I remove the rest of my top
and close my eyes deliberately
to show you the length
of each thorn.
wear my eyes like a hooked rose.
tongue pressed
against your chin,
my lips trace
your jaw       I am softer.
having been tempered
and forced close:
you know,
darling,
let my teeth hit your lip

I have never
become divine without first
becoming storm.

 been learning
performative emotion
to keep the ones I’m fettered
to warm, and to feel their
slippery manacles tease
the tops of my feet
like feathers as they pull
me back.
paint my lashes black


and they’re wet 
and
shaped like little
bolts.

1.

deep breath.

I carry tempest in my
lungs,  a cold black murmur
that hooks it hums
in earthworms and writhes
to surface after rains
winding street lamps to
devour them like dirt cake.
I hit the corner as
you are walking up.


the light goes out
and somewhere near
a tire screeches drowned
by the sharp inhale
you take when
a cyclist scrapes his tire
on a criss-crossed track
and spins into a tumble
that splits his helmet
on a bumper and someone
screams: are you ok?
(this city is full of
accident lately).
I stand still on
the flashing yellow,
not afraid but respectful.
your hands are clenched
in pockets waiting for
the red, face turned away.


I’d been walking slowly,
wearing cotton sundress and
consenting saunter.
a practice.
my hips are wide,
lips are pursed and
I am quiet, light and
diffusive but lucky for this
place mostly mired in
my own insides.
there are twelve dogs
with meat in their eye
nearby choking on their
collars.

I am wearing a blue alyssum
in my hair but
you will know me either
by my touch
if in enough of a rush and
close proximity to brush
an elbow with a thumb,
or the sudden sun I permit:
open laughter near your
chin, grabbing you
with force,
inordinate apology
for the accidental brush
and really everything,
moist I’m sorry spills over
my freshly-done, pink
velvet lips as we collide.
wait for green or
similar direction.
there are sirens in the distance.
I open my mouth
to say this city is full
of accident lately,
isn’t it?

you?
you will know me by
my fang-toothed smile.

“morphic resonance”

I think at some point
you have earned the right to say
I know already because you lived it
without acquiescing to
objective authority. 

I asked to see it first:

the river’s mouth,
the sky bordered in torrent and
my envisaged pout,
my omniscient frown.
even though they said
I’d never make it,
it’s been a lot this far.
two fucked knees but
a back strong from bundle
an
d

I never said I didn’t
deserve it,
just that I could outrun it
if they gave it.

“the flood”

this was years ago.
the first time I told them about it.
sitting on the edge of the bay
on a borrowed blanket, vomiting up
an Everclear Slurpee
and peeling back the bottom
of his parent’s quilt realizing
I had covered the entrance of the
ghost crab’s home.
taken by the dirt under my thumbnail,
the coil of a plastic straw and
embroiled in my own
deafening philosophy
about the closing of the day;
the way it moved–
death,
like an itinerant wave that followed me
—and only me–
everywhere.

I coughed that up second
to tell him
the rituals were there to
keep me safe.

the tide crept back
and I heard him light a cigarette,
felt myself starting to drown again
and then his hand on my thigh,
nails in my skin,
then nothing at all.
pain subsides in very
miniscule amounts
of time
if  you don’t
repeat the
story.
(do not repeat the story)

my head is eighteen visions a second:
someone getting their face smashed
with a brick, someone getting into
a plane, slicing the skin of my fingers,
budding inability to swallow (we’re there)
blood. blood. a girl that follows me
and only me, everywhere.
and matching the numbers to the proper
order.    reorganizing mantles.
bleaching my teeth and
every inch of my house.
first, you have to feel safe.
I begin to build the glass
around me.

and turning to you again, I
implore you to pick a title and
stick with it.   for me, I say
cupping your baby soft chin,
(despite your fear of frozen lakes,
we advise you when the time comes–
between Australia and Alaska,
Alaska will be more safe):

do you like warnings or do you
like to drown?

“warnings”


get some rest,
girl,
it’s the
Four of Swords.
they say I must be
heedless to dabble in the
dark like that
and unarmed.

more unthinking;
a fiery capricious
tantrum,
stabbed in the fucking back
and fingers naturally
pointy and
webbed as things
develop into theory,
into pentacles,
into air.
time is a sequence of
cracking joints, more
misfortune and now 

I blend into the wall
when I want and you will
know me by
eyes popping open,
or my purr of a
low growl,
low to the ground,
undaunted in my
new soft black
steps.

you just hang there.

“Arachne”

I spent years
counting the silhouette
lines of my cell
on the wall
and twirling,
perfecting a
curtsy, repeating myself to
the bricks daily. 


wear a bullseye–
sheer blouse, the outline
of the areola glinting
from their truculent marks–
tongue-tip spit and a bite.
I’m invisible in doses

           when the maiden turns mother
but before that, I’m followed.


a car the other night and
the others on foot
yelling something about my legs.
           when the mother is hungry
tiny shorts cuz it’s August.
my massage therapist placed
his dick on my hand
(again).
tiny breaths.

                   any complaint from the woman

being forced to touch a cock
while im bent over puking;
that memory always comes back
second, and so does
being fucked without
“literally any consent.”
is the way I say it to him.
drunk.
tiny ruffle in covers
passed out in his bed.

