when I was a kid
my dad played this game:
he would ball his fists and
stick his arms in front
of us

start turning them over;
one over the other in a circular
motion like a machine; the way
gears turn round
and round and he would repeat
the phrase
perpetual motion.
we would start to laugh;
those secret games
only family gets.
he would say go ahead, Sarah,
you can’t stop it;
it’s perpetual motion,
go ahead, go ahead
in his thick New Jersey accent;
Wild Irish Rose on his breath,
and a pack of Merits nearby
one burning in the ashtray.
my brother pinching or
poking me to distract me.

I was so small.
I would reach for his arms but
he used his might and
kept turning them like
he was churning something.
the dog was usually howling
and I would be overcome by a fit
of giggling listening to Matt’s
sarcastic comments, watch the smoke
drift from the table and my
mom somewhere near smiling
and he was right:
I couldn’t stop it.
I was too young
and weak.
he would just roll his arms,
his hands clenched and say
perpetual motion
perpetual motion
sarah sarah it’s perpetual
motion.
I would scream and
jump on top of his forearms
to prove him wrong
but everyone agreed that was cheating.

it was the emptiness
I couldn’t take;
the space from the post to
my side and the absence of
words between that.
and also the unbridled
mood swings.
the way no one saw me
or heard me or checked
in.
I would spend hours
pacing the small corridor, the
tiny living room and saying things
out loud to myself:
I can make it
it’s fine
I can make it here
or I would turn it up
as loud as it would go and
vacillate between the pacing and
jumping up and down, twisting
a necklace or straw
in my hand
and I would picture only one thing:
breakfast or dinner
with a man   it wasn’t
the man, it was the nourishment
I craved, the nutrition
I lacked and the double security
of food and laughter.
it always took place over a meal.
I reached for it every time I felt
anxious, every time I had a
major transition–the savior returned;
the reverie of an unconditional
ear, someone placing their hand on
the small of my back,
handing me water,
congratulating me on completing
a piece and asking me
the question.
.
I rarely pictured the warmth
in sex   that wasn’t what
I lacked.   it was the question I wanted.
he always held space for
the long version.
taking a bite with my fork,
it was cooked or take out
or restaurant, it didn’t matter.
it was warm and filling
and good.
he would say
tell me again
and I would begin the story
where it began:
January 5, 2014,


I arrived in
Kensington to awake
from the middle of a
perpetual daydream.
no, the thing
about your brother
“Sarah,” she gently said,
getting my attention again.
I look up from the top of
my thermos to see my therapist.

“You were going to tell me more
about your brother,”
she repeated.


it’s Thursday, I’m between worlds
again and we are finally
opening it.

“synchronicity”

 

my heart was a brass bell:
frozen,
staid,
caught between two
hungers, and I’m asking
you if anyone ever told you
there is no time.

you demand cogency,
a nightlight,
me at your bedside blowing
ardent lullabies.
here I come in linear order.
in the end my gown will be
doused in the close shouts of
someone you love;
I will be draped in
the slow and constant drip
of her;
the residue of
skinned bones rouging
my cheeks with their sudden
red cries that blossom into
spells I tie into crown,
rest on my head
like a prize
as I am laid against
my slain and coffined
in confession before I
rise but you should know
so I’m writing it.

I would pluck at my
backbone to charm her
into weave, into
conjure   her discordant euphony
that produced a mild shock
of light to remind me
I contain some very black
nights but a
torch lodged deep in
coccyx, and a dream;
sketch on marker web,
write the titles
in my thrumming patient way,
my hum,
my black belt bullet tongue
of song rising with summer,
and a damn stitched in
spine ready to synthesize
in crescendo
downward like a flash
flood and

 

you should know the truth
as it happens and the
past as it really
was and me, risen
growing full of hell
with each new moon,
full of part
with each new
sun.
you should know
what I mean
when I say
      my hands contain a deluge.

“the flood”

when it came to me
you said I was all
 muscled positivity
as if I didn’t hang myself once before;
as if I didn’t try to tell you

how cavernous a grin is,
or anything at all.
even though you are never sure I won’t
find that perfect bedsheet knot
or not or a razor
or a kitchen knife
or a drunk night on the freeway and I’m
headfirst in the cement mixer
but I made it out of that
in jail but alive and I am
always palms clasped and grateful.
you say   you pray
with FERVOR  as I finger the locket,
my brother’s ashes clasped
around my throat
and I hold onto
that same little lie
about choice.

