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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  •  

    stop and bow to silence.

  • chamomile 20

  • i am the dark thing 7

  • I’m a martyr
    so I like my last lines to
    linger     chill you;
    bring you back here
    to finish me.

    I’m hanging over your bed at night
    like a decaying canopy
    causing some coughs,
    some fits of temperature,
    a rotten synopsis of my
    irrationalization;
    my constant adieu in drama and boot heels
    clicking further from you.
    my lips in the rearview:
    red as fresh hell,
    soft like fresh pain,
    your new lover is plain

    wrapped in old sheets where I used to explode,
    an improvised painting:
    billowing carnality drawn open to reveal
    a euphonious home, soldier heart;
    sparked and smoldered from the start,
    glossy eyes and reaching fingers and I’m
    cracking at the edges when I hear
    your name.
    a broken backbone replete with
    your ex lover’s stain,
    unnatural twist,
    unnatural bow towards your new lover’s
    place.

    unslept, unkept, unkempt bangs and sweat,
    breasts heave, fall, beg for response
    and your lips once returned the question mark with a
    declaration, a finality,
    laconic exclamation mark and charged fuzz
    nesting on my lap.
              can she feel the lake I was for you?
    you, a sly river stone, sinking to the the bottom of
    the nearest wet bed.
    I’m dry now but
    slippery like a seraphic harpoon
    catching you on good days;
    Saturdays in the park watching the clouds rewrite the sky
    and her and I’m stuck
    to your dick,
    grip you hard and lit like a cosmic albatross
    shadowing you nightly.
    Sunday night when you’re resting with loss,
    American Spirits and a cat who can’t cut it,
    I’m hovering     all week
    you’re brainstorming ways to save the world at work,
    and I’m in your coffee mug.
    you’re choking on my suitor’s dried intentions:
    guzmenias, spider plants, handful of daisies,
    calendula, roses from the uninspired,
    whatever I ask for.
    watered down apologies, post it notes reminding me
    where they will be
    (forever haunting beds)
    and shrinking cocks recoiling at the sight of such
    rehearsed malignance.
    I want my parting to be
    harder than us:

    a seizure in your stomach,
    a rift in your lungs
    where I used to rest my hands to feel the songs
    you had for me
    but your honeyed lips too thick with
    other people’s crusted blood
    to talk about it;
    about us.
    a zephyr in your hair that tickles,
    sticks to your crown and moans loudly;
    the way I sound when I come:
    a saint dying at your altar tongue.
    a parade on your timeline,
    the last firework,
    the first thunderstorm,
    the first time someone hints at
    love
    and the interminable door slams
    shut.

    me, I’m self effacing only in lines,
    only in verse.
    humbled by stark correction,
    a closed fist perhaps,
    a silent light that sets you on fire,
    drowning in self,
    an ocean as well,
    insides rocking
    tidal laments that implode in quiet, wild
    violence,
    stalking the world’s line,
    biding mine with letters
    and blades      my time;
    stifled, I’m waiting
    for that envelope
    you promised
    reminding me I was
    right about time and
    space is the price.

    “space”

  • show me how to be an angel,
    sky, I think I’ve been there
    before        before I found
    what my hands can do
    when they’re not pressed together
    anymore:

    bring donuts for the office.
    offer silence in embrace,
    holding space or advice
    if they say help me get through
    it with action.
    paint houses, mend fences.
    pull the nails from my true love’s feet:

    I placed them everywhere he
    dances and I .
    smile openly at strangers,
    hold the door and inner weeping.
    stop repeating anecdotes that expose the
    dark recesses  I’m engulfed in so I can
    stop
    passing this on     so I can
    save face, space for
    longing, mystery, idleness.
    it’s the surprise that I can’t take.

    I invite them to dinner:
    ask them to bring a favorite song,
    one dish and
    a defect they love.
    I like strings and female wailing;
    chords that are long, surfeit with
    unrequited love.
    I want it to sound like a heart that’s starving
    for admission but will take it slowly
    with a snare drum.
    I apologize profusely for how bright my
    apartment is these days.
    I know you expected something darker,
    I say,
    but I prefer a blinding scripture to the days I
    waded in shade and open constriction.
    they understand the situation,
    my indifference and malignance.
    they offer me some gifts to assuage
    me and I waste the night
    with demands, scrutiny,
    verbal inspection.
    show me all the books you love.
    recite your favorite lines.
    I think the world is crawling with caged geniuses
    that got lost along the way;
    are you a lonely prodigy or
    do you only appear to shine with
    mine?
    I need to see your insides;
    palms up to show
    you aren’t hiding anything.
    are you the predator or prey?
    do you believe in martyrs,
    more importantly,
    do you believe that the devil vets the saints?
    I’m no killer, I promise, but I’m not the easy way.
    do you believe in chance?
    I once watched my fate unfold across my eyelids:
    two parties coming together in black and white,
    a future that was possible but someone whispered:
    it is better to ruin this thing.
    I believe in lessons.
    I believe in dormancy.
    there is no such thing as a mistake.

    they show me teeth, piano, films:
    Begotten.
    I laugh, I’ve seen it:
    I show them the drugs I bought,
    my darkest cackle and matching garter.
    show them a dozen ways to trample gardens
    with a notepad.
    do you see how I can write the future?
    look, I planted bombs everywhere.
    I show them demolition.
    I show them scribes can craft the wicked.
    I show them altars, smitten
    eyes and a tongue that’s wound around
    the Earth.
    I show them what my insides look like:
    wounds and trillion year old dirt and
    I light three candles,
    wear them like a rope.

    have you ever let a thought just pass?
    one interrupts as I dangle over his
    crown.
    let me down.
    and I repeat to them what I meant to say
    the first time we met to explain the danger
    of restriction.

    it is nothing,
    time    a longing
    and I wait.

