination;
my submission to myself and
let you understand the dangers of
eroticized pain;
the art of being bled
for your sex.

 

smudged lip gloss
on their bare cheeks,
hosts
my undoing.
      teach me how to love like war
my persistent
bleating
inner child,
hands out and
crawling to you,
barely fed, swallowed by
red     lonesome and
under you,
next to you,
over you,
overdone,

 

but yet still a shadow
at your nightstand
waning in your rising
sun. 

 

“the martyr” (#7)

smirk.

black lipstick and naked eyes and
lied about time when I asked her.
she looked at her wrist to
count the hearts but missed an
hour and she is
dulled,
not rusty but
blunt and I know
when she walked away,
her hand was

steadily sharpening.

 

“how guys save me in their phone #6”

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