it’s midnight.
i’m with you
in a ball
on a quarter of my side.


you’re taking up a quarter of
my half of the bed with your engulfing
speculation and a partially harbored
rage marking pages you skimmed
to later find your place where you felt,
at the time,
some things are better left
theorized.

I’m investigating (enslavement)
an inner stillness
that dissolves when exposed
  and counting
                               to ten, my sponsor said
contusions around my throat.
you’re learning about economics
this week: hyperbole
& statistics;
which way my freckles move
depending on my
frown, or the
likelihood of a temper tantrum
over soap scum
on anything I scrubbed,
unloved refrigerator pictures
circa early nineties, 1990-91,
premature forgiveness
when I’ve still got to
fuck the bitter out
but
someone gave me two weeks
of yoga passes
so I’m suppressing it
in down dog and polite nods
on a borrowed mat
on the other side
of town, hiding my
scoliosis in poses.

the amount of times my palms moved from open to
across your cheek and at what velocity,
how much of my useless back will face you tonight,
              (how feckless am I? someone taunts)
how long before one half of the bookshelf is
strewn about the room,
how long before it’s all cleared out.
                    (you’re a poor investment, Sarah)
simply put,
how not to trust
anything that has to do with
us.
        (count each bruise as one)

you already know about sharpness.
my Christmas tree is in a dumpster
in another state and
I’m in child’s pose
hiding in the closet
and tonight you are learning
to never bet on
anything that
talks.

“the economist”

I start taking wagers on who
shows back up first
knowing it’s wrong to bet
on anything that talks
and quite frankly,
you can’t,
Mrs. Shepherd told me in the 12th grade
during AP stats, still proud I aced that
class but you can’t stop
a sociopath
from never feeling again,
can you?
I say to him.


I have a Smith and Wesson.

“the coup”

I’m trying to read the code.

She grabbed me by the arm and
gently pulled me up,
said

let me take you home. 

They say don’t start the story with something traumatic. But my first first memory was me standing up in my crib and looking out in the hallway to see my mother pass by dressed like a witch.  That memory is boring and so is the second one;  me screaming at nap time refusing to go to sleep. My mother’s reproving look. That is also boring and my third memory they said is too traumatic. They said don’t start with trauma. (No, I said that once). I said I wouldn’t tell a rape story in my own story but my third memory is before the license plate. I think. It is my babysitter’s brother locking my door and telling me to get changed. Then I remember cutting my hair and hiding it behind the dollhouse. No then, I remember my babysitter’s brother making a face as I stood naked throwing clothes over my head dramatically, theatrically, and being wanted. Histrionic. I do remember cutting my hair and hiding it behind the dollhouse. That was my fifth memory.  I also remember being on all fours, naked in my daybed. That was part of the fourth memory. The way he told me to take of all my clothes and try on outfits. I made it a gamel smirking, throwing them over my shoulder. Nubile. And wanted. He made a face though. Some crinkled nose face as I pulled a cotton ball or some sort of lint out of my belly button. I turned around and saw him make a weird face like I smelled. And
histrionic,
haunted.

I remember looking up at her with the limp brown pine needle in my hand unable to explain any needs; the way I hold things, the way I need to pace alone and mime, the necessity of reading the numbers in order. I’m sure my parents felt no worry when she returned me. I would be more careful when I needed it now: checking to make sure their brown car wasn’t there first, and skulking.  I would sneak into the yards to watch the numbers. 

The sixth memory is the one that I feel still, like it’s palpable and mine to hold forever, no matter how leather my flesh turns: swinging the screen door open and running outside in my favorite blue and white sundress, my hair in a ponytail and my mother nearby. The sun hit my shoulders, that’s what I remember. That’s what I crave every day. Grass was green and soon Alex would be home and the sprinkler would be on and the sun would stay on my shoulders. Laying stomach down on the lawn, I placed my summer reading list  on the ground and began to twist a blade  in my fingers.  Began to read the titles, excited. I had been the first child to read in my class, and in kindergarten, younger than anyone else.  My teacher had paraded me across the hall when she found out. Had me read to first grader’s so they could clap which I liked. I didn’t understand what I was reading. It was about a blue dog. I knew that from the illustration. Only I could read it proficiently and perfectly without comprehending what I was reading. Same way I speak foreign languages now. If you heard me say the phrase, you’d think I was fluent. But I don’t always know what I mean. 

every once in a while on a walk around town i say
vous avez envie d’intensité
to practice and

It was the applause I liked. The way the teacher beamed when she caught me reading, creeping behind me like they do. Me, big eyed and small as she held my hand and pulled me. The way I tossed my dress over my shoulder towards him like that. The audience’s jaw shift. Me, practicing Vah and the numbers to follow. Trying to give them all cadence. Like songs. The way they hear me humming round the block. The way they creep up behind me. The way eyes befall a mouse. The way eyes befall a garden. Heading to the dandelions and even with the hoverfly squarely in center, what are shoes for? Curious, learning about consequences. Learning to lift from your center. Learning to approach in whisper. Learning to

step on
things that are
small
and
quiet.

