you’re distracting,
I’ve heard before.
used to get moved all the
time in elementary school,
away from my friends only
to make more friends
and get the class chattering.
me, I’m just a little
hummingbird.

little innocuous
sending
you some mailed cryptograms
asking you if you like
peaches or nectarines
better. I’m becoming juice.
how will I know
which citrus bed to
plunder, slather
myself in pulp you
can just lick right off?

 

me? I’ll go you
know, I’m wind,
so just take it.
just tell me what to
line my neck in.
you know it takes
you three years and I
show up head to toe
doused in rosemary
anyway,
choker dotted with
every piece of
tourmaline I own.
a tiny cross in my hand
from my nana’s broken
rosary. me?
I’m wind, I’ll
go.

kiss your cheek and
gesture to my attire,
wrapped in silver to fight
the dogs of moon,
whisper got to keep
those ghosts away,
yeah?
me? I don’t mean
a thing,
breeze in hall
just scenting the
tops of your books
like I’m right to own
them. you?

you will know me
by my officious
typeface and choker
tight around the throat
lined in polished,
black stone.

“the letters”

I show up early to
make coffee,
drink coffee,
steal a couple pens
and a few donuts before the
meeting.
I’m here to look
good and watch people.

 

I am covered in
sweat by the time I sit down:
tan and thin from
the obsessive calorie cutting
that formed as a result of
penurious heritage,
bad timing,
mercurial interests.
I’m skinny and all
about it, wearing shirts that show
my sternum leaning hard
against the skin. that means
when I stand in front
of you, you can see the outline
of my bones.

 

I’m skinny cuz I’m hungry.
cuz I have been portioning
crackers. cuz I allow
myself only one piece of
bread a day.  once took a spoonful
of sprinkles in my mouth as a
treat and didn’t eat anything
else for hours.
I’m letting my clavicle
show, my shoulders bony
and in front of everyone,
glistening like olive marble.
hard.
I have two tokens in my pocket;
one to get home and
one to roam.
I cross my legs in front
of a blond haired boy,
take a sip of my seventh
cup of coffee,
someone begins

 

you are only
sick as your secrets.

I am 120 pounds and waning,
olive marble.

 

“confession #”

 

I am surrounded by men
who are wolfish in detonation
but repenting for a lifetime
of substance abuse
so we nod when they say
things that are aptly
reflected instances in which
they felt a guilt greater
than themselves.
they usually begin with things
like
I took advantage of her
and I cross my legs.

I am wearing brown tights, brown
heeled boots and a cream turtleneck
sweater dress.  my hair is
short, uncombed and strange
and I am mostly plain.
I wear light blush, mascara and
chapstick but I don’t spend all
day about it.
it is important as a woman
to catalogue what you were wearing
and how you generally look.
also I had gained some weight
first, before I  discovered that
counting beans will gain you
phone bill money.
when you tell the audience the story
they can gauge reaction better.
were you homely, girl?

I was neither homely nor
exceptional,
merely watching the blue chips
of nail polish flake onto
the floor as I found
my hands to be urgent
suddenly.

“confessions #2”

 

the day I arrived in the hotel
in the financial district of New York
to meet a Russian photographer
who promised me a night in an expensive
suite and a binding contract
that has been violated over time
without my awareness,
my nails were painted
blue to match my
bruised knees.

spread more, all the
way.

I thought that was
cute. he gave me a fishnet
black onesie I ripped a hole
in but wear on dates
to remember us by.
 and even though
he took advantage of me
and you felt betrayed
by some unshaved labial
part of me,
I made my half of rent
for once.
in the car from the bus
stop on my smile
spread and the bickering
couldn’t dissaude against
the new confidence.
the way money feels
in an envelope.

ok, chill.
fuck, I got rent.