I let go of the wild lavender
sprouting from your toes through
the hints of splattered paint.
there’s a meadow in your abdomen
coaxing foxes from their
holes    your knees knock mine,
sudden sting         close and sharp
  the way memory sits on your skull
then pulled back
how you held me
far away sometimes;
making wind happen
blowing kisses from the pines.
the bath is on, I’m cold.
you always say
I’m cold.
I beckon to the side:
you and I are from the same
arctic sky.
help me in so I feel
the frost of your fingertips
trace me;

my broken back to you now.
my nails are brown tipped and filthy
from digging myself out of my ancestral
grave and I’m spattered in the ,
sweat from a hard night’s day,
walking alleys, stalking shadows
and you’re truly unremarkable
these days save
the mosaic of carpenter’s paint,
some gray cement
garden: no flora, no fauna,
and even God told me to pause  
and rest on my previous laurels
before I get carried away.
but i’m a martyr for this,
God,
I crave repercussion

I become a
yawning, clanking watering can
spritzing your open lips,
dolling up your stolid ground
to birth your stories:
pollen murals out of micro gestures,
extinguished longing that suddenly reignites and
I’m grabbing cattails from the gales to
comb out the tangles of your childhood
   tell me about your father
fistfuls of mud    planting seeds in the
tiny cracks around your chest that my own
sharp-toothed grief left when you
muttered the first
no  and I stepped a few
years back.
freedom will teach you how
to stay in all new ways.

there is no difference
between love and liberation
and some were born saints,
you say as you help me
in the mugwort bath,
the smell of rose and geranium
circling the tile.
I plucked the petals and dropped them
one by one for aesthetic.
not free of indulgence, but
patient   your fingers make
stems in the water
and I guess I am waiting
for something.

“the swell”

She walked slowly towards the house. A transfer of guilt must be achieved, she recited in her head. She was moving her fingers, clutching at the bottom of the jacket. The straw lost somewhere, she kept moving her fingers to mimic cradling it. A transfer of guilt must be achieved. What was the rest?

It was the second polar vortex in four years to hit the city this hard. Pounds of air stood packed around her so she felt boxed every step.  She couldn’t see. Snow fell all around her and because the wind whipped her face with each violent gale, she was also forced to look down. Forced to crawl upright, she could only feel her way through: the knife-life breezes, the sting right below her eyes with every movement, every touch of sleet against her skin a slow-drawn slap. Every snowflake bruised her; it’s touch burrowed hard beneath her cheekbones and lingered.  She was red faced and trudging.  Her eyes were brimming with tears that wouldn’t leave the bottom of her lids. It is freezing. They were frozen there. A transfer of guilt must be achieved.

Her eyelashes were coated in snow and she could hardly make out the building in front of her. Being drawn to the light in the window, she floated like a black moth to the driveway. As the girl stepped closer, she could see there were candles, maybe a soft lamp, burning in the upstairs window. Everything else was dusky and had the stale feel of abandonment. The house was coated an ashen gray color by owner or night, tall, protruding but with no bright awning or curtains or mailbox or car. No song wafting through the howl of the storm. There was no sense of welcome but it was her only option. Let it be a party. Let it be jovial and light inside. You can deceive yourself into believing anything just so you’ll participate.
About thirty feet from the door, her body was suddenly struck with sensation: panic. This is respite. Stillness creates panic. She stood still and let a shiver take her; let something pass through her. The future was here and it was portentous. She grabbed the sapphire amulet around her neck. God, give me strength. Pausing at the top of the yard, she allowed her breath to come out slowly, deliberately and with planning. What do I look like? She was draped in all black but blue in her flesh; pallid and chattering. She was a ghost in a cloak. Blue like ice. Blue like river. Blue like the ash-filled locket. Give me warmth. Her breath was slow and deliberate and planned. The girl was pacing herself in stillness instead of step.

Before continuing, she allowed her body to stay there, frozen from foresight and weather, in a posture of complete surrender. She was upright and floating allowing the wind to carry her up the short driveway to the door. There was no effort to shovel. The driveway was packed with snow too. It had taken her several steps to get from car to driveway and several more to get from driveway to knob. The door itself was plain beige without number or knocker.  There was nothing spectacular here. Looking around once more to confirm there was no one else on the block, she held the locket with her bare fingers and set her teeth together to quiet them. She was a shadow in the doorway. .My breath is slow and deliberate. Her hand balled in a fist, she began to raise her other arm as she fingered the silver chain.  I am breath. I am breath.  She tightened her fist. B r e a t h e. She was muttering. I am safe and protected in white light. She exhaled. God, give me grace. She began knocking loudly, feeling her jaw clench and her respiration stop, the last of her crystallizing in air.

 

I’m done spitting on your face
and on my way
to pick up a bag of cutlery and dishes
for our house from the front porch
of a stranger’s
when I stop to admire the cracks
in the side of the building.
the wall is coral, faded but still
garish, stands out.
it’s brick and

this building has no doors and
one broken window.
these defects in the painted halls
lining my new city catch my
eye each time I run an errand
and I pay my respects in
photographs      stopping at each one,
trying to remember how the boulders
haunted too      how the ocean felt
on my wasted ankles at gloaming when I guzzled
vodka Big Gulps and watched the
ghost crabs roam the bay.
watched myself dissolve into
the bits of me and can I remember
how the sunset looked draped over both
tide and flatirons,
hold two things at once
without favor?
how it feels to lose several
small countries you claimed.
all I see are metaphors
and I’m intruded.

these overcoats that rot
without dismay hold space;
there is natural beauty
here but it shines brightest
in demise.
these bricks are painted to distract from
it’s true inability
to keep a home  safe like
the way men have held me;
hugged with their claws,
I cracked at the touch     put my rosy shades on
I only see them
in their handsome sway.
I snap a picture of the edge of the broken
glass pane and the beginning of
the paint peeling into
white–the fissure.
I trace my finger
over a chip and watch
it flake.

how they left me.

