“Why does insanity always twist the great answers?
Because only tormented persons want the truth.”

freedom,
as with any other illusion,
is a cage; square
of smudged windows

 or
slowly cracking doors,
screened porches and you’re
watching the kids chase the wind
into the gulls at the shore.
brick walls with a hole in the
mortar and you’re peeking
through the cracks of your
latest lover’s absence,
trying to catch sight of
the tips of their nails
for the synesthetic trail
down your  breast or
the scourge and
when settled
and mended and feeling
very tall,
broken glass on the sidewalk
as you leap from your
place:

burning, indelible
in char.

doors #12

“when the terror becomes unbearable,
the other becomes God.”
–Louise Gluck

confinement can be comfortable.
felt familiar in
the grip of load:
my chains
hung from me like the tail
of my self-throned
coronation robe

when I hoisted myself
on self and made policy about it,
my divination crumbled in it’s cell.
started at my temples,
made my crown;
the veil that obscured
the trail of my widow’s march
following the scent and
stepping lightly down the roads
that my men roamed further apart
from each other to leave me
in pieces in rows in their
new lovers’ homes.
on a shelf,
freshly dusted,
gilded by the yellow dust
of whatever stamen she picks.
I was mired in sudden freeze,
then implosion,
then retraction of amends
and I came

full at them
hook in mouth like
hungry lure.

“Doors #11”

my will to live solely stems from my will to write and that is it. even the face of things I love isn’t motivating enough at times in despair. imagine something foreign taking over your body and then teaching it how to talk. it’s maddening, literally, whatever is in here now.

 

When I was very young, I used to stare at my closet sort of squinting. I first had this ugly brown accordion style door on it that my parents eventually replaced with a soft, translucent pink curtain that had tiny little circles all over to texture it. My closet had clothes and my bookshelf. When I closed my eyes, I could see the curtain create patterns. Well, I squinted and I could see colors and I began to emote not through me but through the child I imagined. Well, back up. That may be complex.  Imagine what happens after you look at the sun: you get those circles, those oil slick dots, in your retina. I could do that by closing my eyes hard and then opening them fast. Or pressing on my eyes and then opening them. The curtain would look like it was moving and bleeding light. I could feel things move from it. When I wanted to be alone, I just laid on my bed staring at the closet.

 

 I imagined a small girl that looked like me at the edge. She couldn’t really leave the room. Like a twin sister. But better than me. She existed right next to me, parallel, everywhere I went. But she couldn’t exactly leave. And she was better than me.

The difference between her and I was her hair. She had long flowing beautiful hair. We told each other stories. We dared each other to do things.

 

“the woman who walked out of walls” or “the mirror”

“I don’t intend in this,  to set up any sort of hierarchy, simply to say that I read to feel addressed: the complement, I suppose, of speaking in order to be heeded.”

–Louise Gluck

nooo she cant die before she finishes the book. i mean L OH L yeah thats the joke

I am somewhere close to the edge and 

the last thing to go is the fear of death. that’s the fifth. kind of a bonus. and being labeled batshit or dramatic is a part of it.

 the nodule in my throat. that was the first to go. but the first thing that happened was I choked. the second thing that happened was my legs went numb. the third was my breath being stuck in my throat and the steady rise of water. 3:13. that’s the formula we are looking at. the audience is buried beneath a lake of ice until I need them again. wait back up there’s no order here. 

ok, the first thing to go was my mind. thank god. the second thing to go was my throat full of acid. quite literally caustic. the third thing to go was my breath. the audience is six feet under a snow covered bank and im quite fine with it now.

get on with then.

but I snap back. I will tell it as I please. there are three things that happen in order and there are thirteen deaths I see. 

 

 the visions, the cabin with MS the pandemic with the robberies, the police on the swat team aiming at me. the suicidal thoughts. the jail. the mental hospital. the women ganging up. the bridge and car accident. the bombing. the music and the seizure and the sweet sweet drowning. there’s an alligator somewhere. 

 

“13 stories: the woman who saw her own death”

I’d be hard pressed
not to tell you what a doe-eyed
impression you leave: bare
silk chest, moans
to emasculate yourself
and the way
your mouth dropped open
when I opened the door,
recorded in my brain
while something twists my nerves
searing sheath, uncovering,
I’ll remember that.

I’m looking up at you
about to laugh
but know better,
learned to lie still in
quake. I spend days
rehearsing affection
in the mirror.
your hands are kind of
loose
around my neck and
you’re honest to god
the sweetest, warmest thing
I’ve ever met.
I grab your forearm
and dig my nails in.
practicing being
pithy
about certain things,
guarded,
I snap my teeth shut.
please.

please what?
you say.

I’m trying not
to laugh,
just kill me.
I say it again,
harder.
hit me.

“reversing”

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