it helps me to fall
into haze in these
moments of adaptation
or just  length,
time that has
to pass and my
adjustment to fluctuations
in my general
circumstance or
mood is dependent
on the haze.
i like fighting, I smile.
I have a few blocks to go
and every man is facing me
forming a crooked
cock so I just step
into the haze.

I remember this
one day where I met you
to get a Slurpee to
cool off for a while.
your face was most open
outside
drenched,
you tried to hug
me but I am
closed,
drenched in day old
bourbon sweat,
show up unshowered and
in a deep swallow;

a persisting contrition
coated in plum wine,
whatever else I just said,
Bourbon,
I wave my hands over the glass.
that was last night.
that was last night and it
was pretty bad.
but we sit side by side
like it’s something
non-contagious about me.
well except when you smile,
he said.
but I blush and I couldn’t
stand that so I

focus on my knees
remembering
what it felt like
under sheets
and I fell open.
then there’s my brother.
then there’s the new
hard edged smile
on the top of a frosted mug:
ubiquitous half smirk.

“I used to be in love,”
I say out loud
and I’m about one
block from the El
in front of another group
of men with their crooked
cocks and leering.
I close my mouth,
probably drooling,
adjust my strap,
walk forward.
I wake up like that
often and here
sometime,
in the middle of Kensington.


“August pt 2.”

when we met, I was
inching my way back
to my robust self  having
established myself as a
case manager. having
scraped my savings to
buy an oil leaking car
that almost caught on fire
in the first week of work
back in August.
I then borrowed money
to buy a car that didn’t.
I had paid rent for three months
without much to do.
I was high on repayments,
seeing I could repay,
in fact,  and

adding cookies back into my diet,
unworried about my teeth
for seconds at a time.
the party had vegan brownies and
I made sure to get plenty.
still I  could touch my ribs
and almost wrap my hands
completely around my waist.
a measure of security.
I often squeeze my ribs to
see if I’m still thin.


when we met,
I had freshly chopped
pixie hair and clear skin,
green eyeshadow to make my
brown eyes pop.
limited eyeliner and a shy
way about scooting next to
you, feeling contagious.

when we met, I had a wardrobe
that consisted of colorful
and flowy items,
hand me downs,
and a reticent entrance.
I was seeking incorporeal
thrills via touch and
you were
(too tired to change seats)
freshly
out of love. 

“the rebound”

I spent a week
cleaning out the bookshelf
and trying to decide what to
read in the short
time I had left.
I was also debating
how I should present
myself next:
wholly, or
with my rigid cuts.

things that I remember:

painting my toenails blue
outside under a clear sky
and a very bright crescent moon.
we sat in front of each other
on a bench outside of the supermarket,
and you were amused
that I asked if we could
stop walking so I can paint my toes.
“that way I can stay out later,”
I said.
when you said
you wanted to see me more.

I make myself recite
love is patient
from Corinthians daily,
however, I let too much time
pass and I always have to go
back to the first line as
I am learning it but
today we are at
does not dishonor others
lucky you,
I think.

I’ve been reading some
leftover Anne Waldman
and your Eastern philosophy,
lucky you,
today I eschew making
myself a porcupine
and then making things brittle
enough to break
  and
just chewing the inside
of my cheeks
as you pick up the boxes,
leave the antique china
cabinet you promised
you’d keep.

“the bookshelf”

I’m in the doctor’s office
trying not to laugh
as he keeps pressing me
“what was your father like?”
I don’t have time quite frankly.
this man is asking me if I ever
feel like I am watching myself from
outside of my body.
I say sincerely,
sounds like you think I’m a ghost.

I’m trying not to laugh.

he is outlining various traumas
I may have experienced in my life:
my drinking,
my family’s drinking,
my previous assaults by men.
we talk MS, autoimmune
components.
we talk allostatic load,
latency of neglect,
the firing of nerves.
the confusing compression.
I’m just talking about the mirror
and gesturing a lot to the air
about the fact I asked for it
and then my legs went numb.

that was the first time,
I say.
when I asked for her to enter me.
before, she did it without asking.
I nod as if he is
answering the questions.
    get on it with then.

Sir, I am possessed.
I don’t have time for this.
I stand up,
suddenly able to walk again.

“LILITH”

I ignored his question,
showed him the
callous on my palm,
referencing my need
to grip.
sometime I have rough sleep,
that’s all, I shrug the bruise
off.
he licks my hand  with his tongue
without questioning my need to
hold everything so tightly
I’ve succumb to carpal tunnel,
arthritis, delusions of
grandeur and infancy.

“has anyone ever talked to you about splitting?”
the doctor asks.
where am I?
I was twisting the straw
in my fingers, contorting my
face and confessing things,
sometimes i like to shoplift.
“Who is Catarina?”
the doctor asks.
numb.
“splitting is a phenomenon in which you sort of leave your body
to allow another persona
to take over.”
the doctor says.
sometimes I like to squeeze worms in my fingers
until they pop.

