they call me curious.
no, they call you two games at once,
he corrects me.

I am whiskers and diamond eyes,
a silver glitter topped headband
with ears at the top,
pink lip gloss and
baiting teeth; videos
on repeat that project a
moving constellation at night
slicing through each corridor
with claws the size of countries.

they call me
catarina
he says, no they call
you God.

“catarina”

I’m mad at God for every season
that brings the
buried back.
you still creep around my edges

like the protruding roots of
our favorite birch outside
the bedroom window.
the branches scratched the glass
in gusts, and you
asked me how I was never
startled.
you said: even in nightmare,
you play it cool.

this is nightmare to you?
come cross me on an unprotected
plank and I’ll show you what nightmare
can do.


the leaves fall dead in the
winter, but the trunk
is thriving in places
hidden.  I am bathed in
slivers of moonlight and
gelid anger
watching shadows dance behind
the blinds, biding time
in heated blankets,
cusps of friendship
with men I might feign
to like to move
you.
I can feel your silent steps,
I can feel your body cross the
garage.

you still know my home real well:
my fetal curl, my pillow smell,
and you still visit me sometimes
to trace your teeth long up
my thigh.
my ever longing service bell:
I ring, you crawl,
your incisor blades
are seeking throat.
I can smell you in her bed
all right,  but you still hold me tight
at night

like one long
and steady
choke.

“letters to exes”

you are buried deep underground
like winter’s favorite
slaughter,
spring’s daughter
Persephone
in her tomb of
bone and gold.
you are the sudden
eruption of fruit on vine,
and fences lined with
a crust of
flowers.
you wraith like honeysuckle
and rage in thorns.

you are both
the rising,
and the metamorphosis:
the  lasting arrival.
you are the dark queen
in her final hours
returned to Earth
to wage a
war that will murder
lives.

you are Persephone’s
final futile hours
screaming at the flowers,
soaking everything in
massacre.

 

“the crusade”

(the red book: Persephone)

we’re lying on the edge of October
in thick cotton nests;
my place.
my thigh wrapped in burgundy nylon and your
loosening grip.
I held the space between our necks
with stoicism,
a revisionist past that kindly removed
the details of the ephemeral contract,
a fevered longing for binding shielded by my
tepid forecast.
I was drawn to your morbidity and
we had similar graves to tend.

handed me a handkerchief for my deepening cough
and didn’t notice the sudden mollifying in your fingers
where I reached and held gaze;
your eyes like fountains I sipped in my July dehydration,
a nourishing after months of asexual experimentation,
mouth the word queer to the mirror,
how to fuck yourself from different positions
and forget you ever came.
I thought autumn meant morning frost but it was eight am
and I was deathly hot
for it and you were,
back facing me
reminding me of our agreement
tying a shoe and I blew my nose,
handed you some andalusite to suggest
all healing is pragmatic but you
absorb organs,
pick one good one,
move on.
we had different ways of saving ourselves.

I met you in skin and sun
and distant cicada sounds,
street jazz in the background.
met me where I was
(liquefying)
and made no promise to keep me.
you unrolled your tongue
and the palm of your hand holding your girlfriends’
tiny waist and a note that I’ve read,
god, a thousand times before,
but still cuts like the first fall
that said
ha! ha! nothing ever changes!

you taught me about unsustainability as a relationship model,
how to rip nylons off with my teeth and
leave;
the orgasm of the shattered pieces
that you squeeze to fit into each crevice of weaning;
masochism as a finish line;
and me,
which all seems no better than the men but
   (well, here we are)
so much softer in my hands.

