carried little pieces of God
everywhere;
got a pint sized celestite
I broke off and now
twirled in my fingers.

I am surrounded by men
who are wolfish in detonation
but repenting for a lifetime
of substance abuse
so we nod when they say
things that are aptly
reflected instances in which
they felt a guilt greater
than themselves.
they usually begin with things
like
I took advantage of her
and I cross my legs.

I am wearing brown tights, brown
heeled boots and a cream turtleneck
sweater dress.  my hair is
short, uncombed and strange
and I am mostly plain.
I wear light blush, mascara and
chapstick but I don’t spend all
day about it.
it is important as a woman
to catalogue what you were wearing
and how you generally look
in any moment.
also I had gained some weight
first, before I  discovered that
counting beans will gain you
phone bill money.
when you tell the audience the story
they can gauge reaction better.
were you homely, girl?

I was neither homely nor
exceptional,
merely watching the blue chips
of nail polish flake onto
the floor as he spoke
about his trespasses
against women,
finding my hands to be urgent
suddenly.

 “doors #6”

the art piece was
grotesque in its
simple presentation;
an ostentatious gift to
yourself as I fumbled
openly with indecision,
one foot pointed west,
one stuck supplicating
beneath yours
and we moved right next to
a bar that was closed the
day I planned my relapse.
I wanted the burn of rum
mixed with lukewarm Coke
and the oblivion to follow
me home.


it was a dark copper albatross
that hovered at the top of
the stairs.
I think I was also under
a deep dehydration.
I needed limits and
boundaries but I also needed to
tear the art piece off the wall
and file each side into a lithe
pocket knife that I could
wear around my neck
as a signal of my
emerging masculinity.
have one taped to each arm
and to each thigh
and to each ankle
which is the joke about masculinity:
it’s supposed to contain
a dark wild feminine
but abhors any force,
needs appendage to stop it.

the fourth wave is
more insidious.
I didn’t notice the change
at first but I did gaze up
at the top and wonder
what it’d be like to
leap to the bottom step
and if you’d notice that first
or that a piece of
the sculpture was missing,
hidden somewhere.

“the black book”

covered in hot water and
onslaught and broken
like the bed you threw me
on,
found shade in shower.
  wanted to skin myself
to get rid of your fingerprints
but I didn’t want to be noticed
either.    instead
I sat cross-legged
in the tub for 45 minutes
to steam some of it out.
it was a waste of water
you might have said.

I usually go to bed by ten pm
swathed in cheap sheets I picked up
from a trash can: moth-bitten
and low thread count and I washed them
but you’re right it’s a sense of self-deprivation
I wrap myself tightly inside
while I’m
tortured by my low self worth,
absent flowers, cold feet,
lamp on next to me and
wax all over the unfinished table
you were making
before I threw the chair you had finished
down the stairs to get you to
open up
here is what I need
I might have screamed
as you opened up the door
if I was better at controlling my
communication
but it ended in a slap across
your face and
your hands around my neck.

then a soft cloying kiss
later
you can tell has been rehearsed.
i’d be remiss if I didn’t reveal
a five feet of light bruising.
it’s heavy;
my tongue large with
little darted lullabies,
my endless provocation
and beg for hands
on me like
paddles or crops.
or just the way hands do
when hot, they
harm.

I’m up now and
I linger in the hallway,
watching the front window,
voice brusque and hushed
when I finally move to speak
to make my command on Earth,
withdrawing as it creeps
from its host;
like low tide,
the ripple distant like
low murmur
like you:

your sudden
retreat.

