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  • “Name your torture,”
    one of them said
    with a wink.

    I wanted an orchard
    but I swallowed the vodka
    he handed me
    willingly.

    “The Gorge”

  • I’d be hard pressed
    not to tell you what a doe-eyed
    impression you leave: bare
    silk chest, moans
    to emasculate yourself
    and the way
    your mouth dropped open
    when I opened the door,
    recorded in my brain
    while something twists my nerves
    searing sheath, uncovering,
    I’ll remember that.

    I’m looking up at you
    about to laugh
    but know better,
    learned to lie still in
    quake. I spend days
    rehearsing affection
    in the mirror.
    your hands are kind of
    loose
    around my neck and
    you’re honest to god
    the sweetest, warmest thing
    I’ve ever met.
    I grab your forearm
    and dig my nails in.
    practicing being
    pithy
    about certain things,
    guarded,
    I snap my teeth shut.
    please.

    please what?
    you say.

    I’m trying not
    to laugh,
    just kill me.
    I say it again,
    harder.
    hit me.

    “reversing”

  • this next section is called:

    “The book I am writing is called The woman who saw her own death”

     

    but say it in a British accent.
    don’t take notes.

    be more clever than that.

  • I’m in the doctor’s office
    trying not to laugh
    as he keeps pressing me
    “what was your father like?”
    I don’t have time quite frankly.
    this man is asking me if I ever
    feel like I am watching myself from
    outside of my body.
    I say sincerely,
    sounds like you think I’m a ghost.

    I’m trying not to laugh.

    he is outlining various traumas
    I may have experienced in my life:
    my drinking,
    my family’s drinking,
    my previous assaults by men.
    we talk MS, autoimmune
    components.
    we talk allostatic load,
    latency of neglect,
    the firing of nerves.
    the confusing compression.
    I’m just talking about the mirror
    and gesturing a lot to the air
    about the fact I asked for it
    and then my legs went numb.

    that was the first time,
    I say.
    when I asked for her to enter me.
    before, she did it without asking.
    I nod as if he is
    answering the questions.
        get on it with then.

    Sir, I am possessed.
    I don’t have time for this.
    I stand up,
    suddenly able to walk again.

     

    “LILITH”

  • send him a polaroid
    of one tear rolling down
    your cheek and don’t tell him
    you got suntan lotion
    in your eyes.
    and don’t drown in the bath.
    prove your
    f ee l i ng
    and that you have
    f ee l i n g sss.
    when I was a child,

    colors came out of walls
    to talk to me and said:
    to survive
    place yourself in a box.
    there was a room of girls
    and we would tell stories.
    I live in a box.
    it’s about

    10 x 10.
    and when I walk,
    it moves with me.
    and one of them says in
    a British accent, get on
    with it then.
    10 x 10
    and I am screaming inside.
    and everyone wants to

    see me cry
    and my mouth is
    set sternly but
    more importantly,
    I have had a recurring vision
    that I will kill myself
    at the age of 34.
    over and over I watched myself
    leap off the bridge.
    I just have to not kill
    myself and I get to walk right
    out the ancestral curse
    and you’d think
    well certainly
    easier
    than crossing
    a tightrope
    or tricking a man
    into switching places

    but the thing is
    get on with it then
    this box. 

    “the box

  • “i live at the end of some interminable corridor.”

     

    –house of leaves

  • the fourth wave is
    more insidious.
    I didn’t notice the change
    at first but I did gaze up
    at the top and wonder
    what it’d be like to
    leap to bottom step
    and if you’d notice that first
    or that a piece of
    the sculpture was missing,
    hidden somewhere else.

    “the black book”

  •  

    I ignored his question,
    showed him the
    callous on my palm,
    referencing my need
    to grip.
    sometime I have rough sleep,
    that’s all, I shrug the bruise
    off.
    he licks my hand  with his tongue
    without questioning my need to
    hold everything so tightly
    I’ve succumb to carpal tunnel,
    arthritis, delusions of
    grandeur and infancy.

    has anyone ever talked to you about splitting?”
    the doctor asks.
    I was twisting the straw
    in my fingers, contorting my
    face and confessing things,
    sometimes i like to shoplift.
    “Who is Catarina?”
    the doctor asks.
    numb.
    “splitting is a phenomenon in which you sort of leave your body
    to allow another persona
    to take over.”
    the doctor says.
    sometimes I like to squeeze worms in my fingers
    until they pop.

              “like possession?”

    my posture is severe,
    having been found hunched over I am
    upright, hands crossed and
    waiting.
    sometimes I peek at Christmas presents.
    “no, more like split personality.”
    the doctor is taking notes and
    eyeing me so intensely, I almost
    laugh. don’t tell him my name
    is Arachne. not
    yet.

    sometimes I watch the mirror dance in candlelight
                and wait for her to come in
                  I break men
    like the swell that rises over bridges
    engulfing islands with her mouth,
    we break men with turns of
    tides.

    “Sarah, have you ever felt like  you were standing outside
    of yourself?”

    we break men with
    dulcet metronomy,
    or the way words do:
    harm.

    “Poltergeist”

  • i’d be remiss if I didn’t reveal
    a five feet of light bruising.
    it’s heavy;
    my tongue large with
    little darted lullabies,
    my endless provocation
    and beg for hands
    on me like
    paddles or crops
    or just the way hands do:
    harm.

  • swathed with charms,
    I can’t kill a thing
    and half the town has figured it out.

    I wear my arms in
    muscle, others’ biceps.
    keep them around cuz
    I can’t kill a thing
    and half the town has figured
    it out. point to the baseball bat.

     

  • this next section is called:
    The Mad Supplicant

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