Posts

  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  •  

    we left with our hands
    uncurling
    in separate pockets, fingers
    strained against the denim.
    I left a place where I found
    God and
    a studio apartment
    with no utility bill,


    foothills with no rain and
    zero percent humidity,
    sun 300 days a year and
    a rose blanket that smelled
    like my parent’s room.
    I left my
    first incantation,
          my brother is dead
    in the margin and
    you left me with this
    townhouse.

    an abrasive echo
    that scratched marks
    in the walls,
    no budget for paint.
    one half of the utensils,
    a couple of wicker baskets
    and no end table.
    you gesture to the antique armoire,
    remind me it’s yours
    even though it’s not your
    taste, you see the value
    in heavy wood.

    you took the bigger bottle of
    toothpaste.
    five chairs,
    all the curtains, the area rugs,
    the broom and your
    glare lingered on me
    counting dollars
    in a borrowed sundress,
    feel my clavicle
    jut out the skin
    as I rationed meals.

    you took the kitten and
    the lighters,
    every last card
    (left the armoire)
    and  so abruptly like when
    you took my waist that
    one breathy night,
    pulled me into the crook
    of your body. said
    you were going to
          squeeze me in this bad neighborhood
    rolled out of that soft spot,
    grabbed a litter box,
    took clean off.

    “doors #13”

  • “Why does insanity always twist the great answers?
    Because only tormented persons want the truth.”

  • 14D90ECD-7E6E-4193-AB2C-4DE58CCF8778

  • freedom,
    as with any other illusion,
    is a cage; square
    of smudged windows

     or
    slowly cracking doors,
    screened porches and you’re
    watching the kids chase the wind
    into the gulls at the shore.
    brick walls with a hole in the
    mortar and you’re peeking
    through the cracks of your
    latest lover’s absence,
    trying to catch sight of
    the tips of their nails
    for the synesthetic trail
    down your  breast or
    the scourge and
    when settled
    and mended and feeling
    very tall,
    broken glass on the sidewalk
    as you leap from your
    place:

    burning, indelible
    in char.

    doors #12

  • “when the terror becomes unbearable,
    the other becomes God.”
    –Louise Gluck

    confinement can be comfortable.
    felt familiar in
    the grip of load:
    my chains
    hung from me like the tail
    of my self-throned
    coronation robe

    when I hoisted myself
    on self and made policy about it,
    my divination crumbled in it’s cell.
    started at my temples,
    made my crown;
    the veil that obscured
    the trail of my widow’s march
    following the scent and
    stepping lightly down the roads
    that my men roamed further apart
    from each other to leave me
    in pieces in rows in their
    new lovers’ homes.
    on a shelf,
    freshly dusted,
    gilded by the yellow dust
    of whatever stamen she picks.
    I was mired in sudden freeze,
    then implosion,
    then retraction of amends
    and I came

    full at them
    hook in mouth like
    hungry lure.

    “Doors #11”

  • my will to live solely stems from my will to write and that is it. even the face of things I love isn’t motivating enough at times in despair. imagine something foreign taking over your body and then teaching it how to talk. it’s maddening, literally, whatever is in here now.

  •  

    When I was very young, I used to stare at my closet sort of squinting. I first had this ugly brown accordion style door on it that my parents eventually replaced with a soft, translucent pink curtain that had tiny little circles all over to texture it. My closet had clothes and my bookshelf. When I closed my eyes, I could see the curtain create patterns. Well, I squinted and I could see colors and I began to emote not through me but through the child I imagined. Well, back up. That may be complex.  Imagine what happens after you look at the sun: you get those circles, those oil slick dots, in your retina. I could do that by closing my eyes hard and then opening them fast. Or pressing on my eyes and then opening them. The curtain would look like it was moving and bleeding light. I could feel things move from it. When I wanted to be alone, I just laid on my bed staring at the closet.

     

     I imagined a small girl that looked like me at the edge. She couldn’t really leave the room. Like a twin sister. But better than me. She existed right next to me, parallel, everywhere I went. But she couldn’t exactly leave. And she was better than me.

    The difference between her and I was her hair. She had long flowing beautiful hair. We told each other stories. We dared each other to do things.

     

    “the woman who walked out of walls” or “the mirror”

  • “I don’t intend in this,  to set up any sort of hierarchy, simply to say that I read to feel addressed: the complement, I suppose, of speaking in order to be heeded.”

    –Louise Gluck

  • nooo she cant die before she finishes the book. i mean L OH L yeah thats the joke

  • I am somewhere close to the edge and 

    the last thing to go is the fear of death. that’s the fifth. kind of a bonus. and being labeled batshit or dramatic is a part of it.

     the nodule in my throat. that was the first to go. but the first thing that happened was I choked. the second thing that happened was my legs went numb. the third was my breath being stuck in my throat and the steady rise of water. 3:13. that’s the formula we are looking at. the audience is buried beneath a lake of ice until I need them again. wait back up there’s no order here. 

    ok, the first thing to go was my mind. thank god. the second thing to go was my throat full of acid. quite literally caustic. the third thing to go was my breath. the audience is six feet under a snow covered bank and im quite fine with it now.

    get on with then.

    but I snap back. I will tell it as I please. there are three things that happen in order and there are thirteen deaths I see. 

     

     the visions, the cabin with MS the pandemic with the robberies, the police on the swat team aiming at me. the suicidal thoughts. the jail. the mental hospital. the women ganging up. the bridge and car accident. the bombing. the music and the seizure and the sweet sweet drowning. there’s an alligator somewhere. 

     

    “13 stories: the woman who saw her own death”

Blog at WordPress.com.

Up ↑