only two days ago
your hands circled my throat
to toss me on the bed.
still dutiful,
merely dotted with color,
I am on my way
to pick up a bag of cutlery and dishes
for our house from the front porch
of a stranger’s
when I stop to admire the cracks
in the side of the building.
the wall is coral, faded but
garish,  still stands out.
it’s brick and

this building has no doors and
one broken window.
each time I run an errand,
these defects catch my eye
and I pay my respects in
photographs.
I’m trying to get my memory back:
      stopping at each one,
trying to remember how the boulders
haunted too      how the ocean felt
on my wasted ankles at dusk when I guzzled
vodka Big Gulps and watched the
white crabs roam the bay.
watched myself dissolve into
the bits of me and can I remember
how the sunset looked draped over both
tide and flatirons,
hold two things at once
without favor?
how it feels to lose several
small countries you claimed.


the way men have held me:
(invaded)
all claws of resplendent mortar
and cracking at the edges
even with the scrape of thumb.
I snap a picture of the broken
glass pane and the beginning of
the first layer peeling into
white; the fissure.
trace my finger
over a chip and watch
it flake onto the sidewalk.
snap a picture of
that with my boot
in the corner of the frame.
things to remember us
by: namely,

the way
things have
left me;
split.

“doors (#3)”

I tell them,
I am not writing about the men
you see unless it’s
my
dead dad

and
my
dead brother.

abandonment?
who me?
wearing my father’s knit
NY Giants cap and
bereaving, stripped,
replaying the final moment:
hand held, eye contact,
the knowing I had and decision
to forgo a flowery speech.
elision.
the last thing my father and I ever
said to each other was
I love you


before I left,
palms on the linoleum,
sobs held,
bargaining,
one more Christmas.

it’s brevity a poet seeks.

  1. (love)

and I think
I may be a masochist,
an undervalued trait of mine.

you are about five neighborhoods
away reading this and I
am heart felt, knee sunk
in one lost picture;
black and white snapshot
of the first rollercoaster I rode.
my father accompanied me,
and recalling when he went too
fast on the jet ski
knocking us both into the water,
two booming laughs,
it is the drugs that got us,
the suicide,
the dementia,
there’s nothing left.

but I held your hand in earnest
and exchanged a look.
I didn’t hug you during the
pandemic.
I try not to think
of these acts of
care as anything but that
but inconsolable,
bereft,
heavy cement cracked,
it comes for me as
failure.

II. (sadist)

“After great pain, a formal feeling comes–”

it’s in front of the Christmas tree
one week before you die,
alone and panicked by the
thought of mustering
staring at white frosted
plastic pine dotted with
uniform red balls
when I feel it.
it’s like cement cracking.
the ornaments of my childhood
all gone, lost
with my yearbooks and the
oil painting of mom
taken by the asbestos garage,
poverty; my enslaver.
i’ve been writing this for you
for about ten years
waiting for the day I’d be
by your bed to read the ending.
the bargaining begins.
(it’s just one breath)

this is where the poem begins. 

  1. (dad)

i’m counting tokens in a
donated tank top and barely
fitting jean shorts, everything about me
awkward and also sort of heavy in
the impassable space between states
I learned to love,
between beds I’ve been thrown on
and various seasons of us;
theorized or touched
whether it’s real or not,
irrelevant to the curve that’s forming
in my back as I hunch over the weight
of things I stuff in my bookbag
that I find on my walks out:
China set, forks, two new mini
skirts, pot holders neatly placed in
cardboard boxes on people’s
front porches and  I am,

crammed with charity,
stretched to my limit
and timorous.
I’m two miles to the El
with enough tokens to get me there
and back and enough money to pay
exactly
one phone bill,

one internet bill,
power and gas but we are still
working the rest out and
I feel drops forming at
the base of my
sweaty and salt-lined,
un-licked neck.
thats’s what I miss most.
the way a man curls behind you.
the way his curtness catches you.
it’s just one breath.

