when you came home
with the giant brass
industrial art piece to hang
on the wall at the top
of the stairs, first I noticed
it had no smooth
edges like a pinwheel
fringed with daggers.
in fact, I was afraid
it might cut me in the middle
of the night and the second thing
I noticed was
you were a libertarian
but I had the grace to not even
ask how much it cost.
I had bought us an entire chocolate
cake using food stamps
so I cannot judge and I
have learned
life is meaningless.

the third is ennui.
you become overcome
with a sudden fatigue.
you can’t even argue.
you can’t aggress or retract.
almost as if you are floating
through it all.
but not as happy or light
as that. like you’re being
controlled by a beam.
it’s more terrifying the
grip this new surrender has.
your arched back,
your upward gaze,
some kind of nothing
and the laughter is braying:

so deep and directed
at you.

“ennui”

it’s midnight.
i’m with you
in a ball
on a quarter of my side.


you’re taking up a quarter of
my half of the bed with your engulfing
speculation and a partially harbored
rage marking pages you skimmed
to later find your place where you felt,
at the time,
some things are better left theorized
than openly enslaved.

I’m investigating an inner stillness
that dissolves when exposed
  and counting
                               to ten, my sponsor said
contusions around my throat.
you’re learning about economics
this week:
hyperbole & statistics;
which way my freckles move
depending on my
frown,
the likelihood of a temper tantrum over soap scum
on anything I scrubbed,
unloved refrigerator pictures circa 1991,
premature forgiveness when I’ve still got to
fuck the bitter out but
someone gave me two weeks of yoga passes
so I’m suppressing it in down dog and polite nods
on a borrowed mat
on the other side
of town.
I’m crooked but
I’m hiding my scoliosis 
in poses.

the amount of times my palms moved from open to
across your cheek and at what velocity,
how much of my useless back will face you tonight,
how long before one half of the bookshelf is strewn about
the floor,
how long before it’s all cleared out.
                    you’re a poor investment, Sarah
simply put,
how not to trust
anything that has to do with
us.
(count the marks on my throat)

you already know
about sharpness.
my Christmas tree is in a dumpster
in another state and most other things
shouldn’t be brought here or
shouldn’t be touched.
I’m in child’s pose
hiding in the closet
and tonight
you are learning

to never bet on
anything
that talks.

“the economist”

I start taking wagers on who
shows back up first
knowing it’s wrong to bet
on anything that talks
and quite frankly,
you can’t,
Mrs. Shepherd told me in the 12th grade
during AP stats, still proud I aced that
class but you can’t stop
a sociopath
from never feeling again,
can you?
I say to him.
I have a Smith and Wesson.

but I add
people think angels can’t have
guns and
that’s not true,
hand him the weapon.
we just can’t fire them.
hold it.
get comfortable with it.

pink collar says
PRINCESS, I’m wearing
antlers and a dirty blonde
wig.  mock latex bodysuit
that rides my hips and
I am
only half bitch
three inches from you
on the bed and
half loading bb bullets
in the cartridge and
plainly  drawing up
variables marked
xxx.

laugh out loud
cuz they
don’t really get it yet.
it’s not just execution.
it’s not just
having the arsenal
but where to put it.
pull back my curtain,
show him the basket
with the blue calcite,
the burned scripture,
the crown.

“formula #1: inference”

the first thing to go
is emotion.
that’s why I gave away

my clear Garfield mug
that was impractical in size,
made for child’s juice
and reminded me of my first home.
I cannot take everything every year.
you know, moving every year
precludes you just lose things.
you cannot survive harsh conditions
and also be struggling with
some kind of emotion,
trying to name the fluid
mood swing, you needed to 

think and     snap out of it.
it was easier to manage the complicated
process via fable.
but
it was not easy to communicate
any needs,
desires.
the first thing to go is
emotion.
could not carry all of these things
and had adult sized mugs to begin
with.
you cannot survive any attack
while hysterical.
histrionic,
I practice that word.


I cannot pass up cravings.
I am on my fourth cup of coffee
walking to the El,
paranoid and running through all of the scenarios
in which I will die,
planning my escape route for
each one and having zero emotion
or hope.
the second is hope.

to go I mean.
the first thing to leave
is all feeling and the
second thing is
hope.

