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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • 80AF7339-052A-45F2-9CF4-F73198F110A6.jpegWhat does it matter? What does any of this mean to me anymore?

  • spend too much time in scrutiny
    and you find knives
    in your hands.

    11.

     

  •  

    in fact,
    resilience is sometimes the
    only consolation.
    so hold that tight
    at night
    like flesh.

    11.

  • “You are covering the cot
    with sheets. I feel
    no end. No end. It stalls
    in me. It’s still alive.”

    –Louise Gluck

  • I believe in wormwood,
    dried root,
    my brother’s ashes
    in a silver heart,
    a ceramic urn,
    a chant, a poem.
    datura when the time
    is right.

    sometimes I do ceremony,
    sometimes I just let things pass.
    we do that for others:
    carry our grief quietly,
    we bury things deep
    within ourselves.
    but sometimes in a fit,
    I spill over,
    tell you everything.
    you said
    I like to swim
    so I am braised with razor;,
    become a carnation lake
    at your feet and
     you said rain,
    I like gardens.
    so I condensed and
    waited to show off my new arms
    lined in fresh alyssum.
    my cycle: I always meet them in
    winter where my only
    light is moon.
    my flowers blossom
    under the chilled night:
    drip a dark nectar and
    I am thirsty and
    you already know,
    I believe in
    altar.

    I believe in overflowing
    chalice.  you believe in holding
    space for growl,
    holding me with
    distance.
    you watch me lay the
    dill in bowl, line the bed
    with tourmaline.
    run the bath with
    chamomile and yarrow.
     I am full of tincture now.
    I can move like a jaguar:
    slow and black and
    hungry.
    I am hard to see that way.
    you said
     I am game.

    you’ve been watching
    jaguars move,
    you’ve been memorizing motion,
    you said
    I’ll be around
    and I drape myself in constellation
    so you can better see me,
    storm so you can better feel
    me and I traipse across the forest
    floor waiting to be found.    
    my tonsils growing
    chelicerae,
    my rib cage growing legs,
    my bottom becoming fat
    with thread and
    I know what you like
    and I know that
    you are game.

    you are writhing
    game in tiny, tiny
    snowflake threads
    hung far above the
    ground.
    I said let’s switch places
    and I know you said
    my name.  I become the woods
    encircling your howl and
    you become the kicking,
    screaming, young and
    drowned.

    in winter,
    it is long and dark
    and hard to contain my
    grief.    I
    am gorged with nectar
    and hidden by
    the wind.
    sometimes we do that for
    others: hide our
    spines.
    you watch me prey;
    sip the drip of
    the effulgent crescent
    bulb I worship
    and become the
    nightmare you fear.
    you become the shivering
    deer, caught fly,
    gutted bunny on my
    jaw.
    I become the bath
    of blood.
    you were right:
    we’re the same.
    rewind to the night you asked
    if I would ever kill someone
    if I knew I could get away with
    it.  the butterfly effect
    demands a death. 

    we become the woods
    in dream and you become
    my game. 

    “datura moon”

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  • “It is with love that I do this,
    God’s will be done.”

     

  • “Everything has happened.”

    –Sylvia Plath

    I need it gone,
    please, it can’t stay,

    I am speaking out loud without
    realizing      suddenly snap back to present
    in the middle of a dark prayer,
    in the middle of washing the dishes
    contemplating when and where
    and how to do it;
    just jubilant yesterday that is what
    disease does, it festers
    and pokes you when you’re
    good, when you have a taste of
    joy on your tongue and you’re
    ready to sing and  the next thing I know
    I’m saying:
    I’m going to kill myself soon.
    if not today, tomorrow
    and I look at my cats
    and I make the motions of crying
    and remember the end of the poem
    I read: think, on the brink of
    your death, I am asking you
    to think.

    it always strikes during my domesticity.
    whenever I am practicing chores,
    I feel it.
    I put the straw down to use my hands
    and I feel it:
    the interminable prison of head,
    of daydream, of coma
    that I laugh about in public
    but it’s twisting me
    in crooked shapes
    and I have held the ineffable,
    or rather it held me.
    an arm around my stomach
    near a window,
    my mind was blank.

    I suffer from chronic suicidal ideation
    and I haven’t cried in years,
    I begin to the invisible audience.
    I’m starting to pace,
    lie down plan ways to face
    it or fashion the rope
    or grab the blade or jump
    the bridge or anything at all
    to speed up the ending and
    I asked if I could please get help
    without telling anyone this time
    and then  I choked on a cherry pit
    causing a panic attack causing a
    light cessation of breathing.
    you don’t know you value yourself
    until you are faced with two options:
    let it or fight.
    but I called 911
    and the EMT took me to the crisis center
    when I told them I can’t quite
    tell the difference between
    fantasy and reality.

    the way men think I lie,
    they’re right.
    I never tell them how many
    plans I’ve drawn for suicide.
    today, I dropped the straw,
    started crying.
    and you don’t believe anything I say,
    but there is no time to coddle you.
    everything has happened.
    the thirteenth draft was suicide,
    but I didn’t know it yet
    and people really do try.
    God won’t let me.
     feelings subside.
    the way some watched me
    suffer, I forgave it all.
    the way I sobbed
    in the hospital.
    the way they said:
    it’s not clean, you’re right.
    the way the pit lodged.
    the way I had been picturing the woman
    grinding the cherry
    seeds to make cyanide earlier
    in the afternoon.
    the way I was seeking adjectives
    for distant unconditional love.
    the way I told someone over dinner
    it’s called “The Woman Who
    Saw Her Own Death.”
    the way endings can change
    without warning.
    the way I quit my job.
    the way it’s so unlinear.
    the way God’s sweeping
    fingers cradle you in darkness
    and something says:

    yes, that was the way it was
    then, but now we begin
    again.
    how quickly I grabbed
    the phone in terror
    implies commitment to staying
    here; there is no one
    here to comfort
    but I hold that

    tight at night
    like flesh.

    12.

     

     

     

  • “God!! What is all this time for?”

    “so you can practice forgiveness.”

     

    -responses from God during meditation, Tuesday, 11:22 p.m

  • it hurt
    but not as much
    as memory;
    not as much as looking back.
    death reversed,
    they called it.

    and not as much as hearing it
    on the bridge.
            I told you so
    not as much as living long
    enough to see you go and
    slip and live frozen
    underneath the giant
    white sheaths of ice
    where I leave you to unravel
    in a dream.
    where I leave

    you
    for the last time.


    a spider said to
    write it
    that was rule number two.
    you can call it the
    act of taming things.
    they’ll think it’s about you.
    get them to read it out loud
    and curse themselves.

    when I danced with her night
    that night,
    she whispered,
           say my name
        and you are mine
    I woke up in silk
    and horns and you were
    flying: a bright, blue butterfly
    right into my arms,
    my web of lines.

    “switched places”

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