“first memories”  

only two days ago
your hands circled my throat
to toss me on the bed.
still dutiful,
merely dotted with color,
I am on my way
to pick up a bag of cutlery and dishes
for our house from the front porch
of a stranger’s
when I stop to admire the cracks
in the side of the building.
the wall is coral, faded but
garish,  still stands out.
it’s brick and

this building has no doors and
one broken window.
each time I run an errand,
these defects catch my eye
and I pay my respects in
photographs.
I’m trying to get my memory back:
      stopping at each one,
trying to remember how the boulders
haunted too      how the ocean felt
on my wasted ankles at dusk when I guzzled
vodka Big Gulps and watched the
white crabs roam the bay.
watched myself dissolve into
the bits of me and can I remember
how the sunset looked draped over both
tide and flatirons,
hold two things at once
without favor?
how it feels to lose several
small countries you claimed.


the way men have held me:
(invaded)
all claws of resplendent mortar
and cracking at the edges
even with the scrape of thumb.
I snap a picture of the broken
glass pane and the beginning of
the first layer peeling into
white; the fissure.
trace my finger
over a chip and watch
it flake onto the sidewalk.
snap a picture of
that with my boot
in the corner of the frame.
things to remember us
by: namely,

the way
things have
left me;
split.

“doors (#3)”

I tell them,
I am not writing about the men
you see unless it’s
my
dead dad

and
my
dead brother.

abandonment?
who me?
wearing my father’s knit
NY Giants cap and
bereaving, stripped,
replaying the final moment:
hand held, eye contact,
the knowing I had and decision
to forgo a flowery speech.
elision.
the last thing my father and I ever
said to each other was
I love you


before I left,
palms on the linoleum,
sobs held,
bargaining,
one more Christmas.

it’s brevity a poet seeks.

  1. (love)

I put my headphones in.

begin to spin the happy thought
into years; of us.
your brusqueness
  it’s just one breath
syncopated with whatever song
I assign it like I walked
into a film set; replay a scene
of you coming back and
behind me, your mouth
hot with acrimony.
your hands rough in
both touch from the ungloved carpentry,
spackled with white paint
and the way
you take my waist.
I hum out loud.
the loop is what I have to
worry about.
the way you press your teeth
to me.
        it’s just one breath.

“the men”

 you never ask about my mornings
or daydreams; just
twirl the edge of your Merit
between your thumb
and pointer and
years of pleasurable
silence, 
  it’s just one breath
look at me with such
masked inconsequence,
cold front and
lick whatever sugar is stuck to
my teeth,

go back to your lighter.
go back to your preoccupations.
go back to your opinion
that my anarchy is the danger of the
couple, not your ability
to wrap your fist around a throat
without a safety word.

it’s rent I have to worry about.

III.

i’m counting tokens in a
donated tank top and barely
fitting jean shorts, everything about me
awkward and also sort of heavy in
the impassable space between states
I learned to love,
between beds I’ve been thrown on
and various seasons of us;
theorized or touched
whether it’s real or not,
irrelevant to the curve that’s forming
in my back as I hunch over the weight
of things I stuff in my bookbag
that I find on my walks out:
China set, forks, two new mini
skirts, pot holders neatly placed in
cardboard boxes on people’s
front porches and  I am,

crammed with charity,
stretched to my limit
and timorous.
I’m two miles to the El
with enough tokens to get me there
and back and enough money to pay
exactly
one phone bill,

one internet bill,
power and gas but we are still
working the rest out and
I feel drops forming at
the base of my
sweaty and salt-lined,
un-licked neck.
thats’s what I miss most.
the way a man curls behind you.
the way his curtness catches you.
it’s just one breath.

II.

I just have to make rent.

this is how thoughts start
and then ten years go by
and you’re still spiraling
like you hadn’t found the answer
but really I just
had to make rent.
that was my first priority

and I think I may be a masochist
which could wait just
keep everything in some sort of order.
focus on the task.
the one thought as I open
the door to the mid-August heat,
89 degrees which is nothing compared to
the south that can swallow you whole
in one boiling breeze and I’m out of
my now near empty row home
that you cleaned almost all the way
out before you left
except the dirty armchair, old couch–
all the furniture found.
all the dishes donated.
everything I left come back,
everything kind of circuitous 

like my anfractuous spine
that stood straight once but
fractured under the weight
of this constant need to materialize
public ovation and actual groceries and
the ability to discern between a happy
thought and an actual hand to hold,
I become the reed reaching deep
but bent,
sinuous,
cracked.

I.

sometimes when I think back
to my fuck ups or falling down,
I come here and I see all these
women and I think,
whose answered prayer am I?
she said
and that struck me.
when women speak
I put my head down deferentially
go back to past
but also out of my own
need to curl up
inside myself.
It’s winter, 2015,
just past the new year,
I’m broken hearted
and knee deep in
some fucking secrets
but whose answered prayer
am I? who called
the wounded shepard
here? It’s 2015 and I had
just been gifted three thousand
dollars from my grandmother
that my parents called and asked
for back.

I gave them two thousand and
used the  rest to move out of
the townhouse
into a one bedroom
in the heart of Kensington.
embraced by the “Auspicious
Coin Laundry” service next door.
no one would ever miss my house.
I didn’t have anything left
over but I never did.
it’s worth mentioning that when I was
eighteen and just home for
the summer from college,
my mother told me they had
cleaned out my savings account.


“family”

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