keys,
a shuffle,
my half smile directed at a
windowsill and a forced
dulcet pause to
wrap a throw around bare shoulders,
strapless bra     i’m mussed enough
to form new creases,
stretch my tousled jaw
into a long yawn.


I can see your long trail of spit
glisten lightly like snow
from elbow to the scar
above my wrist when I was
really hitting the wine.
wipe it on the pillowcase.
my lips are sand dry,
knuckles crack a bit when they reach and
my toes are curled for a different reason
this time,     I am emptied.
your shadow’s growing larger:
an elongated feeling that stretched and stretched
and stopped right before
it got to mine,
bit back,
ran.

toss a look over brawn shoulder.
i’m no feast, you know,
but you wait like March hunger
for full spring, so close
yet still light blizzard,
you want that
hot spot to hit the ground
but snow lingers   you want
that drizzle then moist
and green,  some sunflowers,
a tomato plant and bees
offer their honey from the bottoms of their
black bellies.
sniff a tulip,
take all you can get.
feast on cool breezes of
me
when I’ll have it.

I cough or sneeze
and  make no motion to ever
be haunted;
to ever be eaten,
to ever grow something from the arm
you licked that used to hold little butter knives
threateningly
towards him, towards me,
us     hold scissors and
think about it,
hold shot glasses to not;
where I used to force myself to hug my brother
at Christmas
and nights, nowadays
any holiday,
etch his name everywhere it fits;

where you watched the sun
shadowplay with branches on my olive skin
and you mistook them for
fingers to grab,
hold,
where I stretched myself,
a bored tiger and lifted my once
impaled bones, my once river bones,
        (wet for it every time)
up, held my hand up,
nails long and dry,
held your gaze,
waved without change in
expression and
your back is to the door.

i’m sitting up in a fetal position.
my profile is reflected in the
dusty whites of your eyes.
I have developed a new shade:
smudged green eyeliner and
the rest some kind of
lovely barren.

.“beds”

I spent a week
cleaning out the bookshelf
and trying to decide what toread in the short
time I had left with
his books.
I was also debating
how I should present
myself next:
wholly, or
with my rigid cuts.
things that I remember:

painting my toenails blue
outside under a clear sky
and a very bright crescent moon.
we sat in front of each other
on a bench outside of the supermarket,
and you were amused
that I asked if we could
stop walking so I can paint my toes.
“that way I can stay out later,”
I said.
when you said
you wanted to see me more.

I make myself recite
love is patient
from Corinthians daily,
however, I let too much time
pass and I always have to go
back to the first line as
I am learning it but
today we are at
does not dishonor others
lucky you,
I think.

I’ve been reading some
leftover Anne Waldman
and your Eastern philosophy,
lucky you,
today I eschew making
myself a porcupine
and then making things brittle
enough to break
  and
just chewing the inside
of my cheeks
as you pick up the boxes,
leave the antique china
cabinet you promised
you’d keep.

“the bookshelf”

it helps me to fall
into haze in these
moments of adaptation
or just  length,
time that has
to pass and my
adjustment to fluctuations
in my general
circumstance or
mood is dependent
on the haze.
i like fighting, I smile.
I have a few blocks to go
and every man is facing me
forming a crooked
cock so I just step
into the haze.

I remember this
one day where I met you
to get a Slurpee to
cool off for a while.
your face was most open
outside
drenched,
you tried to hug
me but I am
closed,
drenched in day old
bourbon sweat,
show up unshowered and
in a deep swallow;

a persisting contrition
coated in plum wine,
whatever else I just said,
Bourbon,
I wave my hands over the glass.
that was last night.
that was last night and it
was pretty bad.
but we sit side by side
like it’s something
non-contagious about me.
well except when you smile,
he said.
but I blush and I couldn’t
stand that so I

focus on my knees
remembering
what it felt like
under sheets
and I fell open.
then there’s my brother.
then there’s the new
hard edged smile
on the top of a frosted mug:
ubiquitous half smirk.

“I used to be in love,”
I say out loud
and I’m about one
block from the El
in front of another group
of men with their crooked
cocks and leering.
I close my mouth,
probably drooling,
adjust my strap,
walk forward.
I wake up like that
often and here
sometime,
in the middle of Kensington.