                        any affirmation that doesn’t start with yes
                                      can no be an affirmation?
                                  yes,
                                        when it affirms your rejection of men

I have persistent, swallowed panic.
stomach problems.
the words histrionic
when I show any emotion.
inward disorder and
grief, heavy like 

my dad is dead.
my brother is dead.

my house is lined with crickets, asbestos
and mold so the pets all had
tumors.   squishy walls, broken trim
and no one will touch
the pipes.
my mom doesn’t remember the time we
watched the moon dance,
or the word for channel.

he wants to know I’m not faking it.
my first memory was me
being forced to try on outfits
for some guy 

until  he patted my day bed,
bent me over.
raped me.
he waves his hand
curtly and interrupts:
that’s why you’re so sexual.
as if I have never existed
without the shadow outline
of men surrounding me,
stone, corralling
and unresponsive
like bars to a cell. 

and don’t overthink
my outfits because
sometimes I wear head
to toe sweats,
bare face,
hair freshly bladed
so there’s nothing
to grab, to hold
to bend.

“Rage”

light the fucking candle.

stare at the mirror,
a little past it.

what card do you see?
they ask.
I see the moon.

turn it over.
it’s the moon.
they do this all day long
to prove to me the existence of God.

I have a jar of oil, bayberry, my own spit,
blank check signed, prick from my finger, dash of
rosemary, rose petal from my dad’s
funerary placement (private, just us)

and my menstrual blood
on the mantle.

“I give it all to you.”

(I’ve done this before)

take my blood,
drink it like pomegranate jui ,
get drunk on my rage.”

turn over a card:
Justice.
just to prove things to you,
princess.

I wake up the next morning
bleeding again,
a week early, moon in Leo.
pour a cup full to her.
candle lit.
to the lion’s head,
drink up, love.
it’s pertinent you take it
one bitch at a time.
Justice.

the first thing you notice about me
is my smile, wide, bright like a star
and  the second thing you notice
is the viper behind me.

the fifth one i call is Sekhmet.

“five of wands”

January 5, 2014 and we
have arrived in
North Philadelphia.
the first thing I notice
isn’t the black plastic bags
lining the blocks or the
Auspicious Coin Laundry Service
sign boxed in blue lights
but the way you don’t
seem to look at
me and the way I seem
to blend in with the
tan upholstery of the
passenger seat
even though I am
wearing a bright red
turtleneck,
coughing, asking
if this is where we are
going to live and practicing
pronouncing
K e n s i n g t o n.

mired in the habit
of saying everything I think
aloud without
expectation.
of tapping a finger on
my thigh. of checking
time, twisting a plastic
straw in my hand and
fading.

something building
in my chest;
emergent waves
pounding at the
sternum like
irate knocks
when they want to
be sobs then
fading.

“hypothymia”

which helps me to
instruct myself.
better not staid;
better fitted to be flitting
from corner to corner while
bossing them around but
what I tell you is truly
inconsequential.

merely I am pressure
of depth and that I believe it
so
having told you first
with conviction, I begin again
to frame it.
legs crossed on the carpet,
hands out in imposition.
the wood mantle lit
and rearranged, objects
of sentimentality removed
so any backhand can’t
sweep it.

it’s important that my personal items
are kept away from the circle,
and maybe once I didn’t believe
but falling victim to your
own enchantment and
in such a way that you’re
riveted for entire minutes
by wax on the carpet
making meaning of the
sickle F shape; tracing it
with black, toasted fingers,
room wafting in the smoke
of rosemary,
you begin to care about
which stones are set and
things like that.
hands out:

first, you will be looking
up to notice
the sky dark but glittering
with stars
so the whole place
around you is lit up
and there are friends nearby.
I say this directly to the
picture jasper draped in the
thread of my necklace;
the glyph of Lilith.
and add a promising
hopefully,
as in with a little
upward inflection.

I got a pocket full of
them and I’m banking on
that so I say it twice
with anticipation:


ojala.

1.

My entire life has been informed by the space between us. 

There is the distance of my language and there is the distance of my touch.  Across the room but glowing. The warmest I’ll get is further away. 

They’ve memorized the muscles of my back

my pout and the echo of my cry-filling cavern
carved by the sound of my heels tapping;
retreating. Longing, and the way I succumb to holding, or allowing touch; recrudescent and poxed by them after a period of silence. Tarred by them after a period of respite. Not long enough. A period of cavern. Them, memorizing the color of my shoulder blades in the sun: tall and olive and taut from tension. Desperate for the light of distance. Spoked.  Tall, and wrought with tension.

 I am strolling. I am even sauntering.  Til I see them, I am strolling, then nothing, then tunnel vision. Emptied, but not quite that: automatic. Spurred by instinct. The pervading eyes and I am (smiling) seeing the space close in around me again. Lifeless, watching the move of my hip go from enriched by dance to torpid.  Dragged by shell. 

I am a shell.

Clench your jaw. Tighten your shoulders.Hip goes from bouncing to dead frozen in nervous. (That means it might shake).  The way there was once twenty feet between us. Suck in and walk straight. Swaying til I saw them.  Don’t trip. Ticking from nerves, looked gaily upwards til I saw them. Don’t look.  A pleasant thought crossed me right before I saw them.  My most pleasant thoughts are false memories.
Reverie.
That means I imagined the most pleasant experience of my life. 

Suddenly there was ten feet (I am smiling), then five feet (in reverie), then one foot. Suddenly the hand on my shoulder, on my middle back, the ubiquitous trail
towards my coccyx.  He towers,

“you’re too pretty.”

  I am smiling. They are a huddled mass.. So many of them with their fingers out
filling the space between us. I am smiling. Smile. They are reaching for me–
trailing their scummy fingernails down my tucked in blouse
and there is nothing underneath or inside of me.
I am vacant but I can hear the chorus, from
my safe distance.

“You are too pretty to frown.”

“the men”

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