what will you hold
in your old age?
me in the dark, feeling
the railing as I crawl
up the steps to my
king-sized bed
and the dogs that lie
there peacefully.

and feeling lucky:
the memory of a
southern thunderstorm;
it’s bristles of electricity
that made the hair stand up on
my forearms.

listen to the rain.
this house has no trinkets
but there are journals buried under
the floorboards and one
framed picture on the wall:
the four of us,
young  and laughing
like we had

promise.

“dementia #1”

if you shrunk her to the
size of a pine needle
and try to remember her true
stature first: platformed boots,
four inches taller than she really
is and towering some men
not just in height but in
loquaciousness, abrasiveness
and hid her in the bunk of
a barn underneath the bales,
I don’t know,
he waves his hands,
for revenge.
you could even tape her mouth
shut, quell the squawking thing,

I bet
she would shine like a comet;
self immolate, ignite herself and
begin to set the barn on fire
so you could find her.
I bet;

I would bet yes every time
that even hidden like a penny
in a cornfield
she’d make sure you found her.

“how guys save me in their phone #8”

 

seventeenth set is most definitely
about you. I diverge
from any given task
when I am suddenly feeling

heartbroken
and really I do hope;
the crux of all disappointment
is the expectation and I want
(is an understatement)
to be seen without pressure.
I hope you find all this gaucherie
amusing.

I find it excruciating
to long and wait,
to even stand
near a thing I admire.
I like starting things,
putting them out.
penalty.
ree-per-cush-in,
the easiest thing I learned
was the alphabet and how to 

string sounds together
like narratives,
to read.
ree-purr-cusi-sion
is what I crave.
my mother rushed me to
the sink at five years
old; I laid my finger
flat on the side of
the metal barrel,
it was full of leaves
and burning.

as we removed evidence
of the crisp and
precipitous October,
my mother noticed
my gaze, said “Sarah,
do not touch it” and then
I touched my finger
to the flame.
it was the brilliant orange
that drew me and force,
contained like that
right here in our backyard.
shapeshifting to a final
face like
me, armed with words,
a hot knife
and all warmed up,
having sliced through
tendon before  and you just
suddenly
seeing me form the language
of concision,
the succinctness of
one scream:

crisp and precipitous,
and you just
suddenly
soft like warm butter.

“repercussion”

 

I want to believe that good
things happen to good people;
the missing garage,
the missing shed,
the missing money.
I want to wave my hands over
my ancestral nothing
to show them
they’re wrong.
I can’t shake the way a woman
abandoned my grandmother in a
Hungarian orphanage.
the way my mother told me
that was the way of the times,
the way I’ve been expected to thrive:
my grandma learning English as
she arrived,
my grandfather watching his mother committed
to a hospital, young,
signs of dementia,
his father running,
him only speaking Polish
upon arrival. I want to
believe that they knew
without language, simply
the first way they held each other
at night.

and I want to stop crying.
my friend says, they always come
back and I have evidence of it too.
I lost a hundred dollar bill
the other day and laughed.

it means nothing to me now.

 

“grief part 6”

I’ll remember you as a
long desire;
intangible, a
carnation sunset
leaking out of me.
And the keeling over
later, the aftershock:

cramp, the bite
in self preservation;
survival and the
slow repetition of
phrases cementing
the indelibility;
the dormant  rage in
prophecy.

you only get pregnant once.

then I become the squalling
daughter and you
become the thorn.

“Liliana” or “grief pt 8”

she was pandering to my 
emotion, calling this episode
a real child even though my friend
took my side and mentioned how
dramatized television is
and that those cases are slim.
BUT 

she said you said kill everyone.
I never said kill everyone, I said
if the law is  x=x then it’s x.
I could see her reaching for
the feminine in me
which
as far as I could see
was straddled and leaning back.
confident enough to be the first one
to volunteer for the exercise,
which I remind her, is not
examining the morality of the law
itself but to remove debate around it
so that it may be better enforced,
without outcry and fairly.


when I finished nine hands
went up. we were a class of eighteen.
unsure of why
I volunteered for the exercise
first, and given the freedom to begin
with any declaration, why I chose to
examine how mass assassinations
could really kick things off to accept
blindly that some people are
executed.

the argument was not over
until all counter points had been examined,
the professor said.
she was tall and smiling when
I spoke and I felt thankful for her
defense of me any time she reiterated,
I was correct in re-summarizing the
exercise for each of the
nine hands that went up,
consuming the bell with a
theoretical society that arbited
punishment blindly as the statue
alluded to also,
the society we try to 
have now is composed of
criterion like that. 


I was eighteen and glowing
and enjoying the attention
with zero conviction about
the death penalty.
and when it came back to
her, and she presented it again
after many others had spoke,
I am sure I said,
to be perfectly frank,
we would HAVE to
kill the child in order
to make the law work.

and then I just kind of laughed
because the exercise itself asked you to
first pick a side and fight for it;
not to defend the death penalty
but to remove morality from law
having the freedom to remove all
structures of law around murder,
I could have created a punishless state
in which murderers walked free
or a Hammurabi and it is with the
same amount of callousness, that I
have begun to plant
nightshade around your house.

probability being like
you probably like to touch
things like me
and thinking it

to be Queen Anne’s Lace
giving it to your girl
for Valentine’s Day.