“second wave (grief)”

first, he showed me the block.
waved his hands over black ice,
concrete, gritted
      you know how to make things work

I stepped carefully as he walked
several feet ahead of me.
we did a loop between two identical
intersections and stopped in a booth so
he could pay for the affection:
a vegan milkshake to soften
the contrast between two
nearly identical snow-lit
worlds; two winters in two
time zones but one was green and blue
and foothill-lined
and this one hung in the air:
gelid, tense, a dense and
mutable gray that changed from
partially cloudy to baiting fang
but what is more concerning is the
space between us
I slurped the vanilla coconut cream
from the plastic straw without making
eye contact or anything known
and he laughed at the things
that just rolled off my tongue
in allayed fits.


  it was January fifth,
the middle of a
polar vortex and I hadn’t seen
the center of the city yet,
or west or anything but
Kensington.
I kept mumbling about the
loose trash with no cans
and he smiled, irritated at
my constant observation.
unsure of how to handle
my turbulence in
fractured vocabulary
that I would
eventually learn to craft
and bank
but my nose was running so
I spent the evening
in silence wiping it.
trembling  

cradled in his iron abdomen.
he mistook each tremor for the chill
settling in; a new house
that is, and I could feel
every sheath around me
crack like I just sprinted,
hit a frozen lake with my
cannonball skull heavy from
the weight of the unending pendulum
    think think think

and pieces of me began
to drop,
sink   
and what else?
(this is my 12th house)

 I wake up in his forearm
biting through his moles
to get to you.

“first wave/grief”

 

“I’ll jump in. I get it,” the man who offered me the beer can said. 

He was wearing a cat suit of all gold and looked like the man in the blue and silver. They kind of matched. They both shone. I didn’t even realize that someone had turned all the starlights off until then. I looked above him and saw the string there, with the translucent plastic, off so it was only the fire lighting our faces. They both looked like skin of shiny satin you could stroke, like big, manicured cats. When the man in all gold leaned forward, I saw he had the same headband as my old friend. Gold coughed, passed the joint to the Blue who stared at me and whispered,“We’re aliens.”

 

People have me all wrong. They have their projections about me but they don’t know me. I let a finger trail over his jeans as I moved past him at the crosswalk. They think, this person is abrasive, too Machiavellian, maybe a bit undiscerning. I pause in the middle of the street so two men split and walk around me. I just tell it like it is and swallow what I want. I was around 12th and Chestnut and walking back home after stopping at Capogiro, as was my normal routine at the time.

 

“I’ll take banana,” I said.

An unkempt young boy; blue eyed and pocked, was working today. His black hair was greasy and he leered. No time for games.  I had finished the sorbet long ago and needed to get home. I have drawing to do, I thought but truthfully, the weed had worn off and I was tiring of my playlist.

“I better get home,” I said out loud, standing abruptly and ignoring the group of men in the corner who had been staring at me. Blushed, I coughed, as if I hadn’t spoken the first time. Just a clearing of the throat. Just a narration in my ears to my mother on the phone I clutched tightly.

I love walking. I turn the headphones up. For miles. Someone bought me these noise cancelling headphones recently  and now I can block out all of the traffic. I can block out the passing screeches. The city titter. Horns. Groups. I can listen to The Gauntlet.  This is the part where you are about to start running. Your lungs build. Chest pounds the bones with inimitable force like  bong. If you could hear your pulse in your head, it would sound like tick tick tick. Rapid.  Mladic. 

 

I love this song, I thought, closing my eyes and  turning my noise cancelling headphones up.  I didn’t even feel the guy try to grab my bookbag as I stepped off the curb. I didn’t feel the breeze, just the hot, mid-day sun and one bead of sweat roll from the top of my throat to the bottom. And it’s accompanying electric guitar. My right knee pinched and the temper of the drum, flared, spurring into several taps at once. My pulse to match, I could feel  even though I couldn’t hear as I turn my headphones up.  The sound rising. Not the man yelling behind me. Not the screech of the tire on the pavement. Not the horn. Not the violent crescendo I wanted but (perhaps)the violent crescendo I deserved.