“February”

later
you can tell has been rehearsed.
i’d be remiss if I didn’t reveal
a five feet of light bruising.
it’s heavy;
my tongue large with
little darted lullabies,
my endless provocation
and beg for hands
on me like
paddles or crops.
or just the way hands do
when hot, they
harm.

 at three pm,
I show up to the church
just my tourmaline in
hand, hair wrapped
and I begin.
    God, I renounce all
        evil in me.
my hands twisted
like roots, the white string
of my cuff ties
between my knuckles,
nervous
and he says
daughter,
take your time.

beads of sweat
ride my back, pull my
camisole tight to skin and
I can feel the pleather
stuck to the bottom of
my thighs so that if I moved,
the flesh would have to be
ripped from bench.
    I’m obsessed with time,
    and that’s not the issue
      but how I count it
    in riddles.
he cannot see the way
I move my leg;
the natural tremble
it’s developed.
        it’s what I say in
    blackouts, or even now,
      the way it has to be correct.
    the way it spills out of me.
I’ve twisted the tie til the circulation
is cut, tightly around my
ring finger.
and that I need to be subsequently
scourged, promptly.
begin unraveling it when I feel the
pins start up my knuckles.

I’m nodding
my head in some sort
of agreement with something
internal, with the
rush I feel from purge,
the glow of sun
through pink stained glass
across my cheek,
the bend of legs
on pews,
the comfort of
the ailing,  the
rhymes,
to ailment.
the comfort of beads
in hands, or
anything, the
alms.

I am here and
practicing throwing
my  arms
open
when  people
first
walk into the room
but also
remembering what
I
scream
at doors
in panic.

“the recitations”

it’s midnight.
i’m with you
in a ball
on a quarter of my side.


you’re taking up a quarter of
my half of the bed with your engulfing
speculation and a partially harbored
rage marking pages you skimmed
to later find your place where you felt,
at the time,
some things are better left
theorized.

I’m investigating (enslavement)
an inner stillness
that dissolves when exposed
  and counting
                               to ten, my sponsor said
contusions around my throat.
you’re learning about economics
this week: hyperbole
& statistics;
which way my freckles move
depending on my
frown, or the
likelihood of a temper tantrum
over soap scum
on anything I scrubbed,
unloved refrigerator pictures
circa early nineties, 1990-91,
premature forgiveness
when I’ve still got to
fuck the bitter out
but
someone gave me two weeks
of yoga passes
so I’m suppressing it
in down dog and polite nods
on a borrowed mat
on the other side
of town, hiding my
scoliosis in poses.

the amount of times my palms moved from open to
across your cheek and at what velocity,
how much of my useless back will face you tonight,
              (how feckless am I? someone taunts)
how long before one half of the bookshelf is
strewn about the room,
how long before it’s all cleared out.
                    (you’re a poor investment, Sarah)
simply put,
how not to trust
anything that has to do with
us.
        (count each bruise as one)

you already know about sharpness.
my Christmas tree is in a dumpster
in another state and
I’m in child’s pose
hiding in the closet
and tonight you are learning
to never bet on
anything that
talks.

“the economist”

I’m trying to read the code.

She grabbed me by the arm and
gently pulled me up,
said

let me take you home. 

They say don’t start the story with something traumatic. But my first first memory was me standing up in my crib and looking out in the hallway to see my mother pass by dressed like a witch.  That memory is boring and so is the second one;  me screaming at nap time refusing to go to sleep. My mother’s reproving look. That is also boring and my third memory they said is too traumatic. They said don’t start with trauma. (No, I said that once). I said I wouldn’t tell a rape story in my own story but my third memory is before the license plate. I think. It is my babysitter’s brother locking my door and telling me to get changed. Then I remember cutting my hair and hiding it behind the dollhouse. No then, I remember my babysitter’s brother making a face as I stood naked throwing clothes over my head dramatically, theatrically, and being wanted. Histrionic. I do remember cutting my hair and hiding it behind the dollhouse. That was my fifth memory.  I also remember being on all fours, naked in my daybed. That was part of the fourth memory. The way he told me to take of all my clothes and try on outfits. I made it a gamel smirking, throwing them over my shoulder. Nubile. And wanted. He made a face though. Some crinkled nose face as I pulled a cotton ball or some sort of lint out of my belly button. I turned around and saw him make a weird face like I smelled. And
histrionic,
haunted.

I remember looking up at her with the limp brown pine needle in my hand unable to explain any needs; the way I hold things, the way I need to pace alone and mime, the necessity of reading the numbers in order. I’m sure my parents felt no worry when she returned me. I would be more careful when I needed it now: checking to make sure their brown car wasn’t there first, and skulking.  I would sneak into the yards to watch the numbers. 

