been picking at my lip
again. old childhood
habit–squeezing
corner of my
mouth for minutes at a time
so it forms into a blister.
digging my nail into the blister
just for the feel of it.
sometimes poke it with a safety pin
as i stare into the mirror.
watch it get fat and black.

my mother called it“pleasure pain.”
masochism is a desire for salve,
relief from the pain  and often
finding yourself blindfolded  in a
blade-lined hallway.
  you gotta feel your way out.
the little girls say.
he’s also  saying a lot so
I just nod a lot.
besides the impulse to
jump off a bridge every
day, I am not totally sure
why I am here.


“do you have any plans to hurt yourself?”
he asks in earnest but in a way that
he never looks directly at me.

im hot and walked for miles so im
a bit stuck to the vinyl,
sweaty and squirming but otherwise
pretty, presentable and
what’s done is done.
but I don’t say anything.
just shake my head
and bite my lip.
lift my thigh slowly to
feel the stretch of skin
and pray for some other
thing to take me.

or for the little girls to stop
but they’re snickering now.

“Belladonna”

for some of us,
freedom was a legend;
a cage of smudged windows
a foiled pine for everything.
crippled twirl,
pace around the apartment
with a wand in hand,
repetitive crescendo in head,
tennis elbow from the instinctual
bend.

or the sudden broken glass
on the porch, the
knot of fervent caterpillars
sliding through my guts and
prematurely spilling
out onto the floor,
dissolving into pools of blood
like little girls ripped in pieces
in the midst of a tornado’s whirl
when they should have hid in the cellar,
waited patiently.

incubated until  the day is finally warm
and facing them,
tear through the tether
unbridled in exodus, unimpeded
and ready to transform into grand ideas,
take off without interruption
like the little girl’s
nascent scorn; 

now grown,
an envoy of acrimony
and the blue-black tones of
home, I pause here to ask myself
before I commit to the
flight,: what does metamorphosis
really feel like? 
there is a visceral reply:
  my skin
tearing at the thread of
each inside, each wound
and stretching wide
for me to see,    wide
enough to case the sky
and black inside turned
outside;  now
black each wing of
bone and vine,
black my eyes and
black the sea I shoot
from; everything I touch is black
like me,

and I can see for miles.

“transition (pt. 2)”

my hands are currently stinging,
ungloved and pallid and I do
this daily, these walks with my hands out.
I never wear gloves and I never put them in my pockets.

often times I blink,
realizing I’m not somewhere I thought I was.
sometimes feeling I’m back on a street
in Virginia.
kids always watch me. 


they’re the only ones that see me muttering
under my breath,
fingers curved then moving
like I’m counting
my thoughts as they digest
they smile.
they don’t think the same as adults
and can see secrets. I’m crazy. I change my route mid route passing them,
deciding suddenly to get coffee from a different place.
I  had been to the other place three times this week
and I don’t want anyone to know me.

to seek me meant
pleasure in ineffability,
a loss for words perhaps
out of fear of my retaliation
and to remain hidden
from some parts of the depth
of me and from the world with
me. I prefer the furtive
curl against another.
the unutterable and silent
worship
drives this depth
and the others and
you and me
like rifts adrift
like that, the moment
I turn my head.
I like to live,
eat, sleep alone
and move the country
this way; solo,
home
a solitary war
between
picking up impulse
and
deep, deep reflection
upon impulse
control.

I’m so sensitive
though
that if I settle into
think and spread
the cards like a fan,
I’d feel it out
in five seconds
eyes closed.
show me,
she said.
show me one year
show me two years
show me three years.
flip it and
it’s the King of Cups,
again.

plus I’d pick the right
song to match.
get the numbers to flash 3:13,
my lucky bet. “duplicity”

of course i would never kill
a child.
I continued with her,
but the question was
how do we make something like
the death penalty less of
a moral argument?
and the only way to take morality
out of law is to write clauses that
outline exactly what will happen
and under what circumstances and
then without reneging, go and
enforce it every single time.

these are authoritarian things.

but I didn’t agree with any of it
so I felt like battling me
was moot but I enjoyed the spectacle
and had, for no reason, invited
a male friend to join me in
class that day.
I too was interested in
motive but we cannot prove
intent truly without
absolute confession.
and even then, we may
doubt what we hear
if it doesn’t align with
what we want.


