suffering incursion will
change you. there are a thousand ways
to die, my head begins again.
nail in eye.
car to body.
man with fist.
I begin to count
and begin to twist the straw
in an effort to curb the brain
from going deeper, usually
the fixation begins from the most
likely place.
it was the end of February,
2014 and I lived in a rowhome
on the cusp of Port Richmond
and Kensington and knew two things:
cars don’t stop for anything here,
and neither do men.

I begin to count and organize and also
step into a dark long reverie
of a place that is warm and
seeking me, but I also begin to
count and create myth from fingers.
begin to list the ways I’ve watched the
Earth take: my aunt run over multiple
times, murdered. my eight year old cousin
died from a brain anuerysm. my uncle
shot his face off in his father’s
old house. my aunt drank her body to death.

you see I have to stop and enter
the beach seeking me.
you won’t make it otherwise
as I turn the headphones up,
just miss a truck but I can
hear the ATVS revving.
the sign says walk
but my aunt was once run over
repeatedly.

it’s the coldest winter in years,
they tell me after meetings,
and it’s not an easy time to make friends.

“doors #2”

in Colorado,
his name was (redacted).
I am passing 3rd street unaware
of my hands withering,
clutching my phone.
another bad habit of mine,
not wearing gloves and never
placing my hands in
my jeans or coat pocket
or any warmth.
I’m always fiddling or
adjusting the volume.


he was very young and
wide eyed and used to doodle
through meetings,
watching the layers of people
shift in their seats, gathering
outlines with his pencil.
I would try to peek
to see how he made them and
who he most favored
knowing my cheekbones were perfect
but some things are more discreet and I
said hi to him only if I passed
him but mostly enjoyed the thrill
of picking a home group full
of freshman in college,
the perversion of me
unfolding like that,
so uninhibited in my quest
for sobriety and undivided
attention

spreading my
legs in the chair
in my turtleneck dress and
brown tights betting they could
smell my fever from here.
three children catch me muttering
and smile.      they watch
my fingers curve around an object,
then divide as I tap each tip
with my thumb like
I’m counting.
they are thinking
I have secrets,
not that I am crazy
because children see parallel
lines.

one time,
he kept his eyes closed as everyone
in the circle shared.
when it was my turn, he popped
them back open and stared
the length of my story
like he had come here for this.
I was too confused to make
direct contact with him;
this being so flagrant
and sudden, I fluster
with bold advances
preferring to be the aggressor
not the pursued;
not the doe in the reticle
but the bear from behind.
I spent one whole year fantasizing
about him.

not lured by his youth
which makes him easy to command
but the way he was clearly taken
by me, his obvious insouciance,
and his right to be that way,
being only eighteen and
forced here to survive
among such alphas.
such witches with prowess
and skill and eight years
of drowning, emerging.

the children notice my
mouth moving as I walk down the
street, reviewing.
they all think I am writing about
them. I am writing about a cloud
I passed once.
cry cry cry and then
just start fucking laughing,
I say out loud
so the ten year old widens
her eyes
as she passes
not alarmed at the way
I keep touching things,
but the way I say fuck
in front of them so
unabashedly and in the
middle of the story like
we’d been talking this
whole time.

“xxx #1”

I learned to drift
young and
listened to my Papa’s
stories, my aunt’s stories,
the whole family telling stories
and I learned to joke
too. it’s about knowing
what people respond to
but also a dauntlessness.
everyone in my family
laughed big and loud,
smoking cigarettes sitting around
the picnic table,
a pretty red wood covered
with some tawdry pear-slathered
yellow and cream plastic cloth
made to absorb ketchup
and beer cans everywhere.
the empty ones there for butts.
and bottles of Coke in giant
two liters   their tan slender fingers
and the confidence of lighting up.
I perfected the flick of an ash
off the end of a burning cigarette
long before I held one.

it’s ninety percent the way
your neck looks when you’re listening
and ten percent what you say
when you finally move to
enter the game.
I learned to grift too.
there were many ways.
more about fun then–
just how to sneak out
at night to grab cigarettes
from the bowling alley cigarette
machine; a preposterous
thing but came in handy.
I would sometimes crawl out of
my bedroom window,
my bed right beneath it and
able to slide the screen right open
without breaking it,

it was easier then the back door.
I had to tiptoe.
we had thin walls.
I slept with my door shut,
pitch black and covered with
pillows scared of my closet.

