I keep you in my palm.

I keep you in my fist,
squeeze you in my
palm and write my
name with fingerprints,
dotted drips
like roads on paper;
designs with influence,
personal meaning
but lazy, passive,
afterthoughts marked with
drops of your warm
blood.
you say
 “afterthought?
you built a town and
stuffed me in it.”
as if I had a choice.
I say
“I wasn’t thinking straight.”
    (you saunter)
“And.”
some things are greater than
escape.    like staying, rubbing yourself
together with vigor and
bursting into flame
or the coy way I sit next
to you on the bench.
lick my dry lips
without looking up and
pull the hem slowly
with my stubbed, teal nails
to point to the tattoo of
the north star on my leg;
 black, sharp and fresh.
“and
boy
you
better
run. “
“The gauntlet”

 

“and who said that to kill does not require gentleness?”

you want to ask about inspiration
without asking what’s become of
the ones before you
and I want to get
to the bottom
of it .

13.

“The problem with you is you don’t believe in prayer,” she touched him.

“And what’s the problem with you?” he asked.

“I have opened it.”

I step on wet cat litter
on the way to the mirror
and ignore it.

my feet are bare,
my knees are tired,
my legs are still spent from cartwheeling down your block
all summer: bruised, broken spindles
of scabs and bravado.
I’m ignoring the gravel
under my toes.
I’m plucking my eyebrows.
I’m picking out tights.
I’m meeting someone soon.

I try on several lipsticks;
take my time with each palette,
each gloss, each burgundy line
of delusory affection drawn into
a wide, wolfish smile.
I’m nude for a while
in front of the sink;
my dry hands are
unwashed but I can smell flowers
on my nails as I tease my split ends
into hair bigger than it is:
rosewater from the quick spritz
to my face to pace myself
when I feel the urge to
go back in time,
erase and retrace things in
illusive reception,
name them things like
us or
enough so I learn how to
stop.

unfitting for grown women
and I’ll continue to falter:
cut my hair unevenly
to the nape of my neck without
sexuality,    
be  incorrect
           and often
without attachment to its correction.
take my time with mopping things,
take my time learning ruby liner,
onyx lashes,
diffusing for a while.
spit in the faucet without washing
the couple spots the stream missed
and I stay waffling between color schemes
and themes of conquest.
I remember the years of unnamed longing
and I scream as I
suddenly soften.

heels are the last to go on.
they’re uncomfortable but I
like how tall I am as I prowl past your place
so you get one last double take.
I clack over the litter without a glance back in
its direction on my way out the door and
if I’m lucky,
if I am very lucky,
I’ll teach my daughter how to shapeshift her way
to knighthood without compromise.
without insertion.
she can keep her crooked breasts,
her imperfection,
her relentless gaze towards furtive weight:
martydom.
her overused adjectives that she breathes
even in her sleep,
works into every passage;
how many times can one really be amenable or
replete?      but I am
 and often.
and sorry, how many times she is sorry
when she meant to say nothing,
when she meant to say don’t call me or
yell I’m starving.

my love will have a cradle and a blanket and
a mobile with the planets hung crookedly and
carved into the center of Jupiter
hovering far above Earth,
her mother’s favorite emblem of luck and
expansion,
with a butter knife and an old eyebrow pen
the only poem I felt strong enough
never to rework:

rest girl,
you do not earn your birth.

12.

“Consider your own setting foot
in the heart’s desire:
you might not be this happy again.
Look at it this way,
as if it were real,
as if you were singing to the household saint
who grew tired of waiting and sang to himself
til the whole house was certain
and singing again.”

 

From The Inspector of Miracles in a “Life Without Speaking” by Mary Reufle

 

I am protected.

I am wet and giant
and shaking from the
waves.
I am the midnight ocean
birthed from the absent sun
taken over by the
full moon’s rage.
I am an alarm.
a storm brims the coast
and you start writing down
anything you remember
about me.
I am undulating in great
tidal gasps; a siren
sights set on horizon,
humming low, humming
softly and
         come in closer
splayed across the break.

your arid soul is thirsty for the
new oasis I’ve become
but your obtrusive leaps
are doused in hex
before they ever reach me.
you are responsible for
some of this and
I am responsible for
that.
my bed is soaked
and I am angry.
black in vengeance cloaks
in white to walk the streets
the way furtive angels might.
you send me butterflies
at night
to assuage me.
I return the offer:

I dress in wings,
suck the nectar from the
dusk’s flowers,
learn her tales,
twist into my final form:
a long nightmare,
black hairy legs and
two tagmata,
one long dry choke
at the stroke of
3:33 every
morning onward.
you spend the year immured
in poetry and pieces
of half finished themes
obsessing over everything
you turn to see.
over everything you thought you
saw out of your
unrelenting periphery,
       how many twins do I own?
thought you
dreamed and wrote
down, unwind,
which moon did I come out of
and how many wolves
did I set free last night?
I become immune.

you become the
stranded calf in
my forest while
I spend the year
immersed in baths of
black obsidian and
forgetting what it
ever meant to
me.