“ha!ha!nothing ever changes!”

exhausted from the effort my
hips have made to
prove my might to
men,
I let her show you
with her flesh and borrowed guile,
more cultured manner,
a divine proclamation:

she summarizes
what I really meant
without all my nervous
containment and flustered
public self-flagellation.
she seems objective
so you trust her,
and she had a dream like that
once so you conclude
I am the cat that chased her,
skinned her,
wore her like a trap
you fell right into.
she is a mouse
wearing my mouth
and she is quavering.
I needed her to say the one
thing you had been thinking
but had yet to fully take
so I possessed the space
inside the shaking room
between us.

take a kneel.
I’m in your ear
wearing my best butterfly
costume.
      you could use something.
when you fall asleep,
why don’t you give way
to the chase?
you’ve watched me hunt you
every night this week
from the safety of my yard,
but here I feel your emaciation.
your ribs.
you are starved.
take a knee.
          take a run.
take your jaws and
put em on me.
I become the doe,
and you become the forest
trapping me.
            you could use something.

it’s time you taste
your own shaking
prey.

“spiritual practice”

 

“Name your torture,”
one of them said
with a cute wink.
I wanted an orchard
but I swallowed the vodka
he handed me
willingly.

I don’t believe in simplicity
or explaining the meaning behind things
            it’s why I write poetry
I say with a hint of clarity.
He fingers my locket,
I recoil in panic.
I choose the silence,
complicity over barreling ascension
every time I meet one I might
like.

I had a mission to destroy my darkness,
but darkness has a way of consuming
all it follows
so I spent the winter indoors.
started to explore and name every puncture:
early childhood rape,
early childhood confessional
in bad dreams and pissed sheets,
early childhood neglect without a male
role model or a safe space to yell about it,
early childhood sibling who later hung himself with
vodka ropes, and a funeral attended by
no one.    I swirl my glass,
listen to the chunks of ice beat me up
inside.
There are only two sentences I’m ever
after: birth
and subsequent fatality.
I do a quick twirl on the way to his bathroom
to show off  my scorpion tail
so he understands his options
for the night.

I asked him to stay awhile
while I calmed my own poltergeist.
he just wanted to hold hands
and watch me cry without connivance,
without adding words to delusion
alluding in silence
that I don’t need the completion.
I need the space
to see the illusions I created are
in dire need of straightening before my ire
turns to rueful violence,
turns to self-asphyxiation,
turns to creeping vines of fear threatening
to bind the whole garden in budding violence
and complacent nooses I wear boastfully,
as if the greatest power comes from murdering
yourself in front of an
audience.

My madness looms sometimes;
a distant thunder that never sparks but
erupts into sudden forest fire,
 lightning strikes right behind me
so you always know how to find me.
I only hear voices when they’re booming
so God usually delivers things in a way I hate
to get me to listen, breathe,
cut my own intestines from the ceiling
where I hang myself most days.
God demands I stay,
but I let go of his hand and
turn to him and say:

“Well, if you’re not going to kill me or fuck me,
what are you doing here
anyway?”

5.

I’m caught in the middle of
two periods:
between black as death and
black as a violent
stormy day:

the kind that shut schools down,
threatens to take out
whole neighborhoods
with her incisive strikes of
roar and lightning,
emanating flood.
I suppose that would
make me in transition,
currently nestled
in a calm and mutable
gray.


It’s winter and I’m not
cloaked in night yet?
You’re taking the long way home;
passing by my
window for a peek of
my flickering lights,
my private worship,
my fire tongue
now burning itself to a
cinder, cooling with the drops
of pinprick blood
dripping down my
altar.
And I’m preparing to
skin the ash from myself,
drape in only white,
and twirl through these
cold months
with algid splendor.
I am seen by many
but never touched.

For you, given our
history, that seems very
advantageous, and despite
my proclivity for sudden flight,
my growing meridian wings,
something is keeping me
here.
Something is keeping me
floored, and despite my
recurrent lake coffin
premonition,
something is keeping me dry,
safe on shore
and alive.

“the phoenix”

i’m all
bramble and hair
outside of your window.
I look and stand still,
tall, like your atlas cedar.
my wounds are plastered to
the branches, little sparrows
peck at the flesh of my
open bleeding breasts;
I flower from a deep root,
and I am constantly
gnawed at.