“doors #1”

“doors #1”

it’s Friday and we are
processing hard truths
before we seek the auspiciousness
of everything; before we rest,
pay altar on Sunday
like
:
sometimes some things
just aren’t meant for you.
it’s true, the blur,
life is rushing and swamps
with it’s shades of
blue; azure
(you name things)
sky, or cobalt fluid
or nightmare
like a wall of nail polish
you’re reading every
dressed up inch of you,
every feeling to decide
what to bathe your magic
tips in tonight.

with or without your
undivided presence,
your inquisitive fantasy,
the moon moves.
time heals all those
unsewn wounds and you embrace
things now with reticence,
but you’re open to the aphorism,
to the temperance,
to the tombstone epitaph
you made him carve across
your eyelids that night
on Jupiter:

I remember everything.

everything you grow to love,
you lose.

“xxx”

you’re shrouded
in caricature of self
under pressure:
embosked in

crouching vines,
twigs and berries, my clothing
and your permanent frost that
molds you into something
statuesque–a snowman frozen
in my front
yard but I’m suddenly feeling
myself so sun,
so warm,
arms wide open,

cherry lipstick,
leper with no island and a
strong want for community.
need to touch your fingers with
my tongue,
audacity,
some ire,
some unresolved bleak black,
and I’m mad at God for every season
that brings the buried back.
I’m not over it,
I’m batshit and
I’m terribly bereft.
I’m hot
they say.

you’re melting a
little and I keep talking about
myself to fill the space.
I used to be
a vacant room
but now I’m full of
places,
suspect,
other people’s things,
vindictive trust and other people’s prayers;
the hurt of how they wear me once,
or at night or in their head
and then hang me like
an amulet above their door
to gawk at, clap at,
ask for favor like I’m God’s
only walking angel and really
i’m full of enmity and
you and I are both full of
me.      pinch your carrot nose
and wait for the high noon
rays to hit your coal smile
so you become the puddle
at my feet the thirsty
dog I leashed laps
quietly and you asked me.
what do I long for?

the cloying puffs of air
near my ear saying
come here and
the weather changing.
i’m adding a hat to your costume when
a man taps me on the shoulder.
he wants to ask what’s become of the
others that came before you
and I want to get to the
bottom of it.

“the sun”

your house was yellow.

my house was blue and
a ten by ten box;
a cage and me trapped,
torn between watching them
pack up their stuff
from their own pact to self
and me, dripping virile,
pushing them out.
we needed a spark,
I pounced and

shortly after,
the railing tumbled on my
sprinting ankles,
the basement rattled and the
floorboards dropped
filling the place with the kind of emptiness
that is so dense
it smothers.
smoke smells a lot like
ticking minutes
if we scented time the way we
spray each other.
I hear a bark.
hope the turtle remembers how to
duck and cover.
the cat’s sure got it.

remember me as a black-winged fury
hovering over your bed at night because
there will be nothing left by dawn
except some burning blue
cedar wood and a cheap comb
that found its way buried in the dirt.
the photo albums gone,
dusty cookbooks charred,
vanished remote controls stay hidden
and the asbestos and fiberglass ceilings
imploded despite our fear that was the
thing that would kill us.
I am left with a cancer
that gnaws through the joints
like packs of rats chewing through cables
to take the attic back.
and I need this.

I really miss your hands on me
and the convivial cluster of caterpillars
that swallowed the bark
the day in the orchard
when you held me in sullen incubation
before the devastation of the forest,
before I made way for us,
the start,
the parting and somewhere
an empty crib stays unfurnished.
someone starts an engine.
the varnish is melting and so am I.
      God gave you a chance and
        an unfinished smile.
a smoke alarm malfunctions
mocking your reluctance
to just grin and bare it,
to just open up your arms
and catch me when I jump;
             but first here comes the fish tank
catch me with all the fit I threw.
we all look like burnt books
blowing in the breeze
and now, I too,
am wafting with the exhumed memories.
before my legs even hit the dew,
you watch me dwindle to a million floating pieces
in the cradle of tar black trees.

you see the contract ascertained a certain
ephemeral appeal
and I’m too thirsty to complain
about anything but the heat in here.
hold your breath and wait
for some other current to take me.
        baby

there are no exits.

“chrysalis”

nice figure.

sharp glances,
obsessed with her wrinkles in
passing window.
thirty three years old and can’t seem to
thwart her own self persecution,

said she liked ass play
and pegging and
doing things in pieces.

“how guys save me in their phone”

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