“events #2”

she was pandering to my 
emotion, calling this episode
a real child.

she said you said kill everyone.
I never said kill everyone, I said
if the law is  x=x then it’s x.
I could see her reaching for
the feminine in me
whichas far as I could see
was straddled and leaning back.
confident enough to be the first one
to volunteer for the exercise,
which I remind her, is not
examining the morality of the law
itself but to remove debate around it
so that it may be better enforced,
without outcry and fairly.


when I finished nine hands
went up. we were a class of eighteen.
unsure of why
I volunteered for the exercise
first, and given the freedom to begin
with any declaration, why I chose to
examine how mass assassinations

could really kick things off to accept
blindly that some people are
executed. and some people ought
to be.

the argument was not over
until all counter points had been examined,
the professor said.
she was tall and smiling when
I spoke and I felt thankful for her
defense of me any time she reiterated,
I was correct in re-summarizing the
exercise for each of the
nine hands that went up,
consuming the bell with a
theoretical society that arbited
punishment blindly as the statue
alluded to also,
the society we have tried to
have now is composed of
criterion like that. 


I was eighteen and glowing
and enjoying the attention
with zero conviction about
the death penalty.
and when it came back to
her, and she presented it again
after many others had spoke,
I am sure I said,
to be perfectly frank,
we would HAVE to
kill the child in order
to make the law work.

and then I just kind of laughed
because the exercise itself asked you to
first pick a side and fight for it;
not to defend the death penalty
but to remove morality from law
having the freedom to remove all
structures of law around murder,
I could have created a punishless state
in which murderers walked free
or a Hammurabi and it is with the
same amount of callousness that I
have begun to plant
nightshade around your house.

probability being like

you probably like to touch

things like me

and thinking it

to be Queen Anne’s Lace

giving it to your girl

for Valentine’s Day.

“Valentine’s Day part #1”

my interest was
social experimentation.
it’s why I went to college.
to be educated on the ways
to manipulate small crowds
and because of my naivete,
I did not realize at first
that my interest in sociopaths
was reflection.
but I find serial killers
to be undeniably weak
in their compulsion.

they are artless megalomaniacs.
you could just as easily garden
with the same amount of torrid wonder.
learn to grow nightshade and then
plant it all over town
in places where people smell
flowers and pick weeds for each
other.
but these are men. and
they have to be known.
I’ve always had to cross my
legs.


Mrs. Shepherd said you
cannot bet on things that talk,
Ava,
when I interjected to
share my observation that
the same formulas can be applied to people
when presenting with the same patterns over time.
they would be seen as a fixed event
because they have not wavered in
reliability yet.

another time I stated calmly to
my ethics class that the best way to enforce
a law to ensure it gets a message across
is to enforce it blindly.
if you believe in the death penalty
make a black and a white clause;
no matter what the circumstances,
calculated homicide will put you
in the electric chair and then they
wouldn’t quibble with the details.

the first girl to shoot her hand up
was the most riled by my
eyebrow lift and when
she presented to me a Law and Order episode
where the murderer was a child,
I dropped the brow and lifted
the mouth and I said
then kill the child,
bitch.

“events #1” or “effect of varying events”

I carried little pieces of God
everywhere;
whittled pine needle,
robin feathers,
a baby garnet for luck.
besides the
straws, I liked
natural things; Earth

to touch during
sedentary moments
quell the fidget inside.
today, a pint-sized celestite
entertained my skittish fingers.
it was a part of a larger cluster,
but I liked the cyan sparkle
so I broke off a piece.