II.

normally
I just open the door
and walk right in
but this time I decide
I should be invited.
founded on repetition as the old adage
of classical conditioning,
some things work best in saturation,
a vacuum
and unrevealed to the participants.
this is an examination of ethics.
no, an examination of motive.
same thing, the query being:
is it stronger when stated?
as the querant believes,
it is stronger with want
regardless of
palpable confirmation.
want is hope in modern language
and the most consensual
exchange of felt.

either way,  it is
best to have some controls.
I arrive, same fashion,
dramatically.
you have been out in
the snow with your friends
and enjoying the view
of the constellations above
when you hear the twig snap.
you will see their yellow eyes to
your right as you react
and you will be alone
suddenly like that compelled
to walk right in
before you see me cloaked,
walk right out.
you say I am the coldest, darkest
thing you’ve ever met but
my two dogs are
licking your frozen cheek
as you lie beneath my feet,
a sturdy boot on top
of your face, me baring down
without much weight but
pressure of depth.
but you seem colder than that.

you are face down
becoming the tracks.
I am taller than you expected,
yes?

2.

to seek me meant
pleasure in ineffability,
a loss for words perhaps
out of fear of my retaliation
and to remain hidden
from some parts of the depth
of me and from the world with
me. I prefer the furtive
curl against another.
the unutterable and silent
worship
drives this depth
and the others and
you and me
like rifts adrift
like that, the moment
I turn my head.
I like to live,
eat, sleep alone
and move the country
this way; solo,
home
a solitary war
between
picking up impulse
and
deep, deep reflection
upon impulse
control.

I’m so sensitive
though
that if I settle into
think and spread
the cards like a fan,
I’d feel it out
in five seconds
eyes closed.
show me,
she said.
show me one year
show me two years
show me three years.
flip it and
it’s the King of Cups,
again.

plus I’d pick the right
song to match.
get the numbers to flash 3:13,
my lucky bet. 

“duplicity”

I value freedom most.
I wander
in both eyes and body
always collecting
but devoted to the last,
even fixated on the last,
even clutching the last
but also loose with most
acquaintances stressing
compromise, meaning
yielding to my rule
and enjoying breaks,
enjoying reaching,
enjoying screaming.

favoring opportunity over floor,
I become an opportunist.
favoring power over doormat,
I become a tyrant.
I value the sky and
currents more than houses.
the ephemeral in
our lives while also walking
three inches higher than I am,
on tiptoe,
touching things,
making threats in the air
when angered and
you say I am

for-mi-da-ble
and slow like that.
a bit virulent
is how you say it and
before we seek the advantageousness
of everything, it’s Friday
and we are
processing hard truths.
the way silence hits
and my hand opening,
the spontaneity
of losing things.
tell me,
where do you keep your pocketknife?

 life is rushing and swamps
with its shades of
blue; azure
  (you name things)
sky, or cobalt fluid
or nightmare
like a wall of nail polish
you’re reading every
dressed up inch of you.
your rehearsed malignance.
your wry contribution
with your cocked smile
to hide your jealous
sulk.

the moon moves
from womb to waste
to task those unsewn wounds
and you embrace things now
with reticence
but you’re open to the epitaph
scrawled across the rock hard
eyelid
      temperance
my Venus in Leo
is running.
you made him carve something else
across  your eyes
that night on Jupiter:
          I remember everything.

but you didn’t want to be
so right and you didn’t really
ask for things:
you just opened a door
and walked right in.
you made it clear
as you rummaged through
the closet smelling him,
you are always only someone’s
secret. you are
unconditional when furtive
but otherwise,
rigid and passing
like a northern mist.t

that means when kept.
when kept,
you’re just a blur,
vanishing,
just a sprint.

“venus in 12th house”

I sit in my summer
suit even though the cold
is here: golden sequined top
and burgundy pants,
loose, wide and a
lavender shawl wrapping
my bare shoulders,
knit wool socks
and I am also surrounded by
furry purring cats
lying on their backs to
paw my finger as I
toss coins on a giant
white quartz that has been stroked
by my friends and
three candles on the floor,
an Orgonite pyramid.
I’m experiencing a mild
tinnitus and a spectrum
of truths so I’m
trying to clear some
space for a violent
upheaval.
I offer you change and
fire.

It’s February first,
I pray to all lords
but I have an affinity
for wind and
glowering airs.
if you asked what I wished for:
nothing, an endless
seeking nothing. 

“Oya”

I watch the ants circle the trash can
without any interception.
let them lick the chocolate
flakes, the cinnamon
does nothing,
they’ve built homes in the
copper mounds.
I sip water and
press play:

que es esto?
Es Caballo.
que es esto?
Es Gato.
que es esto?
la influencia
de la revolución
y una venda
en los ojos
porque estoy
asustada.

girl, you better
run.

“correr”

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