remember how you ranked
yourself: not top
but low and lowly,
seething. beguiling
with your rueful moan
repeating
your endless epoch of dystopian
psychosis that started the minute
someone said hello
you swear; this
tale you would
tell them as you were tied
down or arrested, and
habits don’t change just
because we do.
there is an insidious nature
to mechanism. it has worked,
it simply cannot fail,
that’s what you told yourself
(I want the daydream gone)
and 


remember how cold
February can be?
you in a staid state
of assessment that lacks
any empathy; you’re
in nine places if you’re any less
than three and recalcitrant,
turned inward so you
bark at the shades,
slice at the lines of your
hands when dusk hits.
mistake things for sirens,
police yourself scourging,
marks on your legs, your
forearms.

but when you sink,
you can feel the tongues of
nearby dogs,
your fingers half
in fur before your mind
has even greeted the owner,
feel the pup’s skin
and smile; broken
by the thing.
you were just  contemplating
the ways in which
water-boarding is
so necessary if you
actually have to force someone
to purge and
you can imagine places you could
use to get there having
felt so close to there before
and then
standing and
smiling to the man–
big and broad and sunny,
like you’ve never
thought a thing.

just rocking there,
picking daisies
in a raincoat.
It’s May and
you’re alone. 

“February/February/May”

 

we left with our hands
uncurling
in separate pockets, fingers
strained against the denim.
I left a place where I found
God and
a studio apartment
with no utility bill,


foothills with no rain and
zero percent humidity,
sun 300 days a year and
a rose blanket that smelled
like my parent’s room.
I left my
first incantation,
      my brother is dead
in the margin and
you left me with this
townhouse.

an abrasive echo
that scratched marks
in the walls,
no budget for paint.
one half of the utensils,
a couple of wicker baskets
and no end table.
you gesture to the antique armoire,
remind me it’s yours
even though it’s not your
taste, you see the value
in heavy wood.

you took the bigger bottle of
toothpaste.
five chairs,
all the curtains, the area rugs,
the broom and your
glare lingered on me
counting dollars
in a borrowed sundress,
feel my clavicle
jut out the skin
as I rationed meals.

you took the kitten and
the lighters,
every last card
(left the armoire)
and  so abruptly like when
you took my waist that
one breathy night,
pulled me into the crook
of your body. said
you were going to
      squeeze me in this bad neighborhood
rolled out of that soft spot,
grabbed a litter box,
took clean off.

“doors #13”

freedom,
as with any other illusion,
is a cage; square
of smudged windows

 or
slowly cracking doors,
screened porches and you’re
watching the kids chase the wind
into the gulls at the shore.
brick walls with a hole in the
mortar and you’re peeking
through the cracks of your
latest lover’s absence,
trying to catch sight of
the tips of their nails
for the synesthetic trail
down your  breast or
the scourge and
when settled
and mended and feeling
very tall,
broken glass on the sidewalk
as you leap from your
place:

burning, indelible
in char.

doors #12

“when the terror becomes unbearable,
the other becomes God.”
–Louise Gluck

confinement can be comfortable.
felt familiar in
the grip of load:
my chains
hung from me like the tail
of my self-throned
coronation robe

when I hoisted myself
on self and made policy about it,
my divination crumbled in it’s cell.
started at my temples,
made my crown;
the veil that obscured
the trail of my widow’s march
following the scent and
stepping lightly down the roads
that my men roamed further apart
from each other to leave me
in pieces in rows in their
new lovers’ homes.
on a shelf,
freshly dusted,
gilded by the yellow dust
of whatever stamen she picks.
I was mired in sudden freeze,
then implosion,
then retraction of amends
and I came

full at them
hook in mouth like
hungry lure.

“Doors #11”

I’d be hard pressed
not to tell you what a doe-eyed
impression you leave: bare
silk chest, moans
to emasculate yourself
and the way
your mouth dropped open
when I opened the door,
recorded in my brain
while something twists my nerves
searing sheath, uncovering,
I’ll remember that.

I’m looking up at you
about to laugh
but know better,
learned to lie still in
quake. I spend days
rehearsing affection
in the mirror.
your hands are kind of
loose
around my neck and
you’re honest to god
the sweetest, warmest thing
I’ve ever met.
I grab your forearm
and dig my nails in.
practicing being
pithy
about certain things,
guarded,
I snap my teeth shut.
please.

please what?
you say.

I’m trying not
to laugh,
just kill me.
I say it again,
harder.
hit me.

“reversing”

I’m in the doctor’s office
trying not to laugh
as he keeps pressing me
“what was your father like?”
I don’t have time quite frankly.
this man is asking me if I ever
feel like I am watching myself from
outside of my body.
I say sincerely,
sounds like you think I’m a ghost.

I’m trying not to laugh.

he is outlining various traumas
I may have experienced in my life:
my drinking,
my family’s drinking,
my previous assaults by men.
we talk MS, autoimmune
components.
we talk allostatic load,
latency of neglect,
the firing of nerves.
the confusing compression.
I’m just talking about the mirror
and gesturing a lot to the air
about the fact I asked for it
and then my legs went numb.

that was the first time,
I say.
when I asked for her to enter me.
before, she did it without asking.
I nod as if he is
answering the questions.
    get on it with then.

Sir, I am possessed.
I don’t have time for this.
I stand up,
suddenly able to walk again.