“doors (#4)”

my paranoia is up
which helps me to
instruct myself better,
instructing them but
what I tell you is inconsequential.
merely I am pressure of depth
and that I believe it so,
having told you first
with conviction, I begin
to frame it.

legs crossed on the carpet,
hands out in imposition.
the wood mantle lit
and rearranged, objects
of sentimentality removed
so any backhand can’t
sweep it.
it’s important that my personal items
are kept away from the circle,
and maybe once I didn’t believe
but falling victim to your
own enchantment, you begin
to care about which stones
are set and things like that.
hands out:

first, you will be looking
up to notice
the sky dark but glittering
with stars
so the whole place
around you is lit up
and there are friends nearby. 

I say this directly to the
picture jasper draped in the
thread of my necklace,
the glyph of Lilith.
and hopefully,
as in with a little
upward inflection.

1.

“what do you do when something loves
you? do you love it back?

I’m volatile.”

I’ve got nothing,
I show him,
but notes like this;
each one parched out
later, gutted
by time travel,
tornado worship,
something called “the
myth becomes” and
I get nothing done.

 

they don’t believe me
but I amounted to nothing
and I show them
sweeping my hand over
an obscured history
but no real success
I laugh, undaunted
usually and also
breezy. I like smiling.
composition open
pointing to one sentence
I like watching time.

I’m obsessed with unproducing,
or burning a process as you
watch it unfurl. it’s like
setting the bottom of each trunk
on slow fire and then you
climb to the top of
the pine watching it
engulf you then eviscerate
whatever you were.
I am up by dawn, or close
to it,  thinking this is what
true love is doing
and I’ve done this before;
proving habit,
and the deep deep
null of feeling
that I really possess
daily, filled with
plotting and idle time,
a rumination of these
invidious encounters.
something always in my hand.
something always tinctured,
distilling and then
wanting you to see it:
my nullness and
overreaction and courting
that must be
facade or instinct or
vexing but
mold it into something
better than the ice cold
well I am.
palms open in please.
that’s where people fall.
in the snow bank
in the bottom of the frozen
hole trying to help
the little
girl.

I think a lot,
I say softly.
and I like learning
words.
point to one:

duplicity


“the act of naming things”

 

myself I receded
into the carpet maybe.
I don’t know what I did
some days. I was  hard pressed
to prove I could be
both a dehydrated kind
of  thirsty and
objective
in my pursuits
but both my hard-wired
illusion and my precocity,
my seduction were
suddenly a bit
of a crucifix
needing some tempering,
some rectifying,
maybe a mirror.
I began to practice my
southern accent,
my Irish accent,
my English accent,
my New Orleans accent.
“Fine,” was all I could
muster. and I tried not to look
at any age lines.

I went forward
with an earnest attempt
to gain access to the mind
of someone else.
I remember just staring at birds
for minutes at a time
with no other thought
but a swirl of energy
swarm me.
and how I could once hear a
woman chewing potato chips
across a coffee shop.
it was a million
little things like that
where I stopped
and realized I could
probably walk through
walls if I was careful.

“the lullaby”

about 1/2017

the ardor started at the turn of the year  and immediately. I had without any visible sign or warning that this would be the new circuitous trajectory, put my plans for being a student and a doting social worker on hold. I would become very deeply and fanatically obsessed with the occult. to be clear, spending  23 of 24 hours devoted to it and it’s worship, the bedevilment of trying to decode it.  the bondage of belief forcing myself to have one belief, just enough to witness the circle of thought, action and the sigils on the door. and to light them. the spoken things. the dreams. the thinking longingly  and lovingly about my master Lilith but also quite frightened of her. every night a tense unwinding. guarded.
crystals lining the entire apartment.
floating on epsom
but nervous.


that year was full of blizzards and I spent most of it outside, letting the wind chap my cheeks with her pointed slap. and reciting long verses of rhyme out loud. sometimes smirking but in a way that held me up, not as ostentatious but frantic and to tell others I should be mostly avoided. like a gate between us and them, my mouth loaded and sometimes open. I had begun to bite my tongue between my jaw to get it to stop moving so it poked out, forked and I would talk openly to myself and laugh. almost squeal. it was rare those days if I were sad. not at the turn of  the year. I became euphoric, I became energetic and mad. 