sometimes we took beer from my friend’s
parents cooler,
or candy pocketed from 7-11
or lip gloss from Eckerd’s
or something from a man’s house,
anything really.
I liked to take photographs of them
and items of clothing to smell
before they leave me.
sometimes I would stare at the pictures
he left out on his dresser
suddenly. not sure if they were planted
or just forgotten as he
offered me a shot of tequila on
his barracks colored carpet;
that off-white every sailor had;
stained with Friday nights
and teenage vomit.
movie ticket stubs falling
out of my coat pocket.
I always took my shoes off
out of politeness even though
I could see the scrape of dirt
from welcome mat to
cot and today:


a picture of him and his wife
on the rocks on the coast
of San Diego,
a card she left him,
something in spanish.
I would listen to the CDs he played
on repeat to get over her, later
alone, more holding the sting
and the shattering way
it felt forced to be fucked
to music like that.
fascinated that grief can transcend
between two people, same song,
two different ways.
two different meanings.

where are you running to now?

I’m at Lehigh and 2nd
giving a man directions
to the 15 stop and he is asking
me where I am going.
I have no job or friends,.
but tons of antique wood
furniture and I kind of nod
to myself without answering him,
just keeping that buoyancy of
knowing that

acquiring objects is half the battle.
the other half is unearthing.


“walls #1”

what will you hold
in your old age?
me in the dark, feeling
the railing as I crawl
up the steps to my
king-sized bed
and the dogs that lie
there peacefully.

and feeling lucky:
the memory of a
southern thunderstorm;
it’s bristles of electricity
that made the hair stand up on
my forearms.

listen to the rain.
this house has no trinkets
but there are journals buried under
the floorboards and one
framed picture on the wall:
the four of us,
young  and laughing
like we had

promise.

“dementia #1”

 

seventeenth set is most definitely
about you. I diverge
from any given task
when I am suddenly feeling

heartbroken
and really I do hope;
the crux of all disappointment
is the expectation and I want
(is an understatement)
to be seen without pressure.
I hope you find all this gaucherie
amusing.

I find it excruciating
to long and wait,
to even stand
near a thing I admire.
I like starting things,
putting them out.
penalty.
ree-per-cush-in,
the easiest thing I learned
was the alphabet and how to 

string sounds together
like narratives,
to read.
ree-purr-cusi-sion
is what I crave.
my mother rushed me to
the sink at five years
old; I laid my finger
flat on the side of
the metal barrel,
it was full of leaves
and burning.

as we removed evidence
of the crisp and
precipitous October,
my mother noticed
my gaze, said “Sarah,
do not touch it” and then
I touched my finger
to the flame.
it was the brilliant orange
that drew me and force,
contained like that
right here in our backyard.
shapeshifting to a final
face like
me, armed with words,
a hot knife
and all warmed up,
having sliced through
tendon before  and you just
suddenly
seeing me form the language
of concision,
the succinctness of
one scream:

crisp and precipitous,
and you just
suddenly
soft like warm butter.

“repercussion”

 

I want to believe that good
things happen to good people;
the missing garage,
the missing shed,
the missing money.
I want to wave my hands over
my ancestral nothing
to show them
they’re wrong.
I can’t shake the way a woman
abandoned my grandmother in a
Hungarian orphanage.
the way my mother told me
that was the way of the times,
the way I’ve been expected to thrive:
my grandma learning English as
she arrived,
my grandfather watching his mother committed
to a hospital, young,
signs of dementia,
his father running,
him only speaking Polish
upon arrival. I want to
believe that they knew
without language, simply
the first way they held each other
at night.

and I want to stop crying.
my friend says, they always come
back and I have evidence of it too.
I lost a hundred dollar bill
the other day and laughed.

it means nothing to me now.

 

“grief part 6”

I’ll remember you as a
long desire;
intangible, a
carnation sunset
leaking out of me.
And the keeling over
later, the aftershock:

cramp, the bite
in self preservation;
survival and the
slow repetition of
phrases cementing
the indelibility;
the dormant  rage in
prophecy.

you only get pregnant once.

then I become the squalling
daughter and you
become the thorn.