“reversing” or “us”

round, tight ass and
bright, blue eyeliner.

permanent ink stain on
left hand with a note
or symbol
or something of former
value, a reminder to her
and she is
brutally apathetic to any
male presence
of any kind.
postures.

she asked for the time and
is currently walking
away from me to
ask directions from
someone else.
she asked for the time
and turned around once more
to smile
before she asked him.

“how guys save me in their phone”

build your empire
watch it burn
and then discover
you are made of flesh too.

the anniversary of my brother’s death was yesterday and I wrote this years ago. I miss him every day.

 

I should walk out
big as Venus,
arms uncrossed,
if I was ever honest.

my arms are wrapped
in a purple peacoat and
my hair is curled with an iron to
add ebullience to errands.
suddenly gather every strand with
self importance in
tiny felt bundles.
that week I had even painted my nails a
bright color; a conversation starter,
but I’m
truly as vapid as possible.
             remain as sunny as possible.
insipid and careful,
rip it all out later
privately
as if beauty even matters
when I’m on the floor in tangles
trying to untangle
words I can’t commit to;
making the motions of crying   stopping
to cough politely
to no one in the room.

I listen to AM radio today:
grasp the magnitude of crooners’ legacies,
of death reverberating against each window,
understand how most lives are wasted shirking
the embarrassment of a simple
I love you
when we could have said nothing,
just hugged more or looked at
each other. .
but I put distance between myself  
and those I run to.
i’ve been dying  drying to drown
myself again
in three consecutive hours of
smuggled moonshine and
a quick spin around the block,
no seatbelt,
knees up and the airbag on
climbing that ladder to the sun,
project my inner warmth all over pedestrians
in middling dust
and they’ll say

                 oo I feel like I was gently touched.

or locked in a necklace that bruises my clavicle when
I’m not careful
and I suddenly have to
run from it all.
I want to be fetal in silver and sapphire
grabbing his charred pinky to hold on,
hugging his hard heart and I still can’t call home
with any urgency and there are
people always seeking me.

storm clouds form on the side-view,
settle and condense.
the glass is  dotted with a thousand tiny reflections
of  survivor’s guilt
anthropomorphized.
this decade feels like elastic chaos,
one overwrought vignette that stretches
continentally and I can’t
get a break and the light rain
from a gray cloud
can’t flood this whole thing.
did God intend to rip this from my insides
this way?     I hurdle myself
headfirst into a  mirror
in an effort to memorialize
fresh heart all over the closest floor
without a towel or a
polite giggle
or a posed frown.
no monologue or saccharine coat
or any real motive
except it was true:
I wanted teeth too.

lit a cigarette and choked.
take another drag,
i’m composed.
watch the smoke cut designs into the ceiling.
you liked this    don’t forget the feeling
of the first inhale;
the first time you rolled the stick
between your fingers
your thumb smelled like
the kitchen window.
the first time you saw your brother
smoke behind the garage
and he sneered;
you had spray painted your name into it first.
before you learned to paint the worms,
he taught you how to shake the can.
he taught you how to tag the shed.
he taught you how to lie to dad
about the missing colors.
he taught you how to
curl up into a ball and drift
back into your own insides
whenever you hear the rattle
like baby’s teeth
being tossed left to right
inside a
bottle.

“anniversary”

slugs salted on the patio,
cicada shells clinging to the moldering
legs of the picnic bench
I set my birthday cake on when I
was five and still clamoring the plates
together for attention,
(and now?)
dozens of unclaimed Easter eggs
rotting under rusty swing sets,
a mouse writhing on a glue trap
that was just SHOVED
in a garbage bag
and me
just staring at the thing,
just watching it suffocate as I
am mired in self pity and
freshly out of love.


my wings tip towards
the sun and I’m triumphant
in my emptiness,
my patient nihilism I
chew when the void becomes
the only measurable thing
in my life   I don’t
notice the oncoming car.

grasshopper never notices
the magnifying glass
or pesticide gun.
dog with the mange and glaucoma
blithely to cage.
drunk blindly to rage
then car
then grave.
snail to salt,
cricket to web,
temple to gun
and you say
no, what you never notice is
us.

“love” 

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