I’ve been watching you cook things,
evolve in her kitchen.   
you are becoming
something worth touching
for longer than minutes.
I’m devolving;
nails clawing at the stamp
in a fit of maniacal envy.
lower lashes leaking like
little pens
splashing on the loose leaf
when they should have been
dry like my jest and
planted lightly on your cheek,
when they should have been asleep
in your elbow, or deep
in your chest or dancing
like loose wisps of dandelion
and landing on your lips.
something worth touching
softly
for hours.

closed,
my body is tangled
in words,
skin is ripped at the seams,
veins are trickling low utters,
sighs,
some red hot lies,
stale adjectives,
big ideas about our reconciliation
delivered to your doorstep
in hopes you
remembered
the last time i moaned
under you,
letting out a little
m     o r    e

how i promised you
a little
more.

“the envelope”

all that glitters is usually filtered
unless God is involved.

this day, two weeks
ago, or so,
i’m lost driving into the
sun-soaked skyline;
her late afternoon sunset like an
ochreous fog drifting from underneath
God’s skirt as she lifts
I’m trying not to stare)
and shows me
what I could have had:
a heart exploding from arterial
confinement, daily hues of red cascading
into orange clouds,
or if it’s rain that day,
gray with yellow halos.
the setting is always obscured by
the passing climate.

I was hearing you say
“fuck”
softly and playfully near my ear
again. I know where you
stay now, and I know
I just  want everything
too fast.
the sky is telling a story
of a very
slow and deliberate
inflorescence
   fuck
and I am trying
to be more present.

but I just missed my exit
trying not to feel
the one am fingers
unzipping the jeans I fell
asleep in
and I probably
missed the point
long ago, but I am dreaming of
a reunion,
of delayed gratification,
a ball dropping,
a heart exploding in
your bed like a sunset;
perennial, without
finality or resistance
to its daily revolution
around the giant.

the way I am longing to
be in your ear whispering,
revolving around the giant in the
room between us;
yes,
keep going.

4.

I’m haunted in several kinds of
cadence and burdened
with unmanageable lust.
I’m replaying the way
you never said my
name, the way I keep my nails
short in case I turn on myself
when I’m turning myself
on.
Someone has to touch me
at this point.

The way I begged
for you to send me a magpie
some mornings,
the way I long for it still,
it hurts.
The way in which I elongated
the word u s
so it looked bigger on paper.
I let it last
a whole year;
grow leaves, grow fingers
dotted emerald green with pink flowers
and then sorrel and bare,
baring its brown
bones to the birds
who perch in earnest search
of shelter so they can call on
one another in fight,
famine, or flood.
I watched us
drift to the floor
in detritus,
becoming
a new organism that grew roots,
that craved sun,
that lapped water and pollen and
seasons.
Letting it fall
in frost.
Letting it crown
despite the real
us.

Kiss me in the light of
these new found
bedevilments,
I lick the mirror
with feeling.
It is December and I am
already freezing.
I am relying on roots
for nourishment.
I am hibernating
and emptying.
All year, I am sturdy and foreboding
like a honey locust
dripping thorns down her spine,
dropping leaves all down your walk
so you will always be reminded of the
pine that encircled you when you first heard
my forest chorus:
the long form I wrote of
u s.
Look at me again and
again and
again: now
I am leaving.

I am chopped into several pieces.
I am becoming paper.
I am becoming waste.
I am becoming the spines of books,
archaic adjectives
that you chase to replace your
chilled silence with a word
that offers anything but
a returned question mark.
You thought that all devils
wore black and sauntered
and spoke coolly with promise,
but I am the devil
who wears anything
the world will offer,
including white,
and offers some
warm reprieve
like a velvet-lined casket
floating over the open
sea.
I am listening.
I am wide open
and encasing.
It was never us
I came here
chasing, I finally admit to
what I am
drawn to.

It is waiting.

“death”

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