I am surrounded by repentance,
men with wolfish outlines.
“allies.”

I nod when they say
they feel a guilt greater
than their desire. I relate
having consumed an entire
night’s portion .before walking here.
when they want my approval,
they usually begin with things
like
I took advantage of her.

I cross my legs.

I am wearing brown tights, brown
heeled boots and a cream turtleneck
sweater dress.  my hair is
short, uncombed and strange.
I am mostly plain.
save light blush, mascara and
chapstick..
it is important as a woman
to catalog what you were wearing
and how you generally look
in any moment.
also I had gained some weight.

 when you tell the audience the story
they can gauge their reaction better.
were you homely, girl?

I was neither homely nor
exceptional, a frozen
brown blob blending
into the cream walls
and watching the blue chips
of nail polish flake onto
the floor. as he spoke
of his life of
trespassing,
I found my hands
to be urgent.

and remembering the whisper
of the woman who shushed
the last girl who shared her rape
in a room just like this,
I watched a speck of light blue
crystal join the floor.
saw the red swell and trickle
into a dot capping my finger:
blood     and   watched
the tiny celestite break.

“fury”

took me a few weeks to find the right station.
started at Allegheny, but we quickly
moved to a new one.  new location
down the street. lucky,
it’s a straight line.
  why can’t you get around?
circulates the acrid air but
there were some things lacking in this house:

color. that eggshell white encased
us and we had no budget for luxury
save the statue you brought home
but I’ll save that story.
heat, they shut it off as the previous
owner had been stealing it and
a misunderstanding occurred when  I called
to transfer the bill in my name
so we sat in arid silence
  by a space heater under
borrowed throw blankets.
they said it would take
three weeks to come back on
regardless of the cold front,
our innocence about it,
it would take three weeks to
turn back on.
and money. 


I had none coming in.
friends.
I had none coming in.
and I suppose in the tritest of ways,
love. an absence felt
with action, namely,
the bellowing 

 why can’t you figure out
how to get around?

“Huntington Station”

it’s in front of the Christmas tree
one week before you die,
alone and panicked by the
thought of mustering;
both mettle & words,
staring at white-frosted plastic;
pine dotted with uniform red balls
when I feel it.

it’s like cracking cement.

the tree only has two colors–
silver and red.
the ornaments of my childhood
gone; the plastic reindeer
that draped  like garland,
the candy cane painted with my
gold-glitter name down the center,
the felt snowman;
kind of gray,
stained by my cinnamon
bun fingers and cigarette smoke,
all lost with my yearbooks
and the oil painting of my mom.
the first and only letter
you ever wrote me
taken by the asbestos garage.
by the moisture from the dripping
ceiling,  by the mold.
by poverty: my enslaver.

I’ve been writing this for you
for about ten years
waiting for the day I’d be
by your bed to read the ending.
when my bargaining starts.
    (it’s just one breath)

this is where the poem begins. 

  1. (dad)

 i’ll remember you distant.
back turned save
the way you had to face
me momentarily
(when I was actually pleading),
your fingers laced
with blade to turn.
“I told you to…”

I’ll remember you as quietly
despotic and into yourself.

you’ll remember me as panic
unpassing, bleeding; a 

frenetic champion of unfurling
without witness,
your rival Phoeniix,
more quiet than you think
but less likely to withhold
my secret passion,
years practiced and likely earned.


got the agrimony and
ague root to prove it.
got the mirror laid.
old Hellebore & Belladonna
drawn in menstrual blood.
got a stone of yours,
your new name written clearly.
got a real belly laugh going.
got something that only gets
better with tantrum,
pain unbalanced,
time and space
(and pressure)

 to ruminate on ways unheard.

got something fixated;
an impulse
dressed with hearty
vengeance,dash of
cayenne pepper and
fresh dried herb.

“black magic”

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