“Liliana” or “grief pt 8”

she was pandering to my 
emotion, calling this episode
a real child even though my friend
took my side and mentioned how
dramatized television is
and that those cases are slim.
BUT 

she said you said kill everyone.
I never said kill everyone, I said
if the law is  x=x then it’s x.
I could see her reaching for
the feminine in me
which
as far as I could see
was straddled and leaning back.
confident enough to be the first one
to volunteer for the exercise,
which I remind her, is not
examining the morality of the law
itself but to remove debate around it
so that it may be better enforced,
without outcry and fairly.


when I finished nine hands
went up. we were a class of eighteen.
unsure of why
I volunteered for the exercise
first, and given the freedom to begin
with any declaration, why I chose to
examine how mass assassinations
could really kick things off to accept
blindly that some people are
executed.

the argument was not over
until all counter points had been examined,
the professor said.
she was tall and smiling when
I spoke and I felt thankful for her
defense of me any time she reiterated,
I was correct in re-summarizing the
exercise for each of the
nine hands that went up,
consuming the bell with a
theoretical society that arbited
punishment blindly as the statue
alluded to also,
the society we try to 
have now is composed of
criterion like that. 


I was eighteen and glowing
and enjoying the attention
with zero conviction about
the death penalty.
and when it came back to
her, and she presented it again
after many others had spoke,
I am sure I said,
to be perfectly frank,
we would HAVE to
kill the child in order
to make the law work.

and then I just kind of laughed
because the exercise itself asked you to
first pick a side and fight for it;
not to defend the death penalty
but to remove morality from law
having the freedom to remove all
structures of law around murder,
I could have created a punishless state
in which murderers walked free
or a Hammurabi and it is with the
same amount of callousness, that I
have begun to plant
nightshade around your house.

probability being like
you probably like to touch
things like me
and thinking it

to be Queen Anne’s Lace
giving it to your girl
for Valentine’s Day.

 

“Valentine’s Day part #1”

I believe in overflowing
chalice.  you believe in
holding space for growl
and distance and
your wife at night
or your girlfriend,
whomever.

you watch me lay the
dill in bowl, line the bed
with tourmaline.
run the bath with
chamomile and yarrow oil.
it’s all for nothing,
you found me but
I am full of tincture now.
the best defense is
to cripple yourself
like victim, quilled
with a shaky lip
but quilled and
squared.

what you catch about me
is the amorphous not
the heartbeat and to be
fastidious requires
no real feeling
but constant poking at
all possibilities,
pausing with the probable
but still lusting.
almost thirsty for your
deluded thoughts,
your dilluted candor
that you say is grace
but you have bitten more of
your tongue today,
and you are now quilled
and squared in another woman’s
corner
what you meant to say was


there are some voids
that
are so insatiable you
collapse with the craving instead.
I walk for miles:
slow and black and
hungry like that,
reaching.

I am game.

“Datura Moon”

 

I’ve been learning
performative emotion
to keep the ones I’m fettered
to warm, and to feel their
slippery manacles tease
the tops of my feet
like feathers as they pull
me.
paint my lashes black
and they’re wet  and
shaped like little
bolts.

we watched fireflies and I
licked your earlobes,\
tried your fingers on
while I played with truths,
denied them.
felt your chest pressed against mine.
we clanked with ease
and I took in the scene of two people
unclothed and unseen
underneath some crescent
in your backyard
without friendship between them;
without people between them and I dared
to stare in a way that endures more than
deciduous planting.
I broke at the

not now
you spoke back
with a masculine fragility
I had never known     envied,
tried on later with pants,
unplucked eyebrows
and alone.
you became all red and
graceless,  I became an unwatched bull
headed to your porch,
snorting and you were
bare faced and guarded in all the ways
I have yet to learn.
I’m so obvious:

a scarlet blaze that starts with a joke,
two bodies parting,
an unreturned question that ends
with a sharp exclamation,
annihilation of something.
ends with a reminder from someone higher
to stop destroying something
to eliminate one part.
I am a wave of coercion
pulling you in and under
when I should have been
patient;
when I should have been laid in the grass
gently  next to the ant hills
where you can learn my thighs,
breasts,
spine,
toes curled without injury;
when I should have been pausing to notice
there are no people between us;
when I should have been gracious,
with you and bare-faced,
or wet cheeked.

I remove the rest of my top
and close my eyes deliberately
to show you the length
of each thorn.
wear my eyes like an arrow.
with my tongue pressed
against your chin,
my lips trace
your jaw       I say
more softly
than before:
you know,
I have never
become divine without first
becoming storm.

 

“Scorpio”

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