send him a polaroid
of one tear rolling down
your cheek and don’t tell him
you got suntan lotion
in your eyes.
and don’t drown in the bath.
prove your
f ee l i ng
and that you have
f ee l i n g sss.
when I was a child,

colors came out of walls
to talk to me and said:
to survive
place yourself in a box.
there was a room of girls
and we would tell stories.
I live in a box.
it’s about

10 x 10.
and when I walk,
it moves with me.
and one of them says in
a British accent, get on
with it then.
10 x 10
and I am screaming inside.
and everyone wants to

see me cry
and my mouth is
set sternly but
more importantly,
I have had a recurring vision
that I will kill myself
at the age of 34.
over and over I watched myself
leap off the bridge.
I just have to not kill
myself and I get to walk right
out the ancestral curse
and you’d think
well certainly
easier
than crossing
a tightrope
or tricking a man
into switching places

but the thing is
get on with it then
this box. 

“the box

 

I ignored his question,
showed him the
callous on my palm,
referencing my need
to grip.
sometime I have rough sleep,
that’s all, I shrug the bruise
off.
he licks my hand  with his tongue
without questioning my need to
hold everything so tightly
I’ve succumb to carpal tunnel,
arthritis, delusions of
grandeur and infancy.

has anyone ever talked to you about splitting?”
the doctor asks.
I was twisting the straw
in my fingers, contorting my
face and confessing things,
sometimes i like to shoplift.
“Who is Catarina?”
the doctor asks.
numb.
“splitting is a phenomenon in which you sort of leave your body
to allow another persona
to take over.”
the doctor says.
sometimes I like to squeeze worms in my fingers
until they pop.

          “like possession?”

my posture is severe,
having been found hunched over I am
upright, hands crossed and
waiting.
sometimes I peek at Christmas presents.
“no, more like split personality.”
the doctor is taking notes and
eyeing me so intensely, I almost
laugh. don’t tell him my name
is Arachne. not
yet.

sometimes I watch the mirror dance in candlelight
            and wait for her to come in
              I break men
like the swell that rises over bridges
engulfing islands with her mouth,
we break men with turns of
tides.

“Sarah, have you ever felt like  you were standing outside
of yourself?”

we break men with
dulcet metronomy,
or the way words do:
harm.

“Poltergeist”

I have a recurring vision
of me on the ground
twisting string in my fingers,
delirious and the street
lights have exploded and
I swear I can’t breathe,
I swear I’m not forsaken,
I swear I renounce all evil in me.
tell him that my legs are jelly.
sir, I cannot walk anymore,
I repeat to EMT that refuses to
give me oxygen and
you materialize, screaming
I am praying for you.
you are not making it happen.
you are seeing it first. 

wait, back up,
that’s too complex.
the little girl is doing
cartwheels in front of a small
blond child but when she sees
me looking again.  she skips in
a circle and smiles.

I know never to bet on
anything that talks
so I push the whole thing
aside, keep walking,
feel a bone in my knees
bend.

“nine of wands”

 

I’m trying to read the code.

She grabbedme by the arm and
gently pulled me up,
said

let me take you home. 

They say don’t start the story with something traumatic. But my first first memory was me standing up in my crib and looking out in the hallway to see my mother pass by and she looked just like a witch. Like she was dressed like a witch and was a witch. That memory is boring and so is the second one, of me screaming at nap time that I refused to go to sleep. Just wailing and my mother giving me a reproving look. That is also boring and my third memory they said is too traumatic. They said don’t start with trauma. (No, I said that once). I said I wouldn’t tell a rape story in my own story but my third memory is before the license plate. I think. It is my babysitter’s brother locking my door and telling me to get changed. Then I remember cutting my hair and hiding it behind the dollhouse. No then, I remember my babysitter’s brother making a face as I stood naked throwing clothes over my head dramatically, theatrically, and being wanted. histrionic. I do remember cutting my hair and hiding it behind the dollhouse. That was my fifth memory.  I also remember being on all fours and naked in my daybed. That was part of the fourth memory. The way he told me to take of all my clothes and try on outfits. I made it a game, smirking, throwing them over my shoulder. And wanted. He made a face though. Some crinkled nose face as I pulled a cotton ball or some sort of lint out of my belly button. I turned around and saw him make a weird face like I smelled. and
histrionic.

I remember looking up at her with the limp brown pine needle in my hand unable to explain any needs; the necessity of reading the numbers in order. I’m sure my parents felt no worry when she returned me and I would be more careful when I needed to read the license plates now. Checking to make sure their brown car wasn’t there first.  And the sixth memory is the one that I feel still, like it’s palpable and mine to hold: swinging the screen door open and running outside in my favorite blue and white sundress, my hair in a ponytail and my mother nearby. The sun hit my shoulders and the grass was green and soon Alex would be home and the sprinkler would be on and the sun would stay on my shoulders. Laying stomach down on the grass, I  placed my summer reading list  on the ground and began to twist a blade of grass in my fingers.  Began to read the titles, excited. I had been the first child to read in my class, and in kindergarten, younger than anyone else.  My teacher had paraded me across the hall when she found out. Had me read to first grader’s so they could clap which I liked. I didn’t understand what I was reading. It was about a blue dog. I knew that from the illustration. Only I could read it proficiently and perfectly without comprehending what I was reading. Same way I speak foreign languages now. If you heard me say the phrase, you’d think I was fluent. But I don’t always know what I mean. 

every once in a while on a walk around town i say
vous avez envie d’intensité
to practice and

It was the applause I liked. The way the teacher beamed when she caught me reading, creeping behind me like they do. Me, big eyed and small as she held my hand and pulled me. The way I tossed my dress over my shoulder towards him like that. The audience’s jaw shift. Me, practicing Vah and the numbers to follow. Trying to give them all cadence. Like songs. The way they hear me humming round the block. The way they creep up behind me. The way eyes befall a mouse. The way eyes befall a garden. Heading to the dandelions and even with the hoverfly squarely in center, what are shoes for?. Curious, learning about consequences. Learning to lift from your center. Learning to approach in whisper. Learning to

step on
things that are
small
and
quiet.

