We walked side by side in tune with each others step. I remember thinking that and even looking down to see his black loafers, shiny, next to mine and thinking we are large in stature and together we are giant. 

“I think he’ll cave,” he said as he pushed the button.

I nodded. We waited only for about a minute in silence. He checked the email on his phone and I reached for my pocket to check mine when the doors opened. Looking for the little red and white envelope icon, listening to my colleague murmur through his emails, both looking for the same one, we didn’t even notice the doors shut. I could feel the sensation of the elevator moving slightly and felt no need to look up. Both Mike and I were engrossed now. Separately, we read the same words.

After great deliberation, it is with great pleasure that we extend our offer to Lithman, Lithman, & Keith exclusively. We are so happy to partner with your firm and we do believe we can resolve the greater issue of Cathman and his colleagues. We are committed to high standards of ethics, as is your firm, and we plan to…

It went on like that: sycophantic, obsequious for the sake of it. I felt no real connection to the author. I felt no real connection to this firm. Someone cleared their throat next to us. I looked up to first see the elevator had stopped between floors and then to see a woman, dripping, in the corner.

“We stopped,” she said.

She looked wan. She was wearing a black sequin cocktail dress, tight, that showed her legs and dark makeup that had been smudged around her eyes. Her bun was falling loose from its pins into a dripping wet ponytail. Before I could say anything else, Mike chimed in.

“It does this,” he said. “It just stops sometimes.”

It took him a second to look up and see her there, register the human next to him. He was still reading the letter, the great fawning our merger had caused and he was getting the prize for it.  The woman leaned over him to press the “Emergency Stop” button. 

“What are you doing?”Mike snapped. 

“We need to get out,” she said.

This is the first time I saw Mike eye her. He even reached for her hand to stop her before thinking better of it and retracting. He eyed her legs, her sneakers–black nikes, and watched the tiny drip on the floor from the hem of her skirt. She wasn’t wearing a coat and wasn’t carrying anything. It was if she just jumped in a pool and jumped out. Only slightly peaked, she had a color to her, and her lips were painted red. I noticed her eyes first because they had giant black marks circling her brown but then her teeth as she bared them, ready for the possible affront my partner was going to give her before he took his hand away. Those teeth were big and pearl white. I only saw a sliver of them.

“This happens all the time,” he repeated calmly.

I cleared my throat, “We work here, in this building, and this elevator has been having some issues lately. It will start again. It’s happened four times this week.” I checked my watch, “A pain in the ass for sure but I give it only another two or three minutes.”

She did not show her teeth again. Instead, she leaned back against elevator wall and closed her eyes for a moment. Tensing her mouth, I could see the skin around the jawline move. She opened her eyes and peered at me and I looked away. My colleague stared, focused on her legs. She sort of rocked back and forth letting her tailbone hit the back wall while she stared straight at the big red “5” that didn’t blink or move; didn’t go down anymore. Moving her head to the right, she continued to rock back and forth and now looked at herself until she closed her eyes. I heard her inhale before I heard the long hum; the long vibration that she let roll from her closed mouth. 

Mmmmm mmmmmm mmmmmmmm mmmmmmm mmmm.

It was long and melancholic and we both stopped. We both had our cell phones in our hand but made no move to call anyone or do anything but watch her and her slow drip from the hem of her skirt, from the bottom of the thin ponytail that stuck out of her bun. She was humming with her eyes closed.

Mmmmmm mmmmm mmmmmmm mmmmmm mmmmm.

With her eyes still closed, she said, “I get nervous when I’m stuck in small places or in places that I can’t get out of. When I was younger, we had to take this long bridge over the ocean to get to the other side of the bay and I used to be so scared that we would veer off and fall right into the ocean, so my mother invented a game.”

She looked at us with her head only. She turned her head to face us, “We called it The Crossing the Bridge game.”