 

“LILITH”

send him a polaroid
of one tear rolling down
your cheek and don’t tell him
you got suntan lotion
in your eyes.
and don’t drown in the bath.
prove your
f ee l i ng
and that you have
f ee l i n g sss.
when I was a child,

colors came out of walls
to talk to me and said:
to survive
place yourself in a box.
there was a room of girls
and we would tell stories.
I live in a box.
it’s about

10 x 10.
and when I walk,
it moves with me.
and one of them says in
a British accent, get on
with it then.
10 x 10
and I am screaming inside.
and everyone wants to

see me cry
and my mouth is
set sternly but
more importantly,
I have had a recurring vision
that I will kill myself
at the age of 34.
over and over I watched myself
leap off the bridge.
I just have to not kill
myself and I get to walk right
out the ancestral curse
and you’d think
well certainly
easier
than crossing
a tightrope
or tricking a man
into switching places

but the thing is
get on with it then
this box. 

“the box

 

I ignored his question,
showed him the
callous on my palm,
referencing my need
to grip.
sometime I have rough sleep,
that’s all, I shrug the bruise
off.
he licks my hand  with his tongue
without questioning my need to
hold everything so tightly
I’ve succumb to carpal tunnel,
arthritis, delusions of
grandeur and infancy.

has anyone ever talked to you about splitting?”
the doctor asks.
I was twisting the straw
in my fingers, contorting my
face and confessing things,
sometimes i like to shoplift.
“Who is Catarina?”
the doctor asks.
numb.
“splitting is a phenomenon in which you sort of leave your body
to allow another persona
to take over.”
the doctor says.
sometimes I like to squeeze worms in my fingers
until they pop.

          “like possession?”

my posture is severe,
having been found hunched over I am
upright, hands crossed and
waiting.
sometimes I peek at Christmas presents.
“no, more like split personality.”
the doctor is taking notes and
eyeing me so intensely, I almost
laugh. don’t tell him my name
is Arachne. not
yet.

sometimes I watch the mirror dance in candlelight
            and wait for her to come in
              I break men
like the swell that rises over bridges
engulfing islands with her mouth,
we break men with turns of
tides.

“Sarah, have you ever felt like  you were standing outside
of yourself?”

we break men with
dulcet metronomy,
or the way words do:
harm.

“Poltergeist”

I have a recurring vision
of me on the ground
twisting string in my fingers,
delirious and the street
lights have exploded and
I swear I can’t breathe,
I swear I’m not forsaken,
I swear I renounce all evil in me.
tell him that my legs are jelly.
sir, I cannot walk anymore,
I repeat to EMT that refuses to
give me oxygen and
you materialize, screaming
I am praying for you.
you are not making it happen.
you are seeing it first. 

wait, back up,
that’s too complex.
the little girl is doing
cartwheels in front of a small
blond child but when she sees
me looking again.  she skips in
a circle and smiles.

I know never to bet on
anything that talks
so I push the whole thing
aside, keep walking,
feel a bone in my knees
bend.

“nine of wands”

 

I’m trying to read the code.

She grabbedme by the arm and
gently pulled me up,
said

let me take you home. 

They say don’t start the story with something traumatic. But my first first memory was me standing up in my crib and looking out in the hallway to see my mother pass by and she looked just like a witch. Like she was dressed like a witch and was a witch. That memory is boring and so is the second one, of me screaming at nap time that I refused to go to sleep. Just wailing and my mother giving me a reproving look. That is also boring and my third memory they said is too traumatic. They said don’t start with trauma. (No, I said that once). I said I wouldn’t tell a rape story in my own story but my third memory is before the license plate. I think. It is my babysitter’s brother locking my door and telling me to get changed. Then I remember cutting my hair and hiding it behind the dollhouse. No then, I remember my babysitter’s brother making a face as I stood naked throwing clothes over my head dramatically, theatrically, and being wanted. histrionic. I do remember cutting my hair and hiding it behind the dollhouse. That was my fifth memory.  I also remember being on all fours and naked in my daybed. That was part of the fourth memory. The way he told me to take of all my clothes and try on outfits. I made it a game, smirking, throwing them over my shoulder. And wanted. He made a face though. Some crinkled nose face as I pulled a cotton ball or some sort of lint out of my belly button. I turned around and saw him make a weird face like I smelled. and
histrionic.

I remember looking up at her with the limp brown pine needle in my hand unable to explain any needs; the necessity of reading the numbers in order. I’m sure my parents felt no worry when she returned me and I would be more careful when I needed to read the license plates now. Checking to make sure their brown car wasn’t there first.  And the sixth memory is the one that I feel still, like it’s palpable and mine to hold: swinging the screen door open and running outside in my favorite blue and white sundress, my hair in a ponytail and my mother nearby. The sun hit my shoulders and the grass was green and soon Alex would be home and the sprinkler would be on and the sun would stay on my shoulders. Laying stomach down on the grass, I  placed my summer reading list  on the ground and began to twist a blade of grass in my fingers.  Began to read the titles, excited. I had been the first child to read in my class, and in kindergarten, younger than anyone else.  My teacher had paraded me across the hall when she found out. Had me read to first grader’s so they could clap which I liked. I didn’t understand what I was reading. It was about a blue dog. I knew that from the illustration. Only I could read it proficiently and perfectly without comprehending what I was reading. Same way I speak foreign languages now. If you heard me say the phrase, you’d think I was fluent. But I don’t always know what I mean. 

every once in a while on a walk around town i say
vous avez envie d’intensité
to practice and

It was the applause I liked. The way the teacher beamed when she caught me reading, creeping behind me like they do. Me, big eyed and small as she held my hand and pulled me. The way I tossed my dress over my shoulder towards him like that. The audience’s jaw shift. Me, practicing Vah and the numbers to follow. Trying to give them all cadence. Like songs. The way they hear me humming round the block. The way they creep up behind me. The way eyes befall a mouse. The way eyes befall a garden. Heading to the dandelions and even with the hoverfly squarely in center, what are shoes for?. Curious, learning about consequences. Learning to lift from your center. Learning to approach in whisper. Learning to

step on
things that are
small
and
quiet.

 

“first memories” 

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