 

“first memories” 

I start taking wagers on who
shows back up first
knowing it’s wrong to bet
on anything that talks
and quite frankly,
you can’t,
Mrs. Shepherd told me in the 12th grade
during AP stats, still proud I aced that
class but you can’t stop
a sociopath
from never feeling again,
can you?
I say to him.
I have a Smith and Wesson.

but I add
people think angels can’t have
guns and
that’s not true,
hand him the weapon.
we just can’t fire them.
hold it.
get comfortable with it.

pink collar says
PRINCESS, I’m wearing
antlers and a dirty blonde
wig.  mock latex bodysuit
that rides my hips and
I am
only half bitch
three inches from you
on the bed and
half loading bb bullets
in the cartridge and
plainly  drawing up
variables marked
xxx.

laugh out loud
cuz they
don’t really get it yet.
it’s not just execution.
it’s not just
having the arsenal
but where to put it.
pull back my curtain,
show him the basket
with the blue calcite,
the burned scripture,
the crown.

 

“formula #1: inference”

 

there are two giant
bruises on each thigh.
I am careful not to hit them
with my fingers except
I already have
and I shriek.
you don’t even ask.


I spent most of my time
that late winter
searching.
what you would say:
combing through options,
in flux and in search of
weight.
and some guy,

a stranger
in my house, said to me
after I had given him reiki
for money, for rent,
for phone bill,
smirking on my apartment floor:
“Smile.” and added.
“What do you look like naked?”
and added
“How much to see?”

and I stood tall and robust
like a weed in Kensington’s
concrete garden:
stepped on but
won’t go away
and  then
suddenly growing
into a gun.
not only that,
but suddenly
making rent.
fuck.
ok.

you don’t even ask. 

“doors #5”

the first card I pull is the Magician.
say nothing about it.
my couch is stained from cat vomit
and chocolate ice cream
and smells
like fresh linen spray.
I am uncomfortable
at all times, at all
hours of every day
and this is no exception.
I am trying not to look in
the mirror behind  you and
focus on the red wine in the glass,
bottle on altar, not comment
on eye color, guess placements without
ado, turning over cards to let you
know.

 

I try to explain to someone one day
what I am seeing in the mirror.
no one is there, I say this first
to myself on a walk
around, pass a little girl in pink dress.
fuck.
a haze, like a fog surrounding my body
begins to build and my voice,
almost like it’s been previously
recorded and then played back,
comes through me and I have to
repeat what she says.
but sometimes the track is off
so I am two seconds ahead of myself
and it’s hard to watch.

 

wait, stop, back
up. I’m muttering I think.
too complex.
stop myself when her brother looks.
no, don’t tell him that.

Australia looks better than Alaska.
that’s all I say.
we have some wands between us.
that’s all.
keep it to myself:
predicting
deaths of
others
and also
practicing
hugging people
when they walk
in the room.

 

“the magician”

I walked by my old apartment
just to feel it
grab me.
what I would miss most
were the stained glass windows
and the birds surrounding my house
but nothing else.

it was marked off with caution
tape and a sign that said
it was dangerous.
my side wall had burst.
water shot out.
the place flooded.
there were bricks everywhere.

people used to tell me
the place vibrated
and sometimes pictures fell
of the wall.
what I remember is the
mirror and the way they made
me undress and throw coins
on the floor, buy them
toffee. the way
they never told me
their name.

laying naked looking at the
ceiling guessing names,
less than a year ago
before the wall burst. 

“Poltergeist”


I don’t like to talk about my
house so I don’t
but the garage
is gone and so is everything
that was in it. my
childhood bedroom is gone
and so is everything that was
in it. one day the sink
will collapse. we have snakes
in there. other things too>.
  I have no
yearbooks. I have a couple
notes from my friends
and a swath from a cologne sample
my high school lover
used to wear between
fucking his wife and me,
a note he wrote me once.
but I am thinking of
myself younger
and the old lip gloss bottle,
a roller, vanilla scented
but pink
that I had saved because it
reminded me of an entire
freezing december
on my crush’s bench
where sometimes they let me
wear their sweatshirts.

I am
holding my hands to the ground,
feeling vines wind up
my calves.
repeating,
muttering.
the way they describe me to the
ambulance is someone who
looked like she saw the horizon
close in on her and
collapsed.
the way they describe me
to the first responder
is that I looked to be seized
by terror like she saw the
horizon closing in and
just fell
to the ground. 


“Persephone”

when you find me
I am sitting on the dirt
twisting  a mask
in my fingers
and you could not catch
what I said only that it
was muttered,
repeated and there is something
not quite vapid about me,
but lost and then
filled with something
else. the first thing I say to you
is it’s torrential.
I expect you to know what to say
back. 

are my hands changing colors?
 I examine them myself,
fingers spread, string
around index, mouth cover
dangling.
I expect you to know what
to say back. 

“Carey”

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