Then she shifted the rest of her body so she was facing us, so we could see her from the front: her smeared mascara, her dark eyes, her slim figure and messy bangs. She looked up, whimsical, remembering the story. Her neck was lean. I couldn’t help but have a lascivious thought run through my mind; my tongue on her skin, my hand on her waist, our bodies pressed together. She made sudden eye contact with me then and I felt seen. I felt caught.

Shifting her gaze between myself and my friend, she said, “One person would start a story and we would continue in a circle until we crossed the other side. It kept both me and my brother distracted. My brother wasn’t scared but he would tease me mercilessly. It kept both of us busy.” 

Crossing her hands across her groin, she said nothing else but sort of smirked. I couldn’t tell if she was waiting for one of us to dare her or proposition her. 

“Do you want to play?” I asked timidly.

She smiled; a toothy smile, so I could see her teeth again. She was strange; didn’t seem that young, that thin or that tiny but yet bounced like a waif, moved like a twig in the wind. Ebullient and deceiving, that is how she presented.

“I’m game,” she said.

She looked up again, thinking, showing us her long neck. My partner watched the dance too. She rolled her head from side to side and we said nothing, though Mike wanted to. He always wanted to. 

“Do you..” he began before she cut him off.

“I got it,” she reacted sharply.

She moved backwards to lean against the mirror and cross her arms. 

“It always takes me a second to think of the story. It’s easier if I start though.”

“Of course,” Mike gestured apologetically and leaned forward.

She cocked her head to the side again to eye him and stuck her hand out in front of him, “No problem. I’ll begin.”

She was enrapturing in every movement. That’s what I remember

“It’s called The Woman Who Walked out of Walls.”

 

That night she sat down in front of her bed and waited. It was the third night she had done this. Because she had seen her once on accident, she had asked for her every night since. 

 

It was Tuesday when it started. At about 3:30 am, the oven timer went off: vibrating and shrill like a screaming bell.  Even on nights when she collapsed; when she was dead tired, emotionally spent, had worked all day at someone else’s house, she could not sleep through it. Obdurate and cozy and in the middle of a fantastic wet dream, it’s ring woke her. Had it not happened a few times already since she moved there, Catarina may have been scared but this was now the baseline constant. She was clumsy and her kitchen was small. Merely a stove and the sink and cabinets above that, she didn’t have any counter space and in her haste, she often threw pots on the back burner to dry. The brush of a pot handle would inevitably flip the switch. Old and mysterious and temperamental, the cycle took eight hours to complete but she never noticed. Even though it had happened twice already that week, she didn’t notice it was flipped until the shrieking began. She had once tried to wait and see if it would self-regulate and shut itself off. It didn’t. It screamed. It screamed louder as the seconds passed. She lasted five. 

Tuesday was no different. The second it began, her body stirred. She was all instinct now. Throwing the blankets off, she leapt quickly to traverse the ten feet to her kitchen with barely a step and flipped the switch from right to left. Her eyes were only open about half a centimeter.  As her fingers turned the switch to align perfectly with the big black “0,” Catarina’s eyes popped open. The shrieking stopped. She stood for a second before she stepped about an inch into the living room. She had seen the wall move. Just then, she saw the right wall, near the window, pulsing slightly. 

Staring at the spot where she had just seen the movement, she waited. It was dancing; subtle but steady like a curtain billowing in a breeze. She was not mistaken though. It was moving. Watching the same spot, a flitter of gold began to roam towards her. Catarina  froze. Along the wall slithered a constellation; a snake of tiny gold dots oscillated through the doorway quickly. She took a step back. She felt two hands behind her neck. Where there had just been no one, she felt two hands slide up her throat. Where there had just been nothing, she felt something covering her eyes like a blindfold. 

what do you write for?

to be free. freedom. to show complexity. duplicity in women. horror they contain. i always said I was writing the violence of women, the antagonists, the villains men can’t craft.

“the woman who told the stories”

my gift is writing. i could write for hours and you will watch, addicted.