“July/September” 

it is the sun streaming through my
bay-sized sliding door windows
and the white-apped mountains
framed within them
that I will miss most
in winter.
clearly, I can’t hold
two things at once without
favor, and
today I have
a piece of paper,
a dozen dead things
wilted in their vase
to remind me.

there is a touch of red
sprinkled around the glass
that browns and sets as dry
on the sill in
my small uncurtained bedroom that
I pace when I have
too much on my  mind
and today they remind me

life is a patient rot
to tomb, a gauntlet and
fluid so I  better keep
moving.

life is a patient
gut to get to
wound     it was April
on Earth Day when I wrote
My Brother Is Dead
in the back of a notebook I would never
look at again.

thrown away to make room
as I packed the car
two years later.

“grief (part two)”

I just have to make rent.

I read a note out loud to myself,
something I had written in an urgency,
a mania and with its own
staggering precocity these little
messages keep me crawling
on the ledge:
    everything that is really hard
          is going to save your life

and a blackbird landed on the branch
outside my living room
window.
still, their eyes small and
sharp, waiting to dive,
waiting for the buzz of cicadas
to start again.
            that reminds me,

I say in my head
            i’m emaciating.
I take a sip of water.
starved, looking
without touching and
      I want too much
has many meanings.
I read the words aloud again
and pour myself a thimble
of almonds.

it is first that I craft the story,
not out of revenge but
of general idleness and
devilment, the two things
slated to go hand in hand.
I begin to charm him.
                do you believe everything I say?

and then you become the
braced masochist
and I become
the looming hit.

“maelstrom”

5. sort out near death experiences, drive to
make sense of it.

(cats have nine lives)

19, severe drinking
problem–so much so that
I had been arrested for
playing the stoplight
game with my boyfriend again.
the stoplight game is something
I made up out of fear of
intimacy: we take a shot of
vodka at every red light.
they found us in a parking
lot; me pissing, and
them thinking I’m a whore.
made me walk a straight line.
made me recite the alphabet backwards.

easy.

blow. .28
they were impressed.
i was 123 lbs, 5 7
and I admitted to them
that yes, I’d been drinking.
just five shots,
I said. which wowed them
more. I had taken at least fifteen.

it wasn’t jail but the second
morning of my alcohol group
that almost did me in.
in my shakiness,
I reached for my shot glass
and poured myself my hair
of beagle. certainly, any shot
glass on my shelf would do.

and as I began to gag in horror
feeling the sharp metal in my esophagus,
stuck, people home but
pride will kill you too,
I began to choke,
really choke.
cough and stand up,
clutching my neck,
somehow by iron will
spit the safety pin out
in my hand and recall
in horror, the designation
of that glass as
“utilitarian.”

to keep pennies
and safety pins in.

“near death experience #5”

I put my headphones in.

begin to spin the happy thought
into years; of us.
your brusqueness
  it’s just one breath
syncopated with whatever song
I assign it like I walked
into a film set; replay a scene
of you coming back and
behind me, your mouth
hot with acrimony.
your hands rough in
both touch from the ungloved carpentry,
spackled with white paint
and the way
you take my waist.
I hum out loud.
the loop is what I have to
worry about.
the way you press your teeth
to me.
        it’s just one breath.

“the men”

I am thinking of culpability
as it relates to
feelings towards me.
I am thinking
you’re thinking
what’s the probability
I still hold grudges and
what’s the likelihood
I save a thing that any
man has given or said to
me, but we also have to examine
formula so you
reverse and see the way

I move at night first.
foremost, you have to
ask yourself whether my stasis
is truth or lie, and if all
perpetrators love getting
caught what does that mean for
us? and starting to feel myself
dissolve into the walls,
I become
first so large I cannot be unseen,
and then with a snap of
my fingers, a panel
blending in like camouflage
with the cracks along my walks.
I could not stop myself
from seeking; even in
chill, I could go from one
end of town
to the other.
like a slow exhale.

when the city closed the
streets for the pope,
I walked from Frankford and
Allegheny to 30th and Market,
having also biked it first.
even though we lacked the
snow capped hills,
something about spending an
entire two months
watching for black ice and cars
even at red lights,
hearing them skid,
thrilled like the slipping
over jagged rocks.
and being watched daily
by a nemesis and every man in this
town really made it feel much
more weighted
and at such a shifting
ponderance. there were
glades of icicles
to wade through,
my hamstrings so strong
towards the end of
February, my fingers
like wrinkled rulers
measuring the space
between neighbors,
the circumference of
baseball sized holes in
windows, the sting of
locked knobs,
and

crippled by the straws
I clutched ungloved.