I felt the earthly parts of me receding, like general discernment, regularity,  good habits, water, rest, concern for appearance, friendship, chapstick, any intimacy with  another. I suddenly disappeared from all networks; even changing jobs in the middle of it and letting the lighter, flightier parts gain weight and hover on a darkness. I began to examine the motivations of the centipede that would  show up in some corners of my tub: observe it’s migration through the house, almost feeling spied on or mocked. but then almost feeling tender towards it. protective.


one of the first visions was of a pig slaughtered in front of my bookshelf.
I didn’t want to know. I made one agreement.  what they always say is to be humble, and to be careful what you say.
I will not see my death.
is the phrase I chose.
the dream I chose.
the rule I chose.

we make our own agreements before we walk into
the crypt.
        remind them to commit
I will commit.

you can tell me every secret
but you cannot tell me
the story of my last breath,
and when it begins,
two hands cover my
eyes and we commit.
they are enthusiastic
for vessel and agree
wholeheartedly that even
if they have to hide the
gutted life,
they would indeed
smell sweet like
carrots and I gallop.
I sing odes to them.
devote days to them.
I let the centipede
linger wherever she lands.
I don’t root for the cats.
I don’t remove them
from the tub either.

it didn’t feel
like sinking, it felt
like being pulled
down
the whirlpool.
breathing also,
cooing
sending cardinals
to lovers all
the way
just to remind them
there are sweet songs
and there are rules
to this. 

“the agreements”

“your end game is establishing psychic stability
with extreme ordeals as part of your
metamorphosis.”

my need for superfluous
fluctuations in behavior,
lifestyle and mood.
I am  God-drawn,
celibate,
obsessively
testing myself and
binding myself to
new conviction,

I am wrapping myself
in my insistent
unhinging,
and my lovers’ brides
for the way they scream your
name into the pillow.
but I am distant.
I am giant.
I am waving my hands
in the air and calling it
time.

the solution to all things
is to wait. oh, I am far,
far away and
quiet in my cave,
becoming whatever I say
am..
becoming whatever I say.

be careful what you say.


“the magician”

what does the word emotionally available mean to you?
my therapist asks me. 

 

it’s nonsense, I think,
no one is ready.
I know my problems.
have taken inventory.
taken a fourth step.
haven’t taken a drink in years.
seen this woman every two weeks
for four of them.
t’s amazing how mired in
a cloud you can be while constantly
checking yourself.
this is the cloud I live in:
of close but never ready.

“I have that effect on people,”
I accidentally say out loud.
what effect?
she asks scrupulously.

 

sometimes I just stop in the middle of things,
realize I am murmuring or gesturing
or five miles past where I need to be.
it’s happened.
my knees are weak.
i’m outside in front of a brick townhouse
with a white bunny on the window and in
light yellow letters it says
“Happy Easter!”
I have no idea what day it is and
I want to take the mask off.
no keep the mask on.
it’s dirty outside.
I used to stick my hands
squarely in mud and
pull up clumps to catch worms.
nothing is ever coming back.
I have that effect on people.
“I can’t believe im gonna fucking live
through this,”I say out loud and a woman
with a chihuahua
walks the other way.
of what?
I hear her say.
what effect?

 

I  really shouldn’t lie this much
I think to myself but I keep going,
keeping appointments,
keeping arrangements.
my thighs burn.
I don’t drink enough water.
I meet him at the corner of 12th and locust.
I keep my mask on.
I don’t extend my hand
but I turn on: a bright
bulb of sanguine excitement.

 

Hi!
I’m Ava Allinger,
the one who emailed you.
I am a nurse at Jefferson
looking for some extra disposable
scalpels.

 

I feel like I should tell my therapist
about the aliases,
and the lies but instead
I just say,

 

I dont know what I mean
and shrug.

 


“the aliases”

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