 

“Valentine’s Day part #1”

kitten ears and painted whiskers
tumble down my block   in rows
rehearsed
in leotards and black lace gloves.
yowls  float through
open porches.
TV taught them how to meow\
for Kit Kats   Snickers Almond Joys
male applause.
one bends over to tie her shoe
and seduce the nearest father;
he eyes the crevice peeking through her
black tights. 


I’m dressed like Glinda the Good
Witch and hovering in a sing song
way, throwing out
Peanut Chews and
                I burned a sigil for this
she wants attention from her own father:
a photograph or upward twirl,
burning torch,
purr in his lap while he strokes her hair
without fetish
or just acknowledgment that she is the prettiest
girl dressed up as space cat,
those others are unoriginal, just regular
cats, he says I love yours best
and pats her on her head
and there is no offense taken.

she will grow up  to be even smaller
than  she supposed:
silent    enduring still,
not awake in her own power,
her own body
like a stillborn tiger:
expelled with a tear,
coated in the blood of her mother’s
screams as no one prepared her for the
slow cooked torture, ecstasy,
that followed expelling something
 parasitic and omniscient,
a future rival.
she lands on the floor
fetal,
the thing no one wanted
without even a congratulations! bouquet
or a lotus to symbolize
finality.

we aren’t worthy of those feline
endowments
thrust upon us when we are playing
mole     carcass on the doormat
aborted from our burrowed holes
for something more vociferous
to grab onto and finish,
our kinship;  the lions.
we are nothing like our ancestors.
our virile mothers
who know nothing of preening,
who care nothing for tail feathers.
they take what they want.
they don’t grovel at their fathers’ feet.
they honor the slaughter,
the one they started
before the harvest and pay homage
to the sky for the water provided
before they stuff themselves
with vision.

we lack vision.
we just paint our nails black,
and dress like witches,
talk shit;
start shit for derision.
and we keep turning to our men
for forgiveness when we are wayward
or won’t marry them
or stand up when they
crush our necks and they
say the rope is coming next.
we should be
stuffing our faces with the meat they provided,
learning fillet knives,
smiling like shovels and
burying them.


“Halloween”

I value freedom most.
I wander
in both eyes and body
always collecting
but devoted to the last,
even fixated
but also loose with most
acquaintances stressing
compromise, meaning
yielding to my rule
and enjoying breaks,
enjoying screaming.

favoring
opportunity over floor,
I value the sky and
currents more than houses.
the ephemeral in
our lives while also walking
three inches higher than I am,
on tiptoe,
touching things,
making threats in the air
when angered and
you say I am

for-mi-da-ble,
          a bit virulent
is how you say it and
before we seek the advantageousness
of everything, it’s Friday
and we are
processing hard truths.
the way silence hits
mostly and my hand
opening, the spontaneity
of losing things.
tell me,
where do you keep
your pocketknife?

 life is rushing and swamps
with its shades of
blue; azure
  (you name things)
sky, or cobalt fluid
or nightmare
like a wall of nail polish
you’re reading every
dressed up inch of you.
your rehearsed malignance.
your wry contribution
with your cocked smile
to hide your jealous
sulk.

the moon moves
from womb
to waste
to task those
unsewn wounds
and you embrace things now
with reticence
but you’re open to the epitaph
scrawled across the rock hard
eyelid
      temperance
that means patience, 
my Venus in Leo
is running.
you made him carve something else
across
your eyes that night
on Jupiter:
          I remember everything.

but you didn’t want to be
so right and you didn’t really
ask
for things,      usually
you just opened a door
and walked in but
you made it clear
as you rummaged through
the closet smelling him,
you are always someone’s
secret. you are
unconditional when furtive
but frigid and passing
like a northern mist
otherwise.

 

“venus in 12th house”

I wish I had more words for
“terrorized”
tossing jumpers from my dollhouse,
that may have been where I learned
to cut my hair like my brother
but I first
learned how to get undressed:

the boy in the bed asking
me to try on something that
slips off and
now I’m in tight pants
and loose sweaters and
just another verse
picking at its stitches,
grunting from the dark and
taking educated guesses at the Rorschach blot
that spreads across its skirt
when she is strut.
but writing with a vocal fry;
a sort of deflection, uptalk and
cadence, downplaying
it with rhythm as you
try to capture the moment
you were knees first on
a pink and white daybed
as he showed you all the ways
to take it;
passive pistil,
this is what men want;
humiliation of
all the little violations
that add up to today
without one strong word
or accurate verb
to describe the way a knife
sticks for a second and you moan
the wrong way.

what sounds better to you?
I say over coffee, trying to
finish some titles,
possibly in love but also
possibly 

.“besieged” or “PTSD”
or simply
“raped?”

“the act of naming things”

I read a note out loud to myself:
everything that is really hard
is going to save your life
and a blackbird landed on the branch
outside my living room
window.
still, their eyes small and
sharp
waiting to dive,
waiting for the buzz of cicadas
to start again.
that reminds me,

I say in my head,
i’m emaciating.
I take a sip of water.
starved from the looking
without touching and
I want too much
has many meanings.
I read the words aloud again
and pour myself a thimble
of almonds.

it is first that I craft the lie.
I begin to charm him:
untie a ribbon from her
rib cage and kneel,
bind his wrists together
and lick his inner thigh.
do you believe everything I say?
I stare intently when I
ask things.

and then you become the
braced masochist
and I become
the looming hit.

“maelstrom”

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