The sixth memory is the one that I feel still, like it’s palpable and mine to hold forever, no matter how leather my flesh turns: swinging the screen door open and running outside in my favorite blue and white sundress, my hair in a ponytail and my mother nearby. The sun hit my shoulders, that’s what I remember. That’s what I crave every day. Grass was green and soon Alex would be home and the sprinkler would be on and the sun would stay on my shoulders. Laying stomach down on the lawn, I placed my summer reading list  on the ground and began to twist a blade  in my fingers.  Began to read the titles, excited. I had been the first child to read in my class, and in kindergarten, younger than anyone else.  My teacher had paraded me across the hall when she found out. Had me read to first grader’s so they could clap which I liked. I didn’t understand what I was reading. It was about a blue dog. I knew that from the illustration. Only I could read it proficiently and perfectly without comprehending what I was reading. Same way I speak foreign languages now. If you heard me say the phrase, you’d think I was fluent. But I don’t always know what I mean. 

every once in a while on a walk around town i say
vous avez envie d’intensité
to practice and

It was the applause I liked. The way the teacher beamed when she caught me reading, creeping behind me like they do. Me, big eyed and small as she held my hand and pulled me. The way I tossed my dress over my shoulder towards him like that. The audience’s jaw shift. Me, practicing Vah and the numbers to follow. Trying to give them all cadence. Like songs. The way they hear me humming round the block. The way they creep up behind me. The way eyes befall a mouse. The way eyes befall a garden. Heading to the dandelions and even with the hoverfly squarely in center, what are shoes for? Curious, learning about consequences. Learning to lift from your center. Learning to approach in whisper. Learning to

step on
things that are
small
and
quiet.

“first memories”  

only two days ago
your hands circled my throat
to toss me on the bed.
still dutiful,
merely dotted with color,
I am on my way
to pick up a bag of cutlery and dishes
for our house from the front porch
of a stranger’s
when I stop to admire the cracks
in the side of the building.
the wall is coral, faded but
garish,  still stands out.
it’s brick and

this building has no doors and
one broken window.
each time I run an errand,
these defects catch my eye
and I pay my respects in
photographs.
I’m trying to get my memory back:
      stopping at each one,
trying to remember how the boulders
haunted too      how the ocean felt
on my wasted ankles at dusk when I guzzled
vodka Big Gulps and watched the
white crabs roam the bay.
watched myself dissolve into
the bits of me and can I remember
how the sunset looked draped over both
tide and flatirons,
hold two things at once
without favor?
how it feels to lose several
small countries you claimed.


the way men have held me:
(invaded)
all claws of resplendent mortar
and cracking at the edges
even with the scrape of thumb.
I snap a picture of the broken
glass pane and the beginning of
the first layer peeling into
white; the fissure.
trace my finger
over a chip and watch
it flake onto the sidewalk.
snap a picture of
that with my boot
in the corner of the frame.
things to remember us
by: namely,

the way
things have
left me;
split.

“doors (#3)”

and i think I may be
interminably detached from anyone
not blood,
but that ain’t the half of it.
y’all should know,
(so I’m writing it)

I don’t stand a chance against the curse
but I jump
once I hear the word
run.

to try.
I have never abandoned anyone.

“This is the Hour of Lead –
Remembered, if outlived,
As Freezing persons, recollect the Snow –
First – Chill – then Stupor
– then the letting go –”

–Emily Dickinson

IV. (home)

“After great pain, a formal feeling comes–”

it’s in front of the Christmas tree
one week before you die,
alone and panicked by the
thought of mustering
staring at white frosted
plastic pine dotted with
uniform red balls
when I feel it.
it’s like cement cracking.
the ornaments of my childhood
all gone, lost
with my yearbooks and the
oil painting of mom
taken by the asbestos garage,
poverty; my enslaver.
i’ve been writing this for you
for about ten years
waiting for the day I’d be
by your bed to read the ending.
the bargaining begins.
(it’s just one breath)

this is where the poem begins. 

  1. (dad)

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