 

every day the meter goes up. sixty nine hourly views.

 

I once thought I was cruel.

brilliance is a curse.

they all say “interesting” but I anthropomorphize animals and inanimate objects so things in the house don’t always last long. we have to get rid of things. the things that watch me. but they say “interesting” and at night in dreams I shriek as I begin to dream of you again. watching me like the conch shell that sits on my dresser, you too stony, silent and always near.

I woke up yesterday after kissing you. I woke up today having you embrace me. I will wake up tomorrow scarred from the imaginary forcing a dog to lick my toes.

“get rid of that conch shell.”

I make tons of lists and notes. constantly and incessantly, I have to write things down for fear they will not happen, I will forget or it will not be purged from my body if I don’t. some I delete, erase, tear up, burn, drown but others have to be witnessed, spoken to a human and released. I have dozens, thousands really, of notes to myself. the mundane lists to the abhorrent (I will drown my daughter in the bathtub one day) to the secret.

I have entire secret notebooks, drawers, places. when the men come around, it is a secret. if it were up to me, I would have entire locked rooms they could not access. but I like them as witnesses.

“you’re brushing your teeth a lot.”

“I don’t want my teeth to fall out.”

“will brushing your teeth make it worse?”

yes 

“Of course not!”

and then such fits of panic. I try to maintain myself in front of them but I become unraveled slowly with the hiding. they don’t trust my need for solitude or long walks. if they touch my phone, I shriek and ask for it back. they cannot borrow my computer or use any notebooks. they can’t come over unannounced for fear i will be entranced in some game and they will walk in the way my ex did once to see my face contorted, me affixed on the straw. and then the way I watch myself.

but then sometimes we can’t have the mirrors anymore.

“help me move this.”

a house with five mirrors reduced to none, all covered with blankets or placed in the basement or storage. or the one time I made them throw out the doll for fear it was watching me.  and I can’t look at my teeth, or my skin or my hands or anything suddenly so no one can have mirrors and everyone must sit and wait for me to outgrow another panic.  when the men come around, it is heightened. and they are the only witnesses too.

that is why I bought a two story two bedroom house recently. there will be a room they can’t enter and passwords on everything and the kitchen is huge. I will make dinner and keep the mirrors up and spin for them and I will begin like this:

let me tell you the story about ___ first.

“What use is knowing anything if no one is around to watch you know it?”

 

—kaveh akbar

“Perhaps my only real expertise, my only talent, is to endure beyond the endurable.”

 

annihilation, Jeff vandermeer

if you shrunk her to the
size of a pine needle
and hid her in the bunk of
a barn underneath the bales,
she would shine like a comet,
possibly set the house on fire,
so you would find her.

“how guys save me in their phone”

you become loosely creased
looseleaf reduced to a crumple
floating to the floor
without altar,
a harmonic little
m o r e
in my palm
on your way
to the tile
where I gently lay
you    leave you
altered without prayers
once more.

leave you twisted
in want
like me and
deformed.

“warning forms”

the first thing I showed him was the callous
              here look
and he licked it with his tongue
without questioning my need to
grip things so tightly
I’ve succumb to carpal tunnel,
arthritis, delusions of
grandeur and infancy.

has anyone ever talked to you about splitting?”
is what the doctor said to me once
after observing me mumbling to myself
in my room.

             sometimes i like to shoplift.

“Who is Catarina?”

sometimes I like to fuck the men with wives.

“Catarina is the girl who does bad things. I am Sarah. I am the good girl who does good things.”

sometimes I like to hunt.

“splitting is a phenomenon in which you  sort of leave your body to allow another persona to take over.”

sometimes I like to punish bad boys.

“like possession?”

sometimes I like to peek at Christmas presents.

“no, more like split personality.”

sometimes I watch the mirror dance in candlelight
            and wait for her to come
              I break men
like the swell that rises over bridges
engulfing islands with her mouth,
I break men with turns of
tides.


“the journal”

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