    “ricochet”

  • the boys I rescued
    and turned to saints;
    their features outlined in
    filthy thoughts    I

    let them touch me with
    rinsed fingertips,
    watch them take great pleasure
    in stroking the arches of my bare feet;
    my callouses holding proof
    of the miles I have walked
    to hug the west.
    better than my own docile traces
    of lust pressed against them;
    my own famished touch
    as I dip into my cleft and whimper
    because I can’t come big enough.
    that sweaty heart of male violence,
    male wants,
    eroticized guns,
    learn the art of being
    enthroned in your
    sex.
    those biceped tongues,
    those blue black nights where I fuck to get the
    battle out so they don’t
    accidentally drown a garden
    they were supposed to love.


    other nights I do it hard,
    grip the keys and shout sometimes;
    let the room fill with copper, lick myself
    from the chain,
    taste my own
    domination;
    my submission to myself and
    let you understand the dangers of
    eroticized pain;
    the art of being bled
    for your sex.

    smudged lip gloss
    on their bare cheeks,
    hosts
    my undoing.
          teach me how to love like war
    my persistent
    bleating
    inner child,
    hands out and
    crawling to you,
    barely fed, swallowed by
    red     lonesome and
    under you,
    next to you,
    over you,
    overdone,
    over the moon

    but yet still a shadow
    at your nightstand
    waning in your rising
    sun.

    “the martyr”

  • one dangling finger pointing
    to her skin to remind you
    how she feels
    at night;
    smooth like soft-shelled
    murder.

    “the photograph”

     

     

  • when I was a kid
    my dad played this game:
    he would ball his fists and
    stick his arms in front
    of us

    start turning them over;
    one over the other in a circular
    motion like a machine; the way
    gears turn round
    and round and he would repeat
    the phrase
    perpetual motion.
    we would start to laugh;  
    those secret games
    only family gets.

    he would say go ahead, Sarah,
    you can’t stop it;
    it’s perpetual motion,
    go ahead, go ahead
    in his thick New Jersey accent;
    Wild Irish Rose on his breath,
    and a pack of Merits nearby
    one burning in the ashtray.
    my brother pinching or
    poking me to distract me.
    I was so small.
    I would reach for his arms but
    he used his might and
    kept turning them like
    he was churning something.
    the dog was usually howling
    and I would be overcome by a fit
    of giggling listening to Matt’s
    sarcastic comments, watch the smoke
    drift from the table and my
    mom somewhere near smiling
    and he was right:
    I couldn’t stop it.
    I was  too young
    and weak.
    he would just roll his arms,
    his hands clenched and say
    perpetual motion
    perpetual motion
    sarah sarah it’s perpetual
    motion.
    I would scream and
    jump on top of his forearms
    to prove him wrong
    but everyone agreed that was cheating.

    it was the emptiness
    I couldn’t take;
    the space from the post to
    my side and the absence of
    words between that.
    and also the unbridled
    mood swings.
    the way no one saw me
    or heard me or checked
    in.
     I would spend hours
    pacing the small corridor, the
    tiny living room and saying things
    out loud to myself:
    I can make it
    it’s fine
    I can make it here
    or I would turn it up
    as loud as it would go and
    vacillate between the pacing and
    jumping up and down, twisting
    a necklace or straw
    in my hand
    and I would picture only one thing:

    breakfast or dinner
    with a man   it wasn’t
    the man, it was the nourishment
    I craved, the nutrition
    I lacked and the double security
    of food and laughter.
    it always took place over a meal.
    I reached for it every time I felt
    anxious, every time I had a
    major transition–the savior returned;
    the reverie of an unconditional
    ear, someone placing their hand on
    the small of my back,
    handing me water,
    congratulating me on completing
    a piece and asking me
    the question.
    I rarely pictured the warmth
    in sex   that wasn’t what
    I lacked.   it was the question I wanted.
    he always held space for
    the long version.
    taking a bite with my fork,
    it was cooked or take out
    or restaurant, it didn’t matter.
    it was warm and filling
    and good.

     he would say
    tell me again
    and I would begin the story
    where it began:
    January 5, 2014,
    I arrived in
    Kensington to awake
    from the middle of a
    perpetual daydream.
    no, the thing
    about your brother
    “Sarah,” she paused, getting my attention again.
    “You were going to tell me more
    about your brother,”

    my therapist repeated.
    it’s Thursday, I’m between worlds
    again and we are finally
    opening it. 

    “synchronicity”

  • The war has started. Everyone is quiet.

  • chamomile 17.jpg

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