there you are.

Saturdays and the 1 pm alarm clock
on snooze,
the bare-faced evenings
in throw blankets;
languid, but there is still
a rabid tongue
between fits of sudden inspiration,
moved
from sheets to
cushions to sheets
to type it down,
to shower
once a week
if you’ll allow yourself to feel warmth
graze your chin, scalp,
untouched thighs.
open your chapped lips to the sky,
feel the water rush your neck and
trickle down your navel
to soak your unseen toenails.
do not question anything
for those three whole seconds;
it is the closest thing to orgasm
you can manage.

it has been a tough change in seasons:
tights and boots and an expansive
blankness that still drives your body around
after work to get soy milk,
make polenta for lunch,
take out the compost,
take out the trash,
finish something you once started
when it was
skirts and cherry blossoms,
some organic laughter and a patient optimism
that seems unvisited but should be
worked out by now.
sometimes it is actually raining.

it is harder than that too:
cold and cramps and no tissues
or pads and an anniversary coming
that stings
and does not let go.
and you do hear from them
but with expectations.
you have wrapped yourself tightly
in some binding perseverations
so you constrict yourself,
restrict your errands, and bleed openly
on the carpet.
and sure, there is hunger,
but it’s quick and
you succeed in a relatively
docile surrender.
so what is there outside?
sometimes it is a blizzard.

then it’s flowers and unexpected showers
but it is day longer, sun higher,
you are not mired in the date of departure
anymore, and you forgive the monsoons.
your sensualizing emotions present themselves:
the gloss and black tips,
hips in sheer nylon,
a gentle sway.
sometimes it is unseasonably warm
and you have to hold your cardigan in your hand
but you have managed a smile
and some sense of buoyancy
and dragged someone along
with the sleeves of
your unworn sweater.
you get lucky:
they want to take the
long way and you have a tendency to
suddenly rush things.

you are both broken
doe and the trap laid
for their arrival.

“ambush” or “8th house”

 

8.

 

slugs salted on the patio,
cicada shells clinging to the moldering
legs of my childhood picnic bench,
hundreds of unclaimed Easter eggs
rotting under rusty swing sets,
a mouse writhing on a glue trap
that was just SHOVED
in a garbage bag
and me
just staring–
just
freshly out of love.

6.

my wings tip towards
the sun and I’m triumphant
in my emptiness,
my patient nihilism I
chew when the void becomes
the only measurable thing
in my life   I don’t

notice the oncoming car.
grasshopper never notices
the magnifying glass
or pesticide gun.
dog with the mange and glaucoma
blithely to cage.
drunk blindly to rage
then car
then grave.
snail to salt,
cricket to web,
temple to gun
and you say
what I never notice is
us.

“love”

 

I wore black every day
just in case.
the train was fifteen minutes
late and I was
one month
and counting.

“the accident”

you’ve been coming home

mint chapstick and
tobacco pieces stuck to your lips from
those poorly rolled cigarettes.
extra bus fare.
bottom shelf whiskey and
natural laughter
spilling from your breath.
I keep finding

little post-it notes
shoved into your pockets
pasted with someone else’s playlists;
some other guy’s suggestions
on how to lift your spirits
when the depression gnaws your
spindles
like a cancer and
you’re too tired to
undress yourself.
I’m still here

following you under the covers,
taking keys from your hand,
leaving fresh water on the
nightstand.
gnawing your earlobes
with some panic and
whispering at your hair
     you’re manic, dear
pinning you down with some
well timed stanzas.

“the boyfriend”

I was giving her a shower.
I’m there for two hours to help with
personal care:

make sure she brushes her teeth,
settles down with a word search,
remind her it’s Tuesday.
after towel drying her so they could put on the
hemorrhoid cream,
I handed her a comb
and began rubbing lotion over her legs;
smooth like a child’s
the veins were still tucked behind flesh:
invisible with a firm,
earned elasticity.

you must have taken good care of yourself.

I enjoyed rubbing them.
years of tall glasses of water
running through those hidden blue streams
electrifying her cells,
tightening the gaps that so many of us
have       she chose
crackers with avocado instead of Nutella,
early retirement on fluffy pillows,
watching the dawn cut the sky,
flossing,
deadlines and
filing nails.
she was just so full of tranquility,
days worth spending,
assets,
responsible parables,
a mother who taught her how to bake bread ,
crack eggs and iron hems.
 she contemplated and said:

I like your dark eyes.

pacing the harbor with a flask
and a plan to really “do it this time,”
a hoard of sycophantic worker bees
who show me what their insides look like,
sleepy evenings that end in the bottom of
everyone, mislaid plays written in
spilled finger paint,
sprinkles of tobacco on the seat,
thirsty kidneys,
a camouflaged abuse that taught me how to
cower at words, a man’s
love and
bedroom hair that screams,
cries that  freeze beneath my cheeks
before they learn to creak
turn to moans
melt on tongues
when touched in heat.

my eyelashes hurt.
my wrists feel like stone.
my spine is crooked like
the broken flute they cracked
out of temper when I wouldn’t
play  the right way but
my legs are tall, ancient
and rough like
sequoias; uprooting and
walking forward.
it’s day and I’m awake
but my head is full
of horror.
I face her,
southern and
polite and
touch her shoulder

thank you.

still so full of
nights.

“eyes”

all day long
I vacillate between intention
and immediate withdrawal;
between discussion of habits,
intentions, expectations
and
smashing my fist into a
mirror to feel the way
it might when I finally
say something again.

7.

at least I give you transparency.

even when I’m moping, I’m dancing
in songs of satin
rippling with sob and shimmering
deep    bright with
the sky’s opacity.
I am combusting: a
flood of recourse and  
you are
drowning, immersed
in capillaries bursting  with crisis
and then immediate clarity.
my hands let go of the
flood I’m cradling.

you watch me move
like a snake across your
ceiling draped in shifting
constellations
you have no choice but to
memorize and I’m wearing
the crescent as a crown and
your ears like a gown
and someone else is full of warnings
gutting rabbits
in the garden.
                             each night I go to God and ask
                                   for favor.
                             in the morning, I remember
                                       one line.  

I hand them back their most
prized possession:
a page, one line;
one at a time
wrapped in
flakes of
shrimp and you
told me you were

STARVING.

“aquarium”

January 5, 2014 and we
have arrived in
North Philadelphia.

“hypothymia”

consult the oracle again.

wear what you want,
let these animals control themselves
my tiny ball of citrine says so
I put on my cat suit
and go for a walk
to catch tan in the new
big sun.   it was a long winter
of regression, needs unmet
and anchored in self by
a weighty repression,
lamps and the length of
my ire stretched, permanent,
coming undone on your pillow
where you wept in peace
until I charged back in
costumed in tank.

i’ve blown the tea lights out;
my presence is altar,
sit naked in the eyeline of the fan and
spools of smoke from bamboo incense
crown my head       I am showered,
manicured, my skirt is barely an inch of fabric
containing my pubic bone or
buttox so they’re stuck
to me like sweat hot salt  
sticks dripping down my skin.
I dab some tiger’s eye oil and jasmine
on my wrists,

brush their arms with
my nails, cut through centers,
stop absentmindedly to change song
and let
their thighs press my thighs,
their forearms hit mine.
it’s the invitation I am waiting
for.    there are
ambulances wailing all over town
carrying victims of stroke
with blood rushing upward
forming an arrow,
the fletching pointing to their throat.
they feel the beat of wings
before they feel
my hands wrap their larynx
and the first thing they tell me:

you’re full of secrets.

“catcalls”

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