“so much better to travel than to arrive.”

–Margaret Atwood, The Blind Assassin

“she goes to him for amnesia, for oblivion.”

–margaret atwood, the blind assassin

when it came to me
you said I was all
 muscled positivity
as if I didn’t hang myself once before;
as if I didn’t try to tell you

how cavernous a grin is,
or anything at all.
even though you are never sure I won’t
find that perfect bedsheet knot
or not or a razor
or a kitchen knife
or a drunk night on the freeway and I’m
headfirst in the cement mixer
but I made it out of that
in jail but alive and I am
always palms clasped and grateful.
you say   you pray
with FERVOR  as I finger the locket,
my brother’s ashes clasped
around my throat
and I hold onto
that same little lie
about choice.

I let go of the wild lavender
sprouting from your toes through
the hints of splattered paint.
there’s a meadow in your abdomen
coaxing foxes from their
holes    your knees knock mine,
sudden sting         close and sharp
  the way memory sits on your skull
then pulled back
how you held me
far away sometimes;
making wind happen
blowing kisses from the pines.
the bath is on, I’m cold.
you always say
I’m cold.
I beckon to the side:
you and I are from the same
arctic sky.
help me in so I feel
the frost of your fingertips
trace me;

my broken back to you now.
my nails are brown tipped and filthy
from digging myself out of my ancestral
grave and I’m spattered in the ,
sweat from a hard night’s day,
walking alleys, stalking shadows
and you’re truly unremarkable
these days save
the mosaic of carpenter’s paint,
some gray cement
garden: no flora, no fauna,
and even God told me to pause  
and rest on my previous laurels
before I get carried away.
but i’m a martyr for this,
God,
I crave repercussion

I become a
yawning, clanking watering can
spritzing your open lips,
dolling up your stolid ground
to birth your stories:
pollen murals out of micro gestures,
extinguished longing that suddenly reignites and
I’m grabbing cattails from the gales to
comb out the tangles of your childhood
   tell me about your father
fistfuls of mud    planting seeds in the
tiny cracks around your chest that my own
sharp-toothed grief left when you
muttered the first
no  and I stepped a few
years back.
freedom will teach you how
to stay in all new ways.

there is no difference
between love and liberation
and some were born saints,
you say as you help me
in the mugwort bath,
the smell of rose and geranium
circling the tile.
I plucked the petals and dropped them
one by one for aesthetic.
not free of indulgence, but
patient   your fingers make
stems in the water
and I guess I am waiting
for something.

“the swell”

She walked slowly towards the house. A transfer of guilt must be achieved, she recited in her head. She was moving her fingers, clutching at the bottom of the jacket. The straw lost somewhere, she kept moving her fingers to mimic cradling it. A transfer of guilt must be achieved. What was the rest?

It was the second polar vortex in four years to hit the city this hard. Pounds of air stood packed around her so she felt boxed every step.  She couldn’t see. Snow fell all around her and because the wind whipped her face with each violent gale, she was also forced to look down. Forced to crawl upright, she could only feel her way through: the knife-life breezes, the sting right below her eyes with every movement, every touch of sleet against her skin a slow-drawn slap. Every snowflake bruised her; it’s touch burrowed hard beneath her cheekbones and lingered.  She was red faced and trudging.  Her eyes were brimming with tears that wouldn’t leave the bottom of her lids. It is freezing. They were frozen there. A transfer of guilt must be achieved.

Her eyelashes were coated in snow and she could hardly make out the building in front of her. Being drawn to the light in the window, she floated like a black moth to the driveway. As the girl stepped closer, she could see there were candles, maybe a soft lamp, burning in the upstairs window. Everything else was dusky and had the stale feel of abandonment. The house was coated an ashen gray color by owner or night, tall, protruding but with no bright awning or curtains or mailbox or car. No song wafting through the howl of the storm. There was no sense of welcome but it was her only option. Let it be a party. Let it be jovial and light inside. You can deceive yourself into believing anything just so you’ll participate.
About thirty feet from the door, her body was suddenly struck with sensation: panic. This is respite. Stillness creates panic. She stood still and let a shiver take her; let something pass through her. The future was here and it was portentous. She grabbed the sapphire amulet around her neck. God, give me strength. Pausing at the top of the yard, she allowed her breath to come out slowly, deliberately and with planning. What do I look like? She was draped in all black but blue in her flesh; pallid and chattering. She was a ghost in a cloak. Blue like ice. Blue like river. Blue like the ash-filled locket. Give me warmth. Her breath was slow and deliberate and planned. The girl was pacing herself in stillness instead of step.

Before continuing, she allowed her body to stay there, frozen from foresight and weather, in a posture of complete surrender. She was upright and floating allowing the wind to carry her up the short driveway to the door. There was no effort to shovel. The driveway was packed with snow too. It had taken her several steps to get from car to driveway and several more to get from driveway to knob. The door itself was plain beige without number or knocker.  There was nothing spectacular here. Looking around once more to confirm there was no one else on the block, she held the locket with her bare fingers and set her teeth together to quiet them. She was a shadow in the doorway. .My breath is slow and deliberate. Her hand balled in a fist, she began to raise her other arm as she fingered the silver chain.  I am breath. I am breath.  She tightened her fist. B r e a t h e. She was muttering. I am safe and protected in white light. She exhaled. God, give me grace. She began knocking loudly, feeling her jaw clench and her respiration stop, the last of her crystallizing in air.

“And you will know the difference between the two?”

 

“The difference between a truth and a lie?” he asked to clarify.

 

“No,” she held his gaze. “The difference between how I got here and the weirdest thing about me.”

 

I’m done spitting on your face
and on my way
to pick up a bag of cutlery and dishes
for our house from the front porch
of a stranger’s
when I stop to admire the cracks
in the side of the building.
the wall is coral, faded but still
garish, stands out.
it’s brick and

this building has no doors and
one broken window.
these defects in the painted halls
lining my new city catch my
eye each time I run an errand
and I pay my respects in
photographs      stopping at each one,
trying to remember how the boulders
haunted too      how the ocean felt
on my wasted ankles at gloaming when I guzzled
vodka Big Gulps and watched the
ghost crabs roam the bay.
watched myself dissolve into
the bits of me and can I remember
how the sunset looked draped over both
tide and flatirons,
hold two things at once
without favor?
how it feels to lose several
small countries you claimed.
all I see are metaphors
and I’m intruded.

these overcoats that rot
without dismay hold space;
there is natural beauty
here but it shines brightest
in demise.
these bricks are painted to distract from
it’s true inability
to keep a home  safe like
the way men have held me;
hugged with their claws,
I cracked at the touch     put my rosy shades on
I only see them
in their handsome sway.
I snap a picture of the edge of the broken
glass pane and the beginning of
the paint peeling into
white–the fissure.
I trace my finger
over a chip and watch
it flake.

how they left me.

“doors #1”

“doors #1”

“I think everything is curse.”

“You think everything is curse.”

“No, I think everything is love.”

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