“The Woman Who Saw Her Own Death” or “The Woman Who Walked for Miles”

I am thinking of culpability
as it relates to
feelings towards me.
I am thinking
you’re thinking
what’s the probability
I still hold grudges and
what’s the likelihood
I save a thing that any
man has given or said to
me, but we also have to examine
formula so you
reverse and see the way

 

I move at night first.
foremost, you have to
ask yourself whether my stasis
is truth or lie, and if all
perpetrators love getting
caught what does that mean for
us? and starting to feel myself
dissolve into the walls,
I become
first so large I cannot be unseen,
and then with a snap of
my fingers, a panel
blending in like camouflage
with the cracks along my walks.
I could not stop myself
from seeking; even in
chill, I could go from one
end of town
to the other.
like a slow exhale.

when the city closed the
streets for the pope,
I walked from Frankford and
Allegheny to 30th and Market,
having also biked it first.
even though we lacked the
snow capped hills,
something about spending an
entire two months
watching for black ice and cars
even at red lights,
hearing them skid,
thrilled like the slipping
over jagged rocks.
and being watched daily
by a nemesis and every man in this
town really made it feel much
more weighted
and at such a shifting
ponderance. there were
glades of icicles
to wade through,
my hamstrings so strong
towards the end of
February, my fingers
like wrinkled rulers
measuring the space
between neighbors,
the circumference of
baseball sized holes in
windows, the sting of
locked knobs,
and

crippled by the straws
I clutched ungloved.

 

“February/February/July”

 

I have three cuts through
the devil on my leg
and a small bruis
to the right of it,
a large bruise on
my left thigh and
when we met,
you had a large mark on your
right arm that looked
like someone had grabbed you
and I don’t know where
I got it.

you are careful.
I am unsure what to say.
I don’t either.
I gesture to myself,
I mean to mine.

I begin to tell her a dream.
he begins to tell me a dream.
I am in the middle of a forest
and she is in front a fire
and all she says is
wait, be careful
what you say
and holds her hands up.
she kind of walks towards me.
she is young but
but like also like her child.
like she is her daughter.
she is walking up,
she is wearing a long white
pj gown and has long hair,
hands out saying
be careful what you say.
and then I just wake up.

and then wake him up.

“datura moon” or “the story of us”

 

“We have, I think, great terror of pain, and consequent resistance to what it can teach.”

–Louise Gluck

freedom is a cage
of smudged windows,
or it is a knot
in my stomach,
wriggling.


I dream of white frogs
at night in pools
covered in tea lights
and women swimming ahead
to cavern and I
feel caterpillars
washed in symbol,
incubated, sliding through
my gut, inching
their way from corporeal
packages when the day is
warm and facing them,
unbridled.
when the wind is favorable

my unimpeded exodus
through speech
prevails;
from chrysalis to
window, cracking
pane and tracing spit
like slug on glass
to mark the gust
that carries.
from gut to
chest to
windpipe:
carved.  how screams are
rushed when pushed,
or just when they finally
meet the Earth
as voluble flutter
that maims itself
to form.



“Arachne”

I took myself
to the welfare office,
not even getting lost as
I’m prone to do.
          why can’t you just figure it out?
I live right down the street.
it took fifteen minutes.
my shorts are stuck to my thighs,
and my neck is drenched.
I wipe my forehead with my hand
to her disgust.
“It’s unseasonably warm for June”
I begin and elucidate the drawl,
smile to beg for my Access card back
but here comes the recalcitrance;
she asks me for something
I don’t have and I
smacked my lips the wrong way
so I snacked on my servility
inch by inch as I
inched my way
back to our place.

months later,
I lose a diamond necklace there.
there is nothing more satisfying
than losing things or
shaving my head or
throwing away the clunky pepper
spray that women wraithed into chains
and hung from their hips
as if fear and trepidation
and weaponry have
ever kept me safe.
someone told me failure is perspective
but all I see are cops
pinching women with latex gloves
and all the little shrubs
that line the block look like
workers shaking their heads at me
      leave
or,

get on with then.
I am  throwing coffee grounds
into a leaky cardboard box,
our first CD is scratched  and
on top.
I’m on a bed that lifts
with one giant sigh
and no top sheet and
no frame.
they said risk meant courage
and I say you fucking
left me here
into your voicemail.

I’m eating sprinkles with a spoon
in a freshly inherited
two story townhouse.
It’s the sixth of June
so I got weeks.

“grace”

Blog at WordPress.com.

Up ↑