          “like possession?”

my posture is severe,
having been found hunched over I am
upright, hands crossed and
waiting.
sometimes I peek at Christmas presents.
“no, more like split personality.”
the doctor is taking notes and
eyeing me so intensely, I almost
laugh. don’t tell him my name
is Arachne. not
yet.

sometimes I watch the mirror dance in candlelight
            and wait for her to come in
              I break men
like the swell that rises over bridges
engulfing islands with her mouth,
we break men with turns of
tides.

“Sarah, have you ever felt like  you were standing outside
of yourself?”

we break men with
dulcet metronomy,
or the way words do:
harm.

“Poltergeist”

I don’t like to talk about my
house so I don’t
but the garage
is gone and so is everything
that was in it. my
childhood bedroom is gone
and so is everything that was
in it. one day the sink
will collapse. it’s leaning. we
have snakes
in there. other things too.
giant water bugs and
crickets and
slugs and  I have no
yearbooks. I have a couple
notes from my friends
and a swath from a cologne sample
my high school lover
used to wear between
fucking his wife and me
accompanied by a note
he wrote me once:
there is wine in the fridge.
but I am thinking of
myself younger

and the old lip gloss bottle,
a roller, vanilla scented
but pink
that I had saved because it
reminded me of an entire
freezing december
on my crush’s bench
where sometimes they let me
wear their sweatshirts.
I am
holding my hands to the ground,

feeling vines wind up
my calves.
repeating,
muttering.
what rolls off my tongue in
these heavy fits of consternation.
the way they describe me to the
ambulance: someone who
looked like she saw the horizon
close in on her and
collapsed.
the way they describe me
to the first responder
is that I looked to be seized
by terror like she saw the
horizon closing in and
just fell
to the ground. 
“Persephone”

freedom,
as with any other illusion,
is a cage; square
of smudged windows

 or
slowly cracking doors,
screened porches and you’re
watching the kids chase the wind
into the gulls at the shore.
brick walls with a hole in the
mortar and you’re peeking
through the cracks of your
latest lover’s absence,
trying to catch sight of
the tips of their nails
for the synesthetic trail
down your  breast or
the scourge and
when settled
and mended and feeling
very tall,
broken glass on the sidewalk
as you leap from your
place:

burning, indelible
in char.

doors #12

as if I am even hurting anything;
some embittered tremulous
thing shaking her fist at the
moon and praying for a tidal
wave.

you notice my arms are toned,
you say I really wear my weight.
you watch me lift bone to sky
and notice the notch in my veins
before you even notice
the flood.

“flood”

it keeps no record of wrongs.
i’m saying it out loud
and I’m noticing my drawl
drawn out that’s how I know
he’s come round.
placed toffee on the other
mantle the way he likes
try not to ask about
whatever wayward lover
that’s been side eyeing
me or just puckering
their lips and I’m
hor d’oeuvres.
disentangled.
waste.
of time.
but here we are
marking everything
xxx with my fire finger
so I decide to
begin again:

love is patient.

I am trying not to get lost
in the mirror
which is a tall fucking
order (but drawing it
out so it goes
t aaaaallll fucking
ordddderrrrrrr)
when the little girl
enters the room.

the audience is lost,
I know. ok, so
there’s me plus
my reflection
plus it’s
what year and
there’s
how many
folks
in the room?

“Formula #2: Descriptive”

 at three pm,
I show up to the church
just my tourmaline in
hand, hair wrapped
and I begin.
    God, I renounce all
        evil in me.
my hands twisted
like roots, the white string
of my cuff ties
between my knuckles,
nervous
and he says
daughter,
take your time.

beads of sweat
ride my back, pull my
camisole tight to skin and
I can feel the pleather
stuck to the bottom of
my thighs so that if I moved,
the flesh would have to be
ripped from bench.
    I’m obsessed with time,
    and that’s not the issue
      but how I count it
    in riddles.
he cannot see the way
I move my leg;
the natural tremble
it’s developed.
        it’s what I say in
    blackouts, or even now,
      the way it has to be correct.
    the way it spills out of me.
I’ve twisted the tie til the circulation
is cut, tightly around my
ring finger.
and that I need to be subsequently
scourged, promptly.
begin unraveling it when I feel the
pins start up my knuckles.

I’m nodding
my head in some sort
of agreement with something
internal, with the
rush I feel from purge,
the glow of sun
through pink stained glass
across my cheek,
the bend of legs
on pews,
the comfort of
the ailing,  the
rhymes,
to ailment.
the comfort of beads
in hands, or
anything, the
alms.

I am here and
practicing throwing
my  arms
open
when  people
first
walk into the room
but also
remembering what
I
scream
at doors
in panic.

“the recitations”

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