“February/February/July”

I am thinking of culpability
as it relates to
feelings towards me.
I am thinking
you’re thinking
what’s the probability
I still hold grudges and
what’s the likelihood
I save a thing that any
man has given or said to
me, but we also have to examine
formula so you
reverse and see the way

I move at night first.
foremost, you have to
ask yourself whether my stasis
is truth or lie, and if all
perpetrators love getting
caught what does that mean for
us? and starting to feel myself
dissolve into the walls,
I become
first so large I cannot be unseen,
and then with a snap of
my fingers, a panel
blending in like camouflage
with the cracks along my walks.
I could not stop myself
from seeking; even in
chill, I could go from one
end of town
to the other.
like a slow exhale.

when the city closed the
streets for the pope,
I walked from Frankford and
Allegheny to 30th and Market,
having also biked it first.
even though we lacked the
snow capped hills,
something about spending an
entire two months
watching for black ice and cars
even at red lights,
hearing them skid,
thrilled like the slipping
over jagged rocks.
and being watched daily
by a nemesis and every man in this
town really made it feel much
more weighted
and at such a shifting
ponderance. there were
glades of icicles
to wade through,
my hamstrings so strong
towards the end of
February, my fingers
like wrinkled rulers
measuring the space
between neighbors,
the circumference of
baseball sized holes in
windows, the sting of
locked knobs,
and

crippled by the straws
I clutched ungloved.

“February/February/July”

“We have, I think, great terror of pain, and consequent resistance to what it can teach.”

–Louise Gluck

freedom is a cage
of smudged windows,
or it is a knot
in my stomach,
wriggling.


I dream of white frogs
at night in pools
covered in tea lights
and women swimming ahead
to cavern and I
feel caterpillars
washed in symbol,
incubated, sliding through
my gut, inching
their way from corporeal
packages when the day is
warm and facing them,
unbridled.
when the wind is favorable

my unimpeded exodus
through speech
prevails;
from chrysalis to
window, cracking
pane and tracing spit
like slug on glass
to mark the gust
that carries.
from gut to
chest to
windpipe:
carved.  how screams are
rushed when pushed,
or just when they finally
meet the Earth
as voluble flutter
that maims itself
to form.



“Arachne”

************
quick rage confession throwing the can at bryans face

I took myself
to the welfare office,
not even getting lost as
I’m prone to do.
          why can’t you just figure it out?
I live right down the street.

my shorts are stuck to my thighs,
and my neck is drenched.
I wipe my forehead with my hand
to her disgust.
“It’s unseasonably warm for June”
I begin and elucidate the drawl,
smile to beg for my Access card back
but here comes the recalcitrance;
she asks me for something
I don’t have and I
smacked my lips the wrong way
so I snacked on my servility
inch by inch as I
inched my way
back to “our place.”

months later,
I lose a diamond necklace there.
there is nothing more satisfying
than losing things or
shaving my head or
throwing away the clunky pepper
spray that women wraithed into chains
and hung from their hips
as if fear and trepidation
and weaponry have
ever kept me safe.
someone told me failure is perspective
but all I see are cops
pinching women with latex gloves
and all the little shrubs
that line the block look like
workers shaking their heads at me
      leave
or,

get on with then.
I am  throwing coffee grounds
into a leaky cardboard box,
our first CD is scratched  and
on top.
I’m on a bed that lifts
with one giant sigh
and no top sheet and
no frame.
they said risk meant courage
and I say you fucking
left me here
into your voicemail.

I’m eating sprinkles with a spoon
in a freshly inherited
two story townhouse.
It’s the sixth of June
so I got weeks to make
next rent.

“grace”

Create a free website or blog at WordPress.com.

Up ↑