this next section is called:
“The book I am writing is called The woman who saw her own death”
but say it in a British accent.
don’t take notes.
be more clever than that.
this next section is called:
“The book I am writing is called The woman who saw her own death”
but say it in a British accent.
don’t take notes.
be more clever than that.
I’m in the doctor’s office
trying not to laugh
as he keeps pressing me
“what was your father like?”
I don’t have time quite frankly.
this man is asking me if I ever
feel like I am watching myself from
outside of my body.
I say sincerely,
sounds like you think I’m a ghost.
I’m trying not to laugh.
he is outlining various traumas
I may have experienced in my life:
my drinking,
my family’s drinking,
my previous assaults by men.
we talk MS, autoimmune
components.
we talk allostatic load,
latency of neglect,
the firing of nerves.
the confusing compression.
I’m just talking about the mirror
and gesturing a lot to the air
about the fact I asked for it
and then my legs went numb.
that was the first time,
I say.
when I asked for her to enter me.
before, she did it without asking.
I nod as if he is
answering the questions.
get on it with then.
Sir, I am possessed.
I don’t have time for this.
I stand up,
suddenly able to walk again.
“LILITH”
send him a polaroid
of one tear rolling down
your cheek and don’t tell him
you got suntan lotion
in your eyes.
and don’t drown in the bath.
prove your
f ee l i ng
and that you have
f ee l i n g sss.
when I was a child,
colors came out of walls
to talk to me and said:
to survive
place yourself in a box.
there was a room of girls
and we would tell stories.
I live in a box.
it’s about
10 x 10.
and when I walk,
it moves with me.
and one of them says in
a British accent, get on
with it then.
10 x 10
and I am screaming inside.
and everyone wants to
see me cry
and my mouth is
set sternly but
more importantly,
I have had a recurring vision
that I will kill myself
at the age of 34.
over and over I watched myself
leap off the bridge.
I just have to not kill
myself and I get to walk right
out the ancestral curse
and you’d think
well certainly
easier
than crossing
a tightrope
or tricking a man
into switching places
but the thing is
get on with it then
this box.
“the box
“i live at the end of some interminable corridor.”
–house of leaves
the fourth wave is
more insidious.
I didn’t notice the change
at first but I did gaze up
at the top and wonder
what it’d be like to
leap to bottom step
and if you’d notice that first
or that a piece of
the sculpture was missing,
hidden somewhere else.
“the black book”
I ignored his question,
showed him the
callous on my palm,
referencing my need
to grip.
sometime I have rough sleep,
that’s all, I shrug the bruise
off.
he licks my hand with his tongue
without questioning my need to
hold everything so tightly
I’ve succumb to carpal tunnel,
arthritis, delusions of
grandeur and infancy.
“has anyone ever talked to you about splitting?”
the doctor asks.
I was twisting the straw
in my fingers, contorting my
face and confessing things,
sometimes i like to shoplift.
“Who is Catarina?”
the doctor asks.
numb.
“splitting is a phenomenon in which you sort of leave your body
to allow another persona
to take over.”
the doctor says.
sometimes I like to squeeze worms in my fingers
until they pop.
“like possession?”
my posture is severe,
having been found hunched over I am
upright, hands crossed and
waiting.
sometimes I peek at Christmas presents.
“no, more like split personality.”
the doctor is taking notes and
eyeing me so intensely, I almost
laugh. don’t tell him my name
is Arachne. not
yet.
sometimes I watch the mirror dance in candlelight
and wait for her to come in
I break men
like the swell that rises over bridges
engulfing islands with her mouth,
we break men with turns of
tides.
“Sarah, have you ever felt like you were standing outside
of yourself?”
we break men with
dulcet metronomy,
or the way words do:
harm.
“Poltergeist”
i’d be remiss if I didn’t reveal
a five feet of light bruising.
it’s heavy;
my tongue large with
little darted lullabies,
my endless provocation
and beg for hands
on me like
paddles or crops
or just the way hands do:
harm.
swathed with charms,
I can’t kill a thing
and half the town has figured it out.
I wear my arms in
muscle, others’ biceps.
keep them around cuz
I can’t kill a thing
and half the town has figured
it out. point to the baseball bat.
this next section is called:
The Mad Supplicant
“To my mind, to be wrong in the smallest particular was to be wrong